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1. American Cinematographer, Vol 60, No. 3, March 1979 2. 'CINEMA', from An Encyclopeadia of New Zealand, edited by A.H. McLintock, originally published in 1966. Te-Ara - The Encyclopedia of New Zealand, updated 9-Jun-2006. URL:http://www.TeAra.govt.nz/1966/C/Cinema/en. Viewed 21 September 2006. 3. Directory of Official Information, 1987. The State Services Commission. Wellington 1987. 4. Fry, Margot: A Servant of Many Masters: A History of the National Film Unit 1941-1946. Unpublished Masters Thesis. Victoria University Wellington 1995. 5. New Zealand Official Yearbook, 1946 6. New Zealand's Heritage, Part 93 7. New Zealand Tourist and Publicity Department Annual Report, 1987 8. Sowry, Clive, Article in periodical Cinema Papers, May-June 1980, Cinema Papers Pty. North Melbourne 1980. 9. Sowry, Clive, Chapter on film in Fraser, Bryce (et al) The New Zealand Book of Events, Reed Methuen, Auckland. 1986 10. TO 48/31 Amalgamation of Publicity Department with Tourist Department, 1950, Archives New Zealand Tourist Department (TO) Record Group 11. TO 49/87/10 Establishment of the National Film Unit, 1942-46, Archives New Zealand Tourist Department (TO) Record Group
The State's involvement in film making can be traced back to 1907 when the Government Tourist Department employed J. McDonald to make some newsreels on New Zealand subjects to send overseas. Later on the Government Photography Office, operating under the Department of Agriculture made several films. In 1923 the Photography Office was absorbed by the Publicity Office, a new division of the Department of Internal Affairs. Scenic "shorts" and travelogues were produced for local and overseas tourist promotion. A private company "Filmcraft Ltd" was contracted to process these movies, and it built the Miramar Film Studios in 1928. In 1930, the Publicity Office became part of the new Department of Industry and Commerce, Tourist and Publicity. The department acquired Filmcraft's interest in the Miramar Studios in 1936, which became the Government Motion Picture and Advertising Studios.The 1940 Centennial film One Hundred Crowded Years was the fledgling studio's first significant production.
Impressed by the quality of war newsreels produced by other countries such as the United Kingdom and Canada, the Government established the National Film Unit in August 1941 to help publicise the war effort. The inauguration of the National Film Unit marked a change in policy to that of its predecessor. An important aim was to highlight New Zealand's participation in the war effort both overseas and on the home front. The Film Unit produced a regular and popular information newsreel entitled "Weekly Review".
In policy matters, the Film Unit was answerable to the Wartime Director of Publicity attached to the Prime Minister's Department, while the administration of the studios remained in the control of the Department of Industry and Commerce, Tourist and Publicity. In 1946 the National Film Unit became part of the Information Section of the Prime Minister's Department. The "Weekly Review" continued after the war, and the Film Unit also began making documentaries concerning national problems and undertakings, as well as films to the order of various government departments. The National Film Unit maintained considerable independent control over its operations and in the content of films produced.
In 1949 the incoming National Government undertook a wide ranging review of the National Film Unit. As a result of the review the National Film Unit became part of the Publicity Division of an expanded Department of Tourist and Publicity. Removal from the ambit of the Prime Ministers Department was seen by some as a downgrading of the independent status of the Film Unit. The National Film Unit was now placed firmly within the Public Service.
This new status was underlined by the selection of films to be made, which was to be determined by a Cabinet Sub-Committee. A new position of Manager was created which replaced the Producer as the senior position in the Film Unit. The Producer subsequently no longer had a role in policy fomulation. More robust accounting procedures were introduced and there was closer supervision of annual budgets. The Film Unit was also required to become a self contained trading unit and to compete with private enterprise. Efforts to compete in the commercial environment were greatly limited due to the largely non trade nature of the films the National Film Unit produced and the fact that the private film industry in New Zealand relied on the Film Unit's laboratories for nearly all its processing requirements. The film processing section became the Film Unit's biggest single revenue-earning operation.
Production of the Weekly Review ceased in August 1950 due to budgetary constraints and work demands from other departments. Allegations were also made that it was politically biased. Four hundred and sixty episodes in all were produced. In 1952 a monthly magazine film entitled "Pictorial Parade" was first screened and this became the Unit's main output until production ceased in 1971. The Unit also made documentaries at the request of government departments, films for national organisations, as well as many important films on its own initiative.
