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1. American Cinematographer, Vol 60, No. 3, March 1979 2. 'CINEMA', from An Encyclopeadia of New Zealand, edited by A.H. McLintock, originally published in 1966. Te-Ara - The Encyclopedia of New Zealand, updated 9-Jun-2006. URL:http://www.TeAra.govt.nz/1966/C/Cinema/en. Viewed 21 September 2006. 3. Directory of Official Information, 1987. The State Services Commission. Wellington 1987. 4. Fry, Margot: A Servant of Many Masters: A History of the National Film Unit 1941-1946. Unpublished Masters Thesis. Victoria University Wellington 1995. 5. New Zealand Official Yearbook, 1946 6. New Zealand's Heritage, Part 93 7. New Zealand Tourist and Publicity Department Annual Report, 1987 8. Sowry, Clive, Article in periodical Cinema Papers, May-June 1980, Cinema Papers Pty. North Melbourne 1980. 9. Sowry, Clive, Chapter on film in Fraser, Bryce (et al) The New Zealand Book of Events, Reed Methuen, Auckland. 1986 10. TO 48/31 Amalgamation of Publicity Department with Tourist Department, 1950, Archives New Zealand Tourist Department (TO) Record Group 11. TO 49/87/10 Establishment of the National Film Unit, 1942-46, Archives New Zealand Tourist Department (TO) Record Group
The State's involvement in film making can be traced back to 1907 when the Government Tourist Department employed J. McDonald to make some newsreels on New Zealand subjects to send overseas. Later on the Government Photography Office, operating under the Department of Agriculture made several films. In 1923 the Photography Office was absorbed by the Publicity Office, a new division of the Department of Internal Affairs. Scenic "shorts" and travelogues were produced for local and overseas tourist promotion. A private company "Filmcraft Ltd" was contracted to process these movies, and it built the Miramar Film Studios in 1928. In 1930, the Publicity Office became part of the new Department of Industry and Commerce, Tourist and Publicity. The department acquired Filmcraft's interest in the Miramar Studios in 1936, which became the Government Motion Picture and Advertising Studios.The 1940 Centennial film One Hundred Crowded Years was the fledgling studio's first significant production.
Impressed by the quality of war newsreels produced by other countries such as the United Kingdom and Canada, the Government established the National Film Unit in August 1941 to help publicise the war effort. The inauguration of the National Film Unit marked a change in policy to that of its predecessor. An important aim was to highlight New Zealand's participation in the war effort both overseas and on the home front. The Film Unit produced a regular and popular information newsreel entitled "Weekly Review".
In policy matters, the Film Unit was answerable to the Wartime Director of Publicity attached to the Prime Minister's Department, while the administration of the studios remained in the control of the Department of Industry and Commerce, Tourist and Publicity. In 1946 the National Film Unit became part of the Information Section of the Prime Minister's Department. The "Weekly Review" continued after the war, and the Film Unit also began making documentaries concerning national problems and undertakings, as well as films to the order of various government departments. The National Film Unit maintained considerable independent control over its operations and in the content of films produced.
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This new status was underlined by the selection of films to be made, which was to be determined by a Cabinet Sub-Committee. A new position of Manager was created which replaced the Producer as the senior position in the Film Unit. The Producer subsequently no longer had a role in policy fomulation. More robust accounting procedures were introduced and there was closer supervision of annual budgets. The Film Unit was also required to become a self contained trading unit and to compete with private enterprise. Efforts to compete in the commercial environment were greatly limited due to the largely non trade nature of the films the National Film Unit produced and the fact that the private film industry in New Zealand relied on the Film Unit's laboratories for nearly all its processing requirements. The film processing section became the Film Unit's biggest single revenue-earning operation.
Production of the Weekly Review ceased in August 1950 due to budgetary constraints and work demands from other departments. Allegations were also made that it was politically biased. Four hundred and sixty episodes in all were produced. In 1952 a monthly magazine film entitled "Pictorial Parade" was first screened and this became the Unit's main output until production ceased in 1971. The Unit also made documentaries at the request of government departments, films for national organisations, as well as many important films on its own initiative.
The arrival of television as a new medium in 1960 gave the National Film Unit increased demand for its processing facilities from the New Zealand Brodcasting Corporation. In the long term though there was competition between the two agencies for staff and resources as the NZBC developed its own film production facilities. During the 1960s efforts were made to integrate the Film Unit with the NZBC. The National Film Unit succesfully remained a separate entity based at Miramar until 1978 when the Unit moved to the new studio complex in Lower Hutt. In November 1988 The State Services Commission's Video Unit was merged with the National Film Unit.
By 1990 the Unit consisted of seven main sections: Production, Laboratory, Facilities, Video Services, Technical Services, Marketing and Administration/Finance. The Unit's role was to provide commercial services which met the needs of government and the private sector in the field of film and video production and sales, film and video processing, production services, and film consultancy services. Archives New Zealand, Wellington took over responsibility for the restoration and preservation of the National Film Unit's extensive archival film collection in 1988. In 1988 the Government announced its intention to sell the National Film Unit. In March 1990 the National Film Unit was sold to Television New Zealand.
During the 1990's a portion of the National Film Unit films were transferred to Archives New Zealand. The remaining National Film Unit films were managed by Television New Zealand's Archive until the closure of the Archive in 2013.
The National Film Unit was established to publicise New Zealand's participation and achievements during the Second World War. After 1945 the Film Unit expanded from producing weekly newsreels to making documentaries and films to the order of Government Departments. During its existence the Film Unit produced films for national organisations as well as many films on its own initiative. The private film industry in New Zealand relied heavily on the National Film Unit's extensive film processing facilities.
