🏢 National Film Unit

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1. American Cinematographer, Vol 60, No. 3, March 1979 2. 'CINEMA', from An Encyclopeadia of New Zealand, edited by A.H. McLintock, originally published in 1966. Te-Ara - The Encyclopedia of New Zealand, updated 9-Jun-2006. URL:http://www.TeAra.govt.nz/1966/C/Cinema/en. Viewed 21 September 2006. 3. Directory of Official Information, 1987. The State Services Commission. Wellington 1987. 4. Fry, Margot: A Servant of Many Masters: A History of the National Film Unit 1941-1946. Unpublished Masters Thesis. Victoria University Wellington 1995. 5. New Zealand Official Yearbook, 1946 6. New Zealand's Heritage, Part 93 7. New Zealand Tourist and Publicity Department Annual Report, 1987 8. Sowry, Clive, Article in periodical Cinema Papers, May-June 1980, Cinema Papers Pty. North Melbourne 1980. 9. Sowry, Clive, Chapter on film in Fraser, Bryce (et al) The New Zealand Book of Events, Reed Methuen, Auckland. 1986 10. TO 48/31 Amalgamation of Publicity Department with Tourist Department, 1950, Archives New Zealand Tourist Department (TO) Record Group 11. TO 49/87/10 Establishment of the National Film Unit, 1942-46, Archives New Zealand Tourist Department (TO) Record Group

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The State's involvement in film making can be traced back to 1907 when the Government Tourist Department employed J. McDonald to make some newsreels on New Zealand subjects to send overseas. Later on the Government Photography Office, operating under the Department of Agriculture made several films. In 1923 the Photography Office was absorbed by the Publicity Office, a new division of the Department of Internal Affairs. Scenic "shorts" and travelogues were produced for local and overseas tourist promotion. A private company "Filmcraft Ltd" was contracted to process these movies, and it built the Miramar Film Studios in 1928. In 1930, the Publicity Office became part of the new Department of Industry and Commerce, Tourist and Publicity. The department acquired Filmcraft's interest in the Miramar Studios in 1936, which became the Government Motion Picture and Advertising Studios.The 1940 Centennial film One Hundred Crowded Years was the fledgling studio's first significant production.

Impressed by the quality of war newsreels produced by other countries such as the United Kingdom and Canada, the Government established the National Film Unit in August 1941 to help publicise the war effort. The inauguration of the National Film Unit marked a change in policy to that of its predecessor. An important aim was to highlight New Zealand's participation in the war effort both overseas and on the home front. The Film Unit produced a regular and popular information newsreel entitled "Weekly Review".

In policy matters, the Film Unit was answerable to the Wartime Director of Publicity attached to the Prime Minister's Department, while the administration of the studios remained in the control of the Department of Industry and Commerce, Tourist and Publicity. In 1946 the National Film Unit became part of the Information Section of the Prime Minister's Department. The "Weekly Review" continued after the war, and the Film Unit also began making documentaries concerning national problems and undertakings, as well as films to the order of various government departments. The National Film Unit maintained considerable independent control over its operations and in the content of films produced.

In 1949 the incoming National Government undertook a wide ranging review of the National Film Unit. As a result of the review the National Film Unit became part of the Publicity Division of an expanded Department of Tourist and Publicity. Removal from the ambit of the Prime Ministers Department was seen by some as a downgrading of the independent status of the Film Unit. The National Film Unit was now placed firmly within the Public Service.

This new status was underlined by the selection of films to be made, which was to be determined by a Cabinet Sub-Committee. A new position of Manager was created which replaced the Producer as the senior position in the Film Unit. The Producer subsequently no longer had a role in policy fomulation. More robust accounting procedures were introduced and there was closer supervision of annual budgets. The Film Unit was also required to become a self contained trading unit and to compete with private enterprise. Efforts to compete in the commercial environment were greatly limited due to the largely non trade nature of the films the National Film Unit produced and the fact that the private film industry in New Zealand relied on the Film Unit's laboratories for nearly all its processing requirements. The film processing section became the Film Unit's biggest single revenue-earning operation.