The arrival of television as a new medium in 1960 gave the National Film Unit increased demand for its processing facilities from the New Zealand Brodcasting Corporation. In the long term though there was competition between the two agencies for staff and resources as the NZBC developed its own film production facilities. During the 1960s efforts were made to integrate the Film Unit with the NZBC. The National Film Unit succesfully remained a separate entity based at Miramar until 1978 when the Unit moved to the new studio complex in Lower Hutt. In November 1988 The State Services Commission's Video Unit was merged with the National Film Unit.
By 1990 the Unit consisted of seven main sections: Production, Laboratory, Facilities, Video Services, Technical Services, Marketing and Administration/Finance. The Unit's role was to provide commercial services which met the needs of government and the private sector in the field of film and video production and sales, film and video processing, production services, and film consultancy services. Archives New Zealand, Wellington took over responsibility for the restoration and preservation of the National Film Unit's extensive archival film collection in 1988. In 1988 the Government announced its intention to sell the National Film Unit. In March 1990 the National Film Unit was sold to Television New Zealand.
During the 1990's a portion of the National Film Unit films were transferred to Archives New Zealand. The remaining National Film Unit films were managed by Television New Zealand's Archive until the closure of the Archive in 2013.
The National Film Unit was established to publicise New Zealand's participation and achievements during the Second World War. After 1945 the Film Unit expanded from producing weekly newsreels to making documentaries and films to the order of Government Departments. During its existence the Film Unit produced films for national organisations as well as many films on its own initiative. The private film industry in New Zealand relied heavily on the National Film Unit's extensive film processing facilities.
Lower Hutt, Wellington
Show History
The State's involvement in film making can be traced back to 1907 when the Government Tourist Department employed J. McDonald to make some newsreels on New Zealand subjects to send overseas. Later on the Government Photography Office, operating under the Department of Agriculture made several films. In 1923 the Photography Office was absorbed by the Publicity Office, a new division of the Department of Internal Affairs. Scenic "shorts" and travelogues were produced for local and overseas tourist promotion. A private company "Filmcraft Ltd" was contracted to process these movies, and it built the Miramar Film Studios in 1928. In 1930, the Publicity Office became part of the new Department of Industry and Commerce, Tourist and Publicity. The department acquired Filmcraft's interest in the Miramar Studios in 1936, which became the Government Motion Picture and Advertising Studios.The 1940 Centennial film One Hundred Crowded Years was the fledgling studio's first significant production.
Impressed by the quality of war newsreels produced by other countries such as the United Kingdom and Canada, the Government established the National Film Unit in August 1941 to help publicise the war effort. The inauguration of the National Film Unit marked a change in policy to that of its predecessor. An important aim was to highlight New Zealand's participation in the war effort both overseas and on the home front. The Film Unit produced a regular and popular information newsreel entitled "Weekly Review".
In policy matters, the Film Unit was answerable to the Wartime Director of Publicity attached to the Prime Minister's Department, while the administration of the studios remained in the control of the Department of Industry and Commerce, Tourist and Publicity. In 1946 the National Film Unit became part of the Information Section of the Prime Minister's Department. The "Weekly Review" continued after the war, and the Film Unit also began making documentaries concerning national problems and undertakings, as well as films to the order of various government departments. The National Film Unit maintained considerable independent control over its operations and in the content of films produced.
In 1949 the incoming National Government undertook a wide ranging review of the National Film Unit. As a result of the review the National Film Unit became part of the Publicity Division of an expanded Department of Tourist and Publicity. Removal from the ambit of the Prime Ministers Department was seen by some as a downgrading of the independent status of the Film Unit. The National Film Unit was now placed firmly within the Public Service.
This new status was underlined by the selection of films to be made, which was to be determined by a Cabinet Sub-Committee. A new position of Manager was created which replaced the Producer as the senior position in the Film Unit. The Producer subsequently no longer had a role in policy fomulation. More robust accounting procedures were introduced and there was closer supervision of annual budgets. The Film Unit was also required to become a self contained trading unit and to compete with private enterprise. Efforts to compete in the commercial environment were greatly limited due to the largely non trade nature of the films the National Film Unit produced and the fact that the private film industry in New Zealand relied on the Film Unit's laboratories for nearly all its processing requirements. The film processing section became the Film Unit's biggest single revenue-earning operation.