Lower Hutt, Wellington
Show History
The State's involvement in film making can be traced back to 1907 when the Government Tourist Department employed J. McDonald to make some newsreels on New Zealand subjects to send overseas. Later on the Government Photography Office, operating under the Department of Agriculture made several films. In 1923 the Photography Office was absorbed by the Publicity Office, a new division of the Department of Internal Affairs. Scenic "shorts" and travelogues were produced for local and overseas tourist promotion. A private company "Filmcraft Ltd" was contracted to process these movies, and it built the Miramar Film Studios in 1928. In 1930, the Publicity Office became part of the new Department of Industry and Commerce, Tourist and Publicity. The department acquired Filmcraft's interest in the Miramar Studios in 1936, which became the Government Motion Picture and Advertising Studios.The 1940 Centennial film One Hundred Crowded Years was the fledgling studio's first significant production.
Impressed by the quality of war newsreels produced by other countries such as the United Kingdom and Canada, the Government established the National Film Unit in August 1941 to help publicise the war effort. The inauguration of the National Film Unit marked a change in policy to that of its predecessor. An important aim was to highlight New Zealand's participation in the war effort both overseas and on the home front. The Film Unit produced a regular and popular information newsreel entitled "Weekly Review".
In policy matters, the Film Unit was answerable to the Wartime Director of Publicity attached to the Prime Minister's Department, while the administration of the studios remained in the control of the Department of Industry and Commerce, Tourist and Publicity. In 1946 the National Film Unit became part of the Information Section of the Prime Minister's Department. The "Weekly Review" continued after the war, and the Film Unit also began making documentaries concerning national problems and undertakings, as well as films to the order of various government departments. The National Film Unit maintained considerable independent control over its operations and in the content of films produced.
In 1949 the incoming National Government undertook a wide ranging review of the National Film Unit. As a result of the review the National Film Unit became part of the Publicity Division of an expanded Department of Tourist and Publicity. Removal from the ambit of the Prime Ministers Department was seen by some as a downgrading of the independent status of the Film Unit. The National Film Unit was now placed firmly within the Public Service.
This new status was underlined by the selection of films to be made, which was to be determined by a Cabinet Sub-Committee. A new position of Manager was created which replaced the Producer as the senior position in the Film Unit. The Producer subsequently no longer had a role in policy fomulation. More robust accounting procedures were introduced and there was closer supervision of annual budgets. The Film Unit was also required to become a self contained trading unit and to compete with private enterprise. Efforts to compete in the commercial environment were greatly limited due to the largely non trade nature of the films the National Film Unit produced and the fact that the private film industry in New Zealand relied on the Film Unit's laboratories for nearly all its processing requirements. The film processing section became the Film Unit's biggest single revenue-earning operation.
Production of the Weekly Review ceased in August 1950 due to budgetary constraints and work demands from other departments. Allegations were also made that it was politically biased. Four hundred and sixty episodes in all were produced. In 1952 a monthly magazine film entitled "Pictorial Parade" was first screened and this became the Unit's main output until production ceased in 1971. The Unit also made documentaries at the request of government departments, films for national organisations, as well as many important films on its own initiative.
The arrival of television as a new medium in 1960 gave the National Film Unit increased demand for its processing facilities from the New Zealand Brodcasting Corporation. In the long term though there was competition between the two agencies for staff and resources as the NZBC developed its own film production facilities. During the 1960s efforts were made to integrate the Film Unit with the NZBC. The National Film Unit succesfully remained a separate entity based at Miramar until 1978 when the Unit moved to the new studio complex in Lower Hutt. In November 1988 The State Services Commission's Video Unit was merged with the National Film Unit.
By 1990 the Unit consisted of seven main sections: Production, Laboratory, Facilities, Video Services, Technical Services, Marketing and Administration/Finance. The Unit's role was to provide commercial services which met the needs of government and the private sector in the field of film and video production and sales, film and video processing, production services, and film consultancy services. Archives New Zealand, Wellington took over responsibility for the restoration and preservation of the National Film Unit's extensive archival film collection in 1988. In 1988 the Government announced its intention to sell the National Film Unit. In March 1990 the National Film Unit was sold to Television New Zealand.
During the 1990's a portion of the National Film Unit films were transferred to Archives New Zealand. The remaining National Film Unit films were managed by Television New Zealand's Archive until the closure of the Archive in 2013.
1. American Cinematographer, Vol 60, No. 3, March 1979 2. 'CINEMA', from An Encyclopeadia of New Zealand, edited by A.H. McLintock, originally published in 1966. Te-Ara - The Encyclopedia of New Zealand, updated 9-Jun-2006. URL:http://www.TeAra.govt.nz/1966/C/Cinema/en. Viewed 21 September 2006. 3. Directory of Official Information, 1987. The State Services Commission. Wellington 1987. 4. Fry, Margot: A Servant of Many Masters: A History of the National Film Unit 1941-1946. Unpublished Masters Thesis. Victoria University Wellington 1995. 5. New Zealand Official Yearbook, 1946 6. New Zealand's Heritage, Part 93 7. New Zealand Tourist and Publicity Department Annual Report, 1987 8. Sowry, Clive, Article in periodical Cinema Papers, May-June 1980, Cinema Papers Pty. North Melbourne 1980. 9. Sowry, Clive, Chapter on film in Fraser, Bryce (et al) The New Zealand Book of Events, Reed Methuen, Auckland. 1986 10. TO 48/31 Amalgamation of Publicity Department with Tourist Department, 1950, Archives New Zealand Tourist Department (TO) Record Group 11. TO 49/87/10 Establishment of the National Film Unit, 1942-46, Archives New Zealand Tourist Department (TO) Record Group
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If children are encouraged to explore books, learning to read leads them into a wider world they can enjoy. The teaching of reading is often misunderstood and this film shows how some anxious parents investigate methods used in a New Zealand primary school.
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On 10 April 1968 the inter-island ferry Wahine sank just inside Wellington Harbour with the loss of 51 lives. Set in the framework of a memorial service for the shipwreck victims, the film evokes (with black and white flashbacks) the day of the storm in all its confusion and destruction.