Production of the Weekly Review ceased in August 1950 due to budgetary constraints and work demands from other departments. Allegations were also made that it was politically biased. Four hundred and sixty episodes in all were produced. In 1952 a monthly magazine film entitled "Pictorial Parade" was first screened and this became the Unit's main output until production ceased in 1971. The Unit also made documentaries at the request of government departments, films for national organisations, as well as many important films on its own initiative.

The arrival of television as a new medium in 1960 gave the National Film Unit increased demand for its processing facilities from the New Zealand Brodcasting Corporation. In the long term though there was competition between the two agencies for staff and resources as the NZBC developed its own film production facilities. During the 1960s efforts were made to integrate the Film Unit with the NZBC. The National Film Unit succesfully remained a separate entity based at Miramar until 1978 when the Unit moved to the new studio complex in Lower Hutt. In November 1988 The State Services Commission's Video Unit was merged with the National Film Unit.

By 1990 the Unit consisted of seven main sections: Production, Laboratory, Facilities, Video Services, Technical Services, Marketing and Administration/Finance. The Unit's role was to provide commercial services which met the needs of government and the private sector in the field of film and video production and sales, film and video processing, production services, and film consultancy services. Archives New Zealand, Wellington took over responsibility for the restoration and preservation of the National Film Unit's extensive archival film collection in 1988. In 1988 the Government announced its intention to sell the National Film Unit. In March 1990 the National Film Unit was sold to Television New Zealand.

During the 1990's a portion of the National Film Unit films were transferred to Archives New Zealand. The remaining National Film Unit films were managed by Television New Zealand's Archive until the closure of the Archive in 2013.

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Agency

AAPG

1941 ‑ 1990

Other

The National Film Unit was established to publicise New Zealand's participation and achievements during the Second World War. After 1945 the Film Unit expanded from producing weekly newsreels to making documentaries and films to the order of Government Departments. During its existence the Film Unit produced films for national organisations as well as many films on its own initiative. The private film industry in New Zealand relied heavily on the National Film Unit's extensive film processing facilities.

Lower Hutt, Wellington

Show History

The State's involvement in film making can be traced back to 1907 when the Government Tourist Department employed J. McDonald to make some newsreels on New Zealand subjects to send overseas. Later on the Government Photography Office, operating under the Department of Agriculture made several films. In 1923 the Photography Office was absorbed by the Publicity Office, a new division of the Department of Internal Affairs. Scenic "shorts" and travelogues were produced for local and overseas tourist promotion. A private company "Filmcraft Ltd" was contracted to process these movies, and it built the Miramar Film Studios in 1928. In 1930, the Publicity Office became part of the new Department of Industry and Commerce, Tourist and Publicity. The department acquired Filmcraft's interest in the Miramar Studios in 1936, which became the Government Motion Picture and Advertising Studios.The 1940 Centennial film One Hundred Crowded Years was the fledgling studio's first significant production.

Impressed by the quality of war newsreels produced by other countries such as the United Kingdom and Canada, the Government established the National Film Unit in August 1941 to help publicise the war effort. The inauguration of the National Film Unit marked a change in policy to that of its predecessor. An important aim was to highlight New Zealand's participation in the war effort both overseas and on the home front. The Film Unit produced a regular and popular information newsreel entitled "Weekly Review".

In policy matters, the Film Unit was answerable to the Wartime Director of Publicity attached to the Prime Minister's Department, while the administration of the studios remained in the control of the Department of Industry and Commerce, Tourist and Publicity. In 1946 the National Film Unit became part of the Information Section of the Prime Minister's Department. The "Weekly Review" continued after the war, and the Film Unit also began making documentaries concerning national problems and undertakings, as well as films to the order of various government departments. The National Film Unit maintained considerable independent control over its operations and in the content of films produced.

In 1949 the incoming National Government undertook a wide ranging review of the National Film Unit. As a result of the review the National Film Unit became part of the Publicity Division of an expanded Department of Tourist and Publicity. Removal from the ambit of the Prime Ministers Department was seen by some as a downgrading of the independent status of the Film Unit. The National Film Unit was now placed firmly within the Public Service.