R24193443INTERNAL MIGRANTS ("Land of Birds" series, no. 6)
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Each autumn, hundreds of thousands of migratory wading birds leave New Zealand for summer nesting grounds of tundras of the Arctic Circle - up to 10,000 miles away. Left behind are the native wading birds, some of which are content to remain, and migrate within their homeland. These 'Internal Migrants' are the Oystercatchers, and the unique Wrybill Plover - the only bird in the world with a lateral twist to its bill.
Showing in detail the planning, the scientific techniques used, and the tabulation of results for seismic testing of Auckland's Dominion Road bridge, this film is designed to stimulate interest and investment in further tests of the this type to be carried out around the world.
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A record of the first World Rose Convention ever held - at Hamilton, New Zealand - Roseworld '71 takes a candid look at the roses, the rosarians who showed them, and the public's reactions.
This little film full of beautiful visual images, provides great intermission material. A rural glass blower produces wonderful shimmering works alongside a giant natural gas complex which feeds his furnace.
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Arnold Wilson and Para Matchitt, two Maori artists, reconcile traditional Maori art and present-day society; using contemporary materials, each has developed his individual freedom of form.
This short tourist promotion film is designed to whet travellers' appetites for the many attractions of the Southern Alps area served by the community of Queenstown. A quick glance at some of the area’s major attractions, including Lake Steamer trips, rafting, skiing, dining and fishing. Emphasis, too, is placed on the natural grandeur of the scenic vistas.
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In recent times, many of the world's 44 species of gulls have had to adapt their natural way of life to benefit from the wasteful habits of man. New Zealand's black backed gull, Karoro, is one example. This film study of Karoro reveals the major problems caused by excessive numbers of gulls; for the problem of gulls is really the problem of people.
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Imaginative music and sound effects enhance this commentary-free pictorial evocation of New Zealand and its people. Glorious scenic shots mold into a lyrical look through dairying, shepherding, carpet making, timber working, harvesting, agriculture and industry. From country show to city street, shearing shed to futures market, dancers to steel workers, joggers, cricketers, skiers, sailors and footballers. "Impressions" encapsulates the special quality of life in New Zealand.
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Six spectacular self contained films for television based on the life and times of Sir George Grey - one time Governor of Australia and South Africa, and the man who became the most powerful force in the making of 19th century New Zealand. At the age of 28, Captain George Grey was handed the Governorship of New Zealand - a beautiful but lawless land, inhabited by natives given to cannibalism. The few Europeans who had dared to settle were struggling to survive. The story of a man of ambition who was given power, which hadn't been known since the days of the Roman Empire.
The 6-part series The Governor won the 1978 Feltex Award for Best Drama.
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An impressionistic film looking to the future of the environment. Special effects are used and predictions are incorporated. The optimistic conclusion lays emphasis on individual responsibility.
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Each autumn, hundreds of thousands of migratory wading birds leave New Zealand for summer nesting grounds of tundras of the Arctic Circle - up to 10,000 miles away. Left behind are the native wading birds, some of which are content to remain, and migrate within their homeland. These 'Internal Migrants' are the Oystercatchers, and the unique Wrybill Plover - the only bird in the world with a lateral twist to its bill.
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If children are encouraged to explore books, learning to read leads them into a wider world they can enjoy. The teaching of reading is often misunderstood and this film shows how some anxious parents investigate methods used in a New Zealand primary school.
R24193845WE'RE ONLY HUMAN BEINGS DRESSED IN FIREMEN'S UNIFORMS R.2
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Firemen are only human, yet they have learnt to conquer fears which are common to human nature - fears of fire, height, darkness and of enclosed spaces. Commemorating 10 years as a national organisation this film takes the viewer into the often dangerous, sometimes amusing world of the men and women of the New Zealand Fire Service.
Imaginative music and sound effects enhance this commentary-free pictorial evocation of New Zealand and its people. Glorious scenic shots mold into a lyrical look through dairying, shepherding, carpet making, timber working, harvesting, agriculture and industry. From country show to city street, shearing shed to futures market, dancers to steel workers, joggers, cricketers, skiers, sailors and footballers. "Impressions" encapsulates the special quality of life in New Zealand.
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R24193230WITH US ALL THE WAY & THE DOUBLE STANDARD
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"With Us All The Way": Alcohol is still widely used, as it has been for centuries. Typical approaches of a heavy, moderate and light drinker to drinking are examined, as are the comparative strengths of different drinks. The effects of drinking to excess are illustrated, from the immediate effects on behaviour to the long term effects of alcohol on the body.
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Firemen are only human, yet they have learnt to conquer fears which are common to human nature - fears of fire, height, darkness and of enclosed spaces. Commemorating 10 years as a national organisation this film takes the viewer into the often dangerous, sometimes amusing world of the men and women of the New Zealand Fire Service.
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New Zealand's geographic proximity to Antarctica has led to an active involvement in the scientific exploration of the Ice Continent since Scott Base was constructed near the Ross Ice Shelf :In the mid '50’s. Each year many scientific projects or 'events' are undertaken in the New Zealand Dependency. By comparison with the larger nations the New Zealand effort in Antarctica is unique - over 100 scientists and general personnel are stationed at Scott Base during the summer months and per head of population results of their scientific exploration could be higher than any other country. Antarctica has seen two historical periods. Following the early Age of Exploration came the Age of Scientific Exploration. Now with world pressure on the greater extraction of natural resources the question is - will the next Age be that of Exploitation? If so what will be the result on a continent, hitherto untouched,
which determines much of the Global Eco system? What will be the implications for Mankind?
A light hearted look at the obsession with four-wheeled transport, from the ordinary family saloon on the way to work, to the gleaming expression of the sculptor/painter's art: from exploitation/sex symbol, to film stars: from the quiet serenity of motoring in New Zealand's beautiful countryside to the noise and speed of competition covering rallying, four-wheel cross-country, and the stock car derby. Culminating in Formula racing, no wheel is left unturned.