This new status was underlined by the selection of films to be made, which was to be determined by a Cabinet Sub-Committee. A new position of Manager was created which replaced the Producer as the senior position in the Film Unit. The Producer subsequently no longer had a role in policy fomulation. More robust accounting procedures were introduced and there was closer supervision of annual budgets. The Film Unit was also required to become a self contained trading unit and to compete with private enterprise. Efforts to compete in the commercial environment were greatly limited due to the largely non trade nature of the films the National Film Unit produced and the fact that the private film industry in New Zealand relied on the Film Unit's laboratories for nearly all its processing requirements. The film processing section became the Film Unit's biggest single revenue-earning operation.

Production of the Weekly Review ceased in August 1950 due to budgetary constraints and work demands from other departments. Allegations were also made that it was politically biased. Four hundred and sixty episodes in all were produced. In 1952 a monthly magazine film entitled "Pictorial Parade" was first screened and this became the Unit's main output until production ceased in 1971. The Unit also made documentaries at the request of government departments, films for national organisations, as well as many important films on its own initiative.

The arrival of television as a new medium in 1960 gave the National Film Unit increased demand for its processing facilities from the New Zealand Brodcasting Corporation. In the long term though there was competition between the two agencies for staff and resources as the NZBC developed its own film production facilities. During the 1960s efforts were made to integrate the Film Unit with the NZBC. The National Film Unit succesfully remained a separate entity based at Miramar until 1978 when the Unit moved to the new studio complex in Lower Hutt. In November 1988 The State Services Commission's Video Unit was merged with the National Film Unit.

By 1990 the Unit consisted of seven main sections: Production, Laboratory, Facilities, Video Services, Technical Services, Marketing and Administration/Finance. The Unit's role was to provide commercial services which met the needs of government and the private sector in the field of film and video production and sales, film and video processing, production services, and film consultancy services. Archives New Zealand, Wellington took over responsibility for the restoration and preservation of the National Film Unit's extensive archival film collection in 1988. In 1988 the Government announced its intention to sell the National Film Unit. In March 1990 the National Film Unit was sold to Television New Zealand.

During the 1990's a portion of the National Film Unit films were transferred to Archives New Zealand. The remaining National Film Unit films were managed by Television New Zealand's Archive until the closure of the Archive in 2013.


1. American Cinematographer, Vol 60, No. 3, March 1979 2. 'CINEMA', from An Encyclopeadia of New Zealand, edited by A.H. McLintock, originally published in 1966. Te-Ara - The Encyclopedia of New Zealand, updated 9-Jun-2006. URL:http://www.TeAra.govt.nz/1966/C/Cinema/en. Viewed 21 September 2006. 3. Directory of Official Information, 1987. The State Services Commission. Wellington 1987. 4. Fry, Margot: A Servant of Many Masters: A History of the National Film Unit 1941-1946. Unpublished Masters Thesis. Victoria University Wellington 1995. 5. New Zealand Official Yearbook, 1946 6. New Zealand's Heritage, Part 93 7. New Zealand Tourist and Publicity Department Annual Report, 1987 8. Sowry, Clive, Article in periodical Cinema Papers, May-June 1980, Cinema Papers Pty. North Melbourne 1980. 9. Sowry, Clive, Chapter on film in Fraser, Bryce (et al) The New Zealand Book of Events, Reed Methuen, Auckland. 1986 10. TO 48/31 Amalgamation of Publicity Department with Tourist Department, 1950, Archives New Zealand Tourist Department (TO) Record Group 11. TO 49/87/10 Establishment of the National Film Unit, 1942-46, Archives New Zealand Tourist Department (TO) Record Group









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National Film Unit  >  [C J Morton] Register of Film Dispatchers

ID Name Date Held At
🌀 R21900774 R21900774
C J Morton's Office Papers - Register of Film Dispatches - Contents:
- List of Titles, Footage, Censor Date, Number of Copies Dispatched, Date & Destination. Includes Review & NZ Mirror Numbers
- List of Pictorial Parades in numerical order, their respective items, Footage, Censor Date, Number of Copies Dispatched, Date & Destination
- List of Overseas Dispatches, Detailing: Review Number (where applicable), Title, Type of Print, Dispatch Date, London, Ottawa [elsewhere]
- List of Master Colour Negative & Sound of Completed Productions Dispatched - 35mm & 16mm Clear Film to London for Processing & Printing; Detailing: Date, Time, Number of Master Negatives, Number of Sound Negatives, Cans with Copy, Destination