New Zealand manufacturers must export to survive - and getting the goods to market is essential to the whole process. Transport - especially shipping - provides a vital link in the export chain. "Container Countdown" follows the M.S. New Zealand Pacific, one of the large container ships run by the Shipping Corporation of New Zealand on one of her calls through New Zealand ports.
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If children are encouraged to explore books, learning to read leads them into a wider world they can enjoy. The teaching of reading is often misunderstood and this film shows how some anxious parents investigate methods used in a New Zealand primary school.
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Maori legend tells that the volcano Taranaki., thwarted in love, erupted with grief and scattered his tears along the coast. Today, we know these tears as ironsands, gather them up in enormous quantities and in the inferno of a push-button mill, forge them into steel.
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The candid record of a unique 14-day theatre school, held at the village of Manutuke by the New Zealand Maori Theatre Trust. Young Maoris who would form a professional touring company were trained in stagecraft, and re-acquainted with many of the cultural traditions of their race.
A pencil animated film in which a future game-therapy clinic echoes the efforts of a present day video parlour addict to solve his typical teenage problems. Of direct relevance to adolescents grappelling with authority.
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A documentary in which Hugh Canard, Neil Hamilton and Bruce Jenkins make a dramatic climb of Mt. Aspiring, a spectacular peak in the remote high country of West Otago.
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This short tourist promotion film is designed to whet travellers' appetites for the many attractions of the Southern Alps area served by the community of Queenstown. A quick glance at some of the area’s major attractions, including Lake Steamer trips, rafting, skiing, dining and fishing. Emphasis, too, is placed on the natural grandeur of the scenic vistas.
In recent times, many of the world's 44 species of gulls have had to adapt their natural way of life to benefit from the wasteful habits of man. New Zealand's black backed gull, Karoro, is one example. This film study of Karoro reveals the major problems caused by excessive numbers of gulls; for the problem of gulls is really the problem of people.
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From parks and public gardens to the backyard enthusiast, "Green Garden Country" shows how New Zealand's extraordinary variety of shrubs and flowers from all parts of the world contribute to an enviable way of life in this country. (Japanese version available).
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Auckland's Hauraki Gulf is one of the finest sailing areas in the world, and Bruce Farr is a New Zealand yacht designer with an international reputation. When two Farr yachts Cotton Blossom and Zamazaan - engage in three days’ racing over this area,. the scene is set for some spectacular sailing.
The friendly competition inevitably turns into a dramatic rivalry, and the outcome remains uncertain until the exciting last few yards.
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Auckland's Hauraki Gulf is one of the finest sailing areas in the world, and Bruce Farr is a New Zealand yacht designer with an international reputation. When two Farr yachts Cotton Blossom and Zamazaan - engage in three days’ racing over this area,. the scene is set for some spectacular sailing.
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A documentary in which Hugh Canard, Neil Hamilton and Bruce Jenkins make a dramatic climb of Mt. Aspiring, a spectacular peak in the remote high country of West Otago.
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This short tourist promotion film is designed to whet travellers' appetites for the many attractions of the Southern Alps area served by the community of Queenstown. A quick glance at some of the area’s major attractions, including Lake Steamer trips, rafting, skiing, dining and fishing. Emphasis, too, is placed on the natural grandeur of the scenic vistas.
A pencil animated film in which a future game-therapy clinic echoes the efforts of a present day video parlour addict to solve his typical teenage problems. Of direct relevance to adolescents grappelling with authority.
A documentary in which Hugh Canard, Neil Hamilton and Bruce Jenkins make a dramatic climb of Mt. Aspiring, a spectacular peak in the remote high country of West Otago.
From parks and public gardens to the backyard enthusiast, "Green Garden Country" shows how New Zealand's extraordinary variety of shrubs and flowers from all parts of the world contribute to an enviable way of life in this country. (Japanese version available).
A bottlenose dolphin is captured in the Marlborough Sounds. The good natured animal - close kin to humankind - is transported to "Marineland of New Zealand" in Napier and trained there. The film records its story through to its first public performance.
Auckland's Hauraki Gulf is one of the finest sailing areas in the world, and Bruce Farr is a New Zealand yacht designer with an international reputation. When two Farr yachts Cotton Blossom and Zamazaan - engage in three days’ racing over this area,. the scene is set for some spectacular sailing.
The friendly competition inevitably turns into a dramatic rivalry, and the outcome remains uncertain until the exciting last few yards.
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This film shows the tourist the attractions, both scenic and cultural which will be seen when touring New Zealand by bus/coach. Also illustrated is the standard of accommodation, meals and buses/coaches which the tourist will normally find.
A brief encounter with three artists. Two are sculptors, the third a potter. The film reflects on how their deep involvement with nature and spiritual matters inspire their work.
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Arnold Wilson and Para Matchitt, two Maori artists, reconcile traditional Maori art and present-day society; using contemporary materials, each has developed his individual freedom of form.
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A light hearted look at the obsession with four-wheeled transport, from the ordinary family saloon on the way to work, to the gleaming expression of the sculptor/painter's art: from exploitation/sex symbol, to film stars: from the quiet serenity of motoring in New Zealand's beautiful countryside to the noise and speed of competition covering rallying, four-wheel cross-country, and the stock car derby. Culminating in Formula racing, no wheel is left unturned.
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Arnold Wilson and Para Matchitt, two Maori artists, reconcile traditional Maori art and present-day society; using contemporary materials, each has developed his individual freedom of form.
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After months of preparation, two steam locomotives pulling a load of railway enthusiasts set off from Wellington to Auckland. Throughout this nostalgic trip, rail fans on the train and others gathered along the route with cameras and tape recorders at the ready, share their excitement and pleasure with the audience.
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This short tourist promotion film is designed to whet travellers' appetites for the many attractions of the Southern Alps area served by the community of Queenstown. A quick glance at some of the area’s major attractions, including Lake Steamer trips, rafting, skiing, dining and fishing. Emphasis, too, is placed on the natural grandeur of the scenic vistas.
Without a very special kind of dog, handling New Zealand's 60 million sheep would be an impossible job. The National Sheepdog Trials - where the best of the breed show their form -are featured in this film, and leading breeder Bob Wilson demonstrates the training which produces these uncannily perceptive animals.
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Arnold Wilson and Para Matchitt, two Maori artists, reconcile traditional Maori art and present-day society; using contemporary materials, each has developed his individual freedom of form.
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Julie, the central character in this drama, thinks back over the events which led to her schizophrenic breakdown. We see moments, scenes, confrontations, which seemed to her important. At the same time she attempts to understand, to scrutinize her origins, her childhood and adolescence in an endeavour to comprehend the reasons for her breakdown. The film ends with her admission to a mental hospital in a catatonic state.
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Imaginative music and sound effects enhance this commentary-free pictorial evocation of New Zealand and its people. Glorious scenic shots mold into a lyrical look through dairying, shepherding, carpet making, timber working, harvesting, agriculture and industry. From country show to city street, shearing shed to futures market, dancers to steel workers, joggers, cricketers, skiers, sailors and footballers. "Impressions" encapsulates the special quality of life in New Zealand.
A pencil animated film in which a future game-therapy clinic echoes the efforts of a present day video parlour addict to solve his typical teenage problems. Of direct relevance to adolescents grappelling with authority.
A documentary in which Hugh Canard, Neil Hamilton and Bruce Jenkins make a dramatic climb of Mt. Aspiring, a spectacular peak in the remote high country of West Otago.
A bottlenose dolphin is captured in the Marlborough Sounds. The good natured animal - close kin to humankind - is transported to "Marineland of New Zealand" in Napier and trained there. The film records its story through to its first public performance.
This short tourist promotion film is designed to whet travellers' appetites for the many attractions of the Southern Alps area served by the community of Queenstown. A quick glance at some of the area’s major attractions, including Lake Steamer trips, rafting, skiing, dining and fishing. Emphasis, too, is placed on the natural grandeur of the scenic vistas.
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Auckland's Hauraki Gulf is one of the finest sailing areas in the world, and Bruce Farr is a New Zealand yacht designer with an international reputation. When two Farr yachts Cotton Blossom and Zamazaan - engage in three days’ racing over this area,. the scene is set for some spectacular sailing.
The friendly competition inevitably turns into a dramatic rivalry, and the outcome remains uncertain until the exciting last few yards.
A visual impression of Rarotonga, showing aspects of sporting, cultural, religious and social life on the island, the biggest in the Cook Islands group.
Maori legend tells that the volcano Taranaki., thwarted in love, erupted with grief and scattered his tears along the coast. Today, we know these tears as ironsands, gather them up in enormous quantities and in the inferno of a push-button mill, forge them into steel.
A bottlenose dolphin is captured in the Marlborough Sounds. The good natured animal - close kin to humankind - is transported to "Marineland of New Zealand" in Napier and trained there. The film records its story through to its first public performance.
A documentary in which Hugh Canard, Neil Hamilton and Bruce Jenkins make a dramatic climb of Mt. Aspiring, a spectacular peak in the remote high country of West Otago.
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A pencil animated film in which a future game-therapy clinic echoes the efforts of a present day video parlour addict to solve his typical teenage problems. Of direct relevance to adolescents grappelling with authority.
Maori legend tells that the volcano Taranaki., thwarted in love, erupted with grief and scattered his tears along the coast. Today, we know these tears as ironsands, gather them up in enormous quantities and in the inferno of a push-button mill, forge them into steel.
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Family fun when an Australian family ventures "Right Next Door" to New Zealand for a memorable holiday. Mum, Dad and the kids explore New Zealand in a campervan and discover it is a great place to visit. With spectacular scenery, sun, sea, sand - and even snow - exotic food, enjoyable company, and a cameo appearance by raconteur Barry Crump, this New Zealand excursion proves to be an unforgettable holiday experience.
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Auckland's Hauraki Gulf is one of the finest sailing areas in the world, and Bruce Farr is a New Zealand yacht designer with an international reputation. When two Farr yachts Cotton Blossom and Zamazaan - engage in three days’ racing over this area,. the scene is set for some spectacular sailing.
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Erosion, whether natural or begun and aggravated by man, can seriously affect us all. The causes, problems and efforts to combat different aspects of erosion are looked at, particularly in the High Country and on the difficult soils of the pumicelands and the East Coast. The film looks at erosion through its effect on the lives of people in these areas, as well as its disastrous consequence in the flooding of lowland farms and towns. Where man has altered the land, erosion is all too often the price he has to keep on paying.
Maori legend tells that the volcano Taranaki., thwarted in love, erupted with grief and scattered his tears along the coast. Today, we know these tears as ironsands, gather them up in enormous quantities and in the inferno of a push-button mill, forge them into steel.
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A bottlenose dolphin is captured in the Marlborough Sounds. The good natured animal - close kin to humankind - is transported to "Marineland of New Zealand" in Napier and trained there. The film records its story through to its first public performance.
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Perfection of flight - over the sea. The Albatross - symbol of freedom. A solitary bird, of wind and storm, known to men of the sea, since they first ventured into the great Southern Oceans. Of the world's 13 Albatross species, 9 are still found between the Roaring forties' and the pack ice of Antarctica. Among these are 2 'giant' species - the "Wanderers" and the "Royals". With wings that span up to 11 feet they are the world's largest seabirds. "Royal Albatross" features the life cycle of these majestic birds during their breeding year ashore on 'Tairoa'- the only great Albatross colony, on a habited mainland.
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R24194045RANK VIDEO - N.Z.B.C. [New Zealand Broadcasting Corporation] COMMONWEALTH GAMES
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For guide leaders, involvement with the Girl Guide movement is a dedicated and rewarding experience. Working with young people and helping to widen their experiences of life becomes a two way association. In "Towards Tomorrow" adult experience with youth is set against the backdrop of the New Zealand outdoors.