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1930 ‑ 1965Wellington
1930 ‑ 1965 Wellington

National Film Unit  >  [C J Morton] Pictorial Parade Register with Job Numbers

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National Film Unit  >  [C J Morton] Film Productions Job Register

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🌀 R21900779 R21900779
C J Morton's Office Papers - Film Production Job Register - Contents
- Range of Job Numbers: 600-1300
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Wellington
Wellington

National Film Unit  >  [C J Morton] Sound films notebook

ID Name Date Held At
🌀 R21903944 R21903944
C J Morton’s Office Papers - Sound Films Notebook - Subject Matter, Cost Data, etc. concerning Films made under the new arrangement, as from June 1933 [For further information on the new arrangement, see Tourist & Publicity Department Files:
TO1 49/87 pt 2,
TO1 49/88;
S10 The Golden Coast
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S12 New Zealand Pictorial Reviews No1
Auckland Military Parade
S13 Angler in Paradise
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S15 Happy Attitudes
S16 The Golden Lure
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S18 Pictorial Reviews No 4
S26 Pictorial Reviews No 5
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S34 On The Ball
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General Film
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1933 ‑ unknownWellington
1933 ‑ unknown Wellington

National Film Unit  >  "Cyril Morton's Book" [Register of National Film Unit Films]

ID Name Date Held At
🌀 R21903945 R21903945
C J Morton's Office Papers - "Cyril Morton's Book" - Register of NFU Films; Contents
NFU Register p4-19; 68-99; 120-123. Details: Job Number; Footage; Camera Crew; Script or Commentary Writer; Shooting; Editing; Music or Effects; Commentator; Recording Date; Censor Date; Picture Number or Review Number
Weekly Releases p23-37, 61-67, 112. Delivery and Release Dates from Weekly Release Number 18 to Weekly Review Number 459
Approvals p39-41 Items vetted by Military Authorities prior to Release
MOI etc; Copies p47; 35mm copies of Ministry of Information (UK) Films and other Films
Films received from Mid East etc. p 49-59. Details include: Description; Approximate Footage; Date Received; Film in Which Used; Approximate Footage Used; Date
Dupe Copies etc Sent Overseas p100-102
New Zealand Now Series, p114, Number 1-13. Item Titles with Footage
New Zealand Mirror Series - p114, Numbers 1-13. Item Titles with Footage
Films supplied to the Army for Education and Welfare Service for Islands Circuit p173
List of New Zealand Films Screened at International Film Festivals 1948-1961. (Two pages pasted into the front of the Register)

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Wellington repository

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Wellington
Wellington
🌀 R26270251 R26270251
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Wellington repository

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GF298

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1262/8S



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Wellington repository

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🌀 R26270212 R26270212
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1976

103

Roll no. L.O.3

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16 January 1976





Wellington repository

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Wellington repository

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Wellington
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Wellington
Wellington
🌀 R26270110 R26270110
[WHITE HERON (BIRD OF A SINGLE FLIGHT)] PREMIX EFX [Effects] MASTER
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Preservation Status Not Assigned

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Land of Birds Release 1




Wellington repository

Physical

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Sound Recording

GF169

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Wellington
Wellington
🌀 R26270451 R26270451
[GULLS] BL/BK [Black Backed] GULLS PEAT NEST, INVERCARGILL
Produced by New Zealand National Film Unit
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Preservation Status Not Assigned

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GF95

95

1262/3



Wellington
Wellington
🌀 R26270131 R26270131
GANNETS J3
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Wellington
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Wellington
🌀 R26270306 R26270306
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Wellington repository

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Wellington
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1262/3-8



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1969 Wellington
🌀 R26270188 R26270188
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239

1262/5



1979Wellington
1979 Wellington
🌀 R26270383 R26270383
[GULLS AND TERNS] PLIGHT OF THE TERN (LINE UP ONLY)
Produced by New Zealand National Film Unit
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Wellington repository

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Wellington
Wellington
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311

Roll no. R.W.2

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1 March 1977





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1977Wellington
1977 Wellington
🌀 R26270388 R26270388
[GULLS AND TERNS] NEW SETTLERS EFX [Effects] TRACK 2
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312

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1969 Wellington
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Wellington
🌀 R26270466 R26270466
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Wellington
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Wellington repository

Video Cassettes from the National Film Unit.