Auckland's Hauraki Gulf is one of the finest sailing areas in the world, and Bruce Farr is a New Zealand yacht designer with an international reputation. When two Farr yachts Cotton Blossom and Zamazaan - engage in three days’ racing over this area,. the scene is set for some spectacular sailing.
The friendly competition inevitably turns into a dramatic rivalry, and the outcome remains uncertain until the exciting last few yards.
A pencil animated film in which a future game-therapy clinic echoes the efforts of a present day video parlour addict to solve his typical teenage problems. Of direct relevance to adolescents grappelling with authority.
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This film shows the tourist the attractions, both scenic and cultural which will be seen when touring New Zealand by bus/coach. Also illustrated is the standard of accommodation, meals and buses/coaches which the tourist will normally find.
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A pencil animated film in which a future game-therapy clinic echoes the efforts of a present day video parlour addict to solve his typical teenage problems. Of direct relevance to adolescents grappelling with authority.
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The candid record of a unique 14-day theatre school, held at the village of Manutuke by the New Zealand Maori Theatre Trust. Young Maoris who would form a professional touring company were trained in stagecraft, and re-acquainted with many of the cultural traditions of their race.
For guide leaders, involvement with the Girl Guide movement is a dedicated and rewarding experience. Working with young people and helping to widen their experiences of life becomes a two way association. In "Towards Tomorrow" adult experience with youth is set against the backdrop of the New Zealand outdoors.
Family fun when an Australian family ventures "Right Next Door" to New Zealand for a memorable holiday. Mum, Dad and the kids explore New Zealand in a campervan and discover it is a great place to visit. With spectacular scenery, sun, sea, sand - and even snow - exotic food, enjoyable company, and a cameo appearance by raconteur Barry Crump, this New Zealand excursion proves to be an unforgettable holiday experience.
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Erosion, whether natural or begun and aggravated by man, can seriously affect us all. The causes, problems and efforts to combat different aspects of erosion are looked at, particularly in the High Country and on the difficult soils of the pumicelands and the East Coast. The film looks at erosion through its effect on the lives of people in these areas, as well as its disastrous consequence in the flooding of lowland farms and towns. Where man has altered the land, erosion is all too often the price he has to keep on paying.
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This film shows the tourist the attractions, both scenic and cultural which will be seen when touring New Zealand by bus/coach. Also illustrated is the standard of accommodation, meals and buses/coaches which the tourist will normally find.
R24192248FOUR FACES OF NEW ZEALAND
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A pencil animated film in which a future game-therapy clinic echoes the efforts of a present day video parlour addict to solve his typical teenage problems. Of direct relevance to adolescents grappelling with authority.
Auckland's Hauraki Gulf is one of the finest sailing areas in the world, and Bruce Farr is a New Zealand yacht designer with an international reputation. When two Farr yachts Cotton Blossom and Zamazaan - engage in three days’ racing over this area,. the scene is set for some spectacular sailing.
The friendly competition inevitably turns into a dramatic rivalry, and the outcome remains uncertain until the exciting last few yards.
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The candid record of a unique 14-day theatre school, held at the village of Manutuke by the New Zealand Maori Theatre Trust. Young Maoris who would form a professional touring company were trained in stagecraft, and re-acquainted with many of the cultural traditions of their race.
A brief encounter with three artists. Two are sculptors, the third a potter. The film reflects on how their deep involvement with nature and spiritual matters inspire their work.
Family fun when an Australian family ventures "Right Next Door" to New Zealand for a memorable holiday. Mum, Dad and the kids explore New Zealand in a campervan and discover it is a great place to visit. With spectacular scenery, sun, sea, sand - and even snow - exotic food, enjoyable company, and a cameo appearance by raconteur Barry Crump, this New Zealand excursion proves to be an unforgettable holiday experience.
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From parks and public gardens to the backyard enthusiast, "Green Garden Country" shows how New Zealand's extraordinary variety of shrubs and flowers from all parts of the world contribute to an enviable way of life in this country. (Japanese version available).
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R24193864THE AIRFORCE STORY: THE FIRST 50 YEARS
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R24193440INTERNAL MIGRANTS ("Land of Birds" series, no. 6)
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Each autumn, hundreds of thousands of migratory wading birds leave New Zealand for summer nesting grounds of tundras of the Arctic Circle - up to 10,000 miles away. Left behind are the native wading birds, some of which are content to remain, and migrate within their homeland. These 'Internal Migrants' are the Oystercatchers, and the unique Wrybill Plover - the only bird in the world with a lateral twist to its bill.
R24193844WE'RE ONLY HUMAN BEINGS DRESSED IN FIREMEN'S UNIFORMS R.1
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Firemen are only human, yet they have learnt to conquer fears which are common to human nature - fears of fire, height, darkness and of enclosed spaces. Commemorating 10 years as a national organisation this film takes the viewer into the often dangerous, sometimes amusing world of the men and women of the New Zealand Fire Service.
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Imaginative music and sound effects enhance this commentary-free pictorial evocation of New Zealand and its people. Glorious scenic shots mold into a lyrical look through dairying, shepherding, carpet making, timber working, harvesting, agriculture and industry. From country show to city street, shearing shed to futures market, dancers to steel workers, joggers, cricketers, skiers, sailors and footballers. "Impressions" encapsulates the special quality of life in New Zealand.
If children are encouraged to explore books, learning to read leads them into a wider world they can enjoy. The teaching of reading is often misunderstood and this film shows how some anxious parents investigate methods used in a New Zealand primary school.
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New Zealand's geographic proximity to Antarctica has led to an active involvement in the scientific exploration of the Ice Continent since Scott Base was constructed near the Ross Ice Shelf :In the mid '50’s. Each year many scientific projects or 'events' are undertaken in the New Zealand Dependency. By comparison with the larger nations the New Zealand effort in Antarctica is unique - over 100 scientists and general personnel are stationed at Scott Base during the summer months and per head of population results of their scientific exploration could be higher than any other country. Antarctica has seen two historical periods. Following the early Age of Exploration came the Age of Scientific Exploration. Now with world pressure on the greater extraction of natural resources the question is - will the next Age be that of Exploitation? If so what will be the result on a continent, hitherto untouched,
which determines much of the Global Eco system? What will be the implications for Mankind?
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Imaginative music and sound effects enhance this commentary-free pictorial evocation of New Zealand and its people. Glorious scenic shots mold into a lyrical look through dairying, shepherding, carpet making, timber working, harvesting, agriculture and industry. From country show to city street, shearing shed to futures market, dancers to steel workers, joggers, cricketers, skiers, sailors and footballers. "Impressions" encapsulates the special quality of life in New Zealand.
New Zealand manufacturers must export to survive - and getting the goods to market is essential to the whole process. Transport - especially shipping - provides a vital link in the export chain. "Container Countdown" follows the M.S. New Zealand Pacific, one of the large container ships run by the Shipping Corporation of New Zealand on one of her calls through New Zealand ports.
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This short tourist promotion film is designed to whet travellers' appetites for the many attractions of the Southern Alps area served by the community of Queenstown. A quick glance at some of the area’s major attractions, including Lake Steamer trips, rafting, skiing, dining and fishing. Emphasis, too, is placed on the natural grandeur of the scenic vistas.
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Auckland's Hauraki Gulf is one of the finest sailing areas in the world, and Bruce Farr is a New Zealand yacht designer with an international reputation. When two Farr yachts Cotton Blossom and Zamazaan - engage in three days’ racing over this area,. the scene is set for some spectacular sailing.
The friendly competition inevitably turns into a dramatic rivalry, and the outcome remains uncertain until the exciting last few yards.
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A documentary in which Hugh Canard, Neil Hamilton and Bruce Jenkins make a dramatic climb of Mt. Aspiring, a spectacular peak in the remote high country of West Otago.
The candid record of a unique 14-day theatre school, held at the village of Manutuke by the New Zealand Maori Theatre Trust. Young Maoris who would form a professional touring company were trained in stagecraft, and re-acquainted with many of the cultural traditions of their race.
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Auckland's Hauraki Gulf is one of the finest sailing areas in the world, and Bruce Farr is a New Zealand yacht designer with an international reputation. When two Farr yachts Cotton Blossom and Zamazaan - engage in three days’ racing over this area,. the scene is set for some spectacular sailing.
The friendly competition inevitably turns into a dramatic rivalry, and the outcome remains uncertain until the exciting last few yards.
Arnold Wilson and Para Matchitt, two Maori artists, reconcile traditional Maori art and present-day society; using contemporary materials, each has developed his individual freedom of form.
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On 10 April 1968 the inter-island ferry Wahine sank just inside Wellington Harbour with the loss of 51 lives. Set in the framework of a memorial service for the shipwreck victims, the film evokes (with black and white flashbacks) the day of the storm in all its confusion and destruction.
This short tourist promotion film is designed to whet travellers' appetites for the many attractions of the Southern Alps area served by the community of Queenstown. A quick glance at some of the area’s major attractions, including Lake Steamer trips, rafting, skiing, dining and fishing. Emphasis, too, is placed on the natural grandeur of the scenic vistas.
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Imaginative music and sound effects enhance this commentary-free pictorial evocation of New Zealand and its people. Glorious scenic shots mold into a lyrical look through dairying, shepherding, carpet making, timber working, harvesting, agriculture and industry. From country show to city street, shearing shed to futures market, dancers to steel workers, joggers, cricketers, skiers, sailors and footballers. "Impressions" encapsulates the special quality of life in New Zealand.
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A light hearted look at the obsession with four-wheeled transport, from the ordinary family saloon on the way to work, to the gleaming expression of the sculptor/painter's art: from exploitation/sex symbol, to film stars: from the quiet serenity of motoring in New Zealand's beautiful countryside to the noise and speed of competition covering rallying, four-wheel cross-country, and the stock car derby. Culminating in Formula racing, no wheel is left unturned.
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New Zealand manufacturers must export to survive - and getting the goods to market is essential to the whole process. Transport - especially shipping - provides a vital link in the export chain. "Container Countdown" follows the M.S. New Zealand Pacific, one of the large container ships run by the Shipping Corporation of New Zealand on one of her calls through New Zealand ports.
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R24193840WE'RE ONLY HUMAN BEINGS DRESSED IN FIREMEN'S UNIFORMS R.1
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Firemen are only human, yet they have learnt to conquer fears which are common to human nature - fears of fire, height, darkness and of enclosed spaces. Commemorating 10 years as a national organisation this film takes the viewer into the often dangerous, sometimes amusing world of the men and women of the New Zealand Fire Service.
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The Bay of Islands - latitude 35°. longitude 174°. Here, a warm Pacific current drifts down New Zealand's coastline and gives perfect living conditions for marine life seen in this film's spectacular underwater sequences. In Summer the big fish - Marlin and shark - feed in the Bay of Islands. And this is where they've been hunted by big-game fishermen since the nineteen twenties. In "The Bait" film from 50 years ago and from today shows the disappointments, the triumphs, and the excitement of battling the big ones.
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A brief encounter with three artists. Two are sculptors, the third a potter. The film reflects on how their deep involvement with nature and spiritual matters inspire their work.
"Images of New Zealand" lives up to its title, as a wonderfully fastmoving, vibrant and many faceted glimpse of New Zealand - the land, the people, the pursuits, the pastimes.
Maori legend tells that the volcano Taranaki., thwarted in love, erupted with grief and scattered his tears along the coast. Today, we know these tears as ironsands, gather them up in enormous quantities and in the inferno of a push-button mill, forge them into steel.