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Browse 1943 ‑ 1971 Wellington
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Wellington repository

National Research Advisory Council Working Papers, Correspondence and Reports


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Browse 1964 Wellington
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Wellington repository

National Film Unit Films - Pacific films, safety, prints, tin shed films


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Browse 1906 ‑ 1972 Wellington
🌀 W3336 W3336
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Browse 1950 ‑ 1980 Wellington
🌀 W3236 W3236
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Ex-Circuit Films

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Browse 1960 Wellington
🌀 W5490 W5490
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Wellington repository

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Browse1949Wellington
Browse 1949 Wellington
🌀 W3335 W3335
W3335 - Tourist and Publicity, New Zealand Consulate General, Los Angeles - Films

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Browse 1970 ‑ 1982 Wellington
🌀 W3940 W3940
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Browse 1948 ‑ 1983 Wellington
🌀 W3941 W3941
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Wellington repository

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Wellington repository

Acetate film stills and moving image.


Browse1950 ‑ 1977Wellington
Browse 1950 ‑ 1977 Wellington
🌀 W3879 W3879
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Wellington repository

Sound tapes


BrowseWellington
Browse Wellington
🌀 W3942 W3942
W3942 - Posters and photographs

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1930 ‑ 1984


Wellington repository

Posters and photographs


Browse1930 ‑ 1984Wellington
Browse 1930 ‑ 1984 Wellington
🌀 W3878 W3878
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Wellington repository

Lantern Slides - Hubert Milverton-Carta collection -

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BrowseWellington
Browse Wellington
🌀 W3938 W3938
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Wellington repository

Office Papers


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Browse 1947 ‑ 1984 Wellington
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Telecom Training Centre Films

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Wellington repository

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Wellington repository

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Browse1953 ‑ 1990Wellington
Browse 1953 ‑ 1990 Wellington
🌀 W4361 W4361
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Browse1952 ‑ 1968Wellington
Browse 1952 ‑ 1968 Wellington
🌀 W3935 W3935
W3935 - Films and Audio Tapes

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Wellington repository

Films and Audio Tapes

May be restricted


Browse1958 ‑ 1971Wellington
Browse 1958 ‑ 1971 Wellington
🌀 W4360 W4360
W4360 - National Film Unit Information Sheets

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Wellington repository

National Film Unit Information Sheets

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Browse1945 ‑ 1989Wellington
Browse 1945 ‑ 1989 Wellington
🌀 W5527 W5527
W5527 - National Film Unit film "Aspiring" by Brian Brake.

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Wellington repository

Films - 'Landscape in Stamps'

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Accession


1990


Wellington repository

35mm Rostrum film print.


Browse1990Wellington
Browse 1990 Wellington
🌀 W3676 W3676
W3676 - Production material from the Land of Birds series, shot primarily by Grant Foster and Geoff Moon in the 1960s, including audio tapes, film prints, negatives, off-cuts and magnetic sound. This material documents the production process for this unique series, which used an inn ...

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Wellington repository

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Browse1960 ‑ 1983Wellington
Browse 1960 ‑ 1983 Wellington
🌀 W3936 W3936
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Browse1950 ‑ 1987Wellington
Browse 1950 ‑ 1987 Wellington
🌀 W3471 W3471
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Browse1900 ‑ 1986Wellington
Browse 1900 ‑ 1986 Wellington
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            [3] => 1983-01-01T00:00:00.0Z
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    [metadata.predicate.date.18e6404e] => 1983-01-01T00:00:00.000+00:00
    [_version_] => 1828261604941103104
    [indexedAt] => 2025-04-02T03:55:36.303+00:00
)

Accession


1929 ‑ 1983


Wellington repository

Films - Sound material


Browse1929 ‑ 1983Wellington
Browse 1929 ‑ 1983 Wellington