Northland is a semi-tropical area, noted for its coastal beauty. This promotional film revolves around the local fishing competitions held there in summer and also gives a fast-moving, entertaining look at a variety of outdoor pursuits - among them swimming, surfing, water-skiing, sand-dune treks by minibus and nature bush walks.
New Zealand is possessed of remarkable contrasts in landscape and lifestyle, her people enjoy both modern city life, and the splendid isolation of the rugged countryside. This film takes an affectionate look at people throughout the country and conveys a feeling for the special way of life which New Zealanders value.
This short tourist promotion film is designed to whet travellers' appetites for the many attractions of the Southern Alps area served by the community of Queenstown. A quick glance at some of the area’s major attractions, including Lake Steamer trips, rafting, skiing, dining and fishing. Emphasis, too, is placed on the natural grandeur of the scenic vistas.
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R24191459DOWN AND OUT IN THE WAITEMATA (aka FERRIES)
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A collage of old stills, old footage and present-day nostalgia for the days of the ferries in Auckland. Old-timers recalling past glories, harbour spokesmen in a snappy exchange, grown-ups, kids, and old folk contribute to this light-hearted film.
Four New Zealand fishing guides demonstrate four different types of fishing in New Zealand rivers, which they know well. (Useful in particular to Angling clubs.)
Three Fire Safety community fillers. 1. 10 second barbeque explosion prevention (Don't use flammable liquidds to light fires). 2. 20 second barbeque spills prevention (Don't play around barbecues). 3. 30 second fat fire prevention (Don't leave cooking unattended).
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R24191460DOWN AND OUT IN THE WAITEMATA (aka FERRIES)
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For guide leaders, involvement with the Girl Guide movement is a dedicated and rewarding experience. Working with young people and helping to widen their experiences of life becomes a two way association. In "Towards Tomorrow" adult experience with youth is set against the backdrop of the New Zealand outdoors.
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When a cheerfully pragmatic young woman is married to a compulsive worrier, prone to vivid daydreams of the 'Walter Mitty' kind, daily life can be complicated. Sandra and Norman Allenby are such a couple - and they're having their first child. The prospect of being a father, with all that this entails, is almost too much for Norman's imagination; determined to do his best, he usually manages to over-complicate any situation, and to him, his graphic fantasies are painfully real. Well-organised Sandra knows how to best reassure her apprehensive husband. As comedy, "It's Your Child Norman Allenby" takes a gentle swing at some of the shibboleths surrounding parenthood; as comment on both the fears and aspirations of parents-to-be, it contains some quite important messages.
56 mins.
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W5490W5490 - 16mm black and white film (silent) - 'On Tour' from the 'New Zealand Today' series, produced by Neuline Studios for National Film Unit. 1949.ⓘ
W3941W3941 - Pictorial Parade Information Sheets, National Film Unit Information Sheets, Camera Record Notebooks, Censor's Certificates, File Index, Shot Lists, and Alphabetical Index to Information Sheets and Pictorial Parade Items.ⓘ
Pictorial Parade Information Sheets, National Film Unit Information Sheets, Camera Record Notebooks, Censor's Certificates, File Index, Shot Lists, and Alphabetical Index to Information Sheets and Pictorial Parade Items.
W3878W3878 - Lantern Slides - Hubert Milverton-Carta collection -
Probably copies from National Publicity Studios series 6401 and 6403 (see neg numbers in items)ⓘ
W3676W3676 - Production material from the Land of Birds series, shot primarily by Grant Foster and Geoff Moon in the 1960s, including audio tapes, film prints, negatives, off-cuts and magnetic sound. This material documents the production process for this unique series, which used an inn ...ⓘ
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An alternative search system for Archives NZ, inspired by the beautiful simplicity of the beloved Archway system.
🔍 How does it work?
The search results displayed here are sourced directly from the backend of Archives NZ's publicly available Collections Search system, in almost exactly the same way that the official website works, but organised and displayed differently.
To start with, you can do a straight-forward search with a few keywords and an optional date range and whether to focus on digitised items. You then have the option to filter the results futher (such as by Series and Format - photos, documents, etc).
You can highlight search keywords in the results by clicking the orange text in 'X results matching {keywords}'
The Advanced Search allows you to search with criteria such as showing only Series or Agency results, records held in a specific location, plus sorting and grouping options.
You can also browse within a Series or Accession by clicking the Series name. Search for records within that Series by using the search box on that page.
Digitised records can be viewed by clicking on the thumbnail or the 'Show Scan' links. This embeds a simple viewer directly in the page. You can switch to the official Archives NZ viewer by clicking the 🌀 Archives NZ Source link under the viewer.
Reporting by RNZ's Phil Pennington produced an internal Archives NZ report on Collections Search, describing: "Several significant issues ... slowness, a lack of booking functionality and an external user design that makes accessing archival records difficult. The level of user experience in place now is well below what was in place before the roll out". The report goes on to detail a number of privacy breaches, "continued delays by the vendor" on software improvements, and outages of 29 days in total, out of the ten months since launch.
This alternative search system aims to address some of the shortcomings of Collections Search, such as:
Only 12 search results are displayed at a time
Pages load very slowly
Full name of search result is cut off after a few words
No direct link to scanned documents
Type of record (military records, divorce files, land records, etc) and access status is not shown
It is almost impossible to browse records within a Series or Accession
🔍 Are my searches private?
Great question! In a nutshell, your searches are visible to me, but anonymous.
Your search queries on this system are recorded in logs for a period of time, without any user-identifiable information associated with them, for debugging purposes.
I have no way of identifying you as a person, or associating your search queries with you.
This website does not use Google Analytics, Facebook Pixel, or any other analytics/tracking software.
🔍 Who made this?
I'm Luke Howison, a freelance web developer with an interest in genealogy. I have written a few homebrew tools to assist with this research, such as NZ Ancestor Search Helper.