Production of the Weekly Review ceased in August 1950 due to budgetary constraints and work demands from other departments. Allegations were also made that it was politically biased. Four hundred and sixty episodes in all were produced. In 1952 a monthly magazine film entitled "Pictorial Parade" was first screened and this became the Unit's main output until production ceased in 1971. The Unit also made documentaries at the request of government departments, films for national organisations, as well as many important films on its own initiative.
The arrival of television as a new medium in 1960 gave the National Film Unit increased demand for its processing facilities from the New Zealand Brodcasting Corporation. In the long term though there was competition between the two agencies for staff and resources as the NZBC developed its own film production facilities. During the 1960s efforts were made to integrate the Film Unit with the NZBC. The National Film Unit succesfully remained a separate entity based at Miramar until 1978 when the Unit moved to the new studio complex in Lower Hutt. In November 1988 The State Services Commission's Video Unit was merged with the National Film Unit.
By 1990 the Unit consisted of seven main sections: Production, Laboratory, Facilities, Video Services, Technical Services, Marketing and Administration/Finance. The Unit's role was to provide commercial services which met the needs of government and the private sector in the field of film and video production and sales, film and video processing, production services, and film consultancy services. Archives New Zealand, Wellington took over responsibility for the restoration and preservation of the National Film Unit's extensive archival film collection in 1988. In 1988 the Government announced its intention to sell the National Film Unit. In March 1990 the National Film Unit was sold to Television New Zealand.
During the 1990's a portion of the National Film Unit films were transferred to Archives New Zealand. The remaining National Film Unit films were managed by Television New Zealand's Archive until the closure of the Archive in 2013.
1. American Cinematographer, Vol 60, No. 3, March 1979 2. 'CINEMA', from An Encyclopeadia of New Zealand, edited by A.H. McLintock, originally published in 1966. Te-Ara - The Encyclopedia of New Zealand, updated 9-Jun-2006. URL:http://www.TeAra.govt.nz/1966/C/Cinema/en. Viewed 21 September 2006. 3. Directory of Official Information, 1987. The State Services Commission. Wellington 1987. 4. Fry, Margot: A Servant of Many Masters: A History of the National Film Unit 1941-1946. Unpublished Masters Thesis. Victoria University Wellington 1995. 5. New Zealand Official Yearbook, 1946 6. New Zealand's Heritage, Part 93 7. New Zealand Tourist and Publicity Department Annual Report, 1987 8. Sowry, Clive, Article in periodical Cinema Papers, May-June 1980, Cinema Papers Pty. North Melbourne 1980. 9. Sowry, Clive, Chapter on film in Fraser, Bryce (et al) The New Zealand Book of Events, Reed Methuen, Auckland. 1986 10. TO 48/31 Amalgamation of Publicity Department with Tourist Department, 1950, Archives New Zealand Tourist Department (TO) Record Group 11. TO 49/87/10 Establishment of the National Film Unit, 1942-46, Archives New Zealand Tourist Department (TO) Record Group
A theatre piece in mime showing the destruction of a majestic figure by sinister carnival characters, controlled by a "Mr. Big". The majestic figure and her courtiers are transformed into an affectionate nuclear family followed by a grand finale in the usual theatre tradition.
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Preservation Masterⓘ
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Produced by the National Film Unit
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Film still from 'Journey for Three'. Story film of three British immigrants settling in New Zealand - their reactions to their new country, and its reactions to them. Splendid town and country scenes as backgrounds to their adventures and misadventures. Exciting rescue of injured climber in the magnificent mountain setting of New Zealand's Southern Alps.
📷 View PhotoR24069197NO RANDOM HARVEST
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📷 View PhotoR24069395THIS IS KOREA
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Preservation Masterⓘ
Preparation shots of various public grounds, race tracks, damains and public spaces. Locations are from various cities and towns around the counrty, Christchurch, Hastings, Nelson [?]
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📷 View PhotoR23583915JOURNEY FOR THREE
Produced by the National Film Unit
Black and white photographic negative
6 x 9 cm Cellulose acetate negative
Preservation masterⓘ
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📷 View PhotoR24290132CARNIVAL COAST
Produced by the National Film Unit
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35mm acetate film strip, approximately 4 frames
Preservation Masterⓘ
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📷 View PhotoR24069434THE TREATMENT OF CEREBRAL PALSY IN NEW ZEALAND
Produced by the National Film Unit
Black and white motion picture negative
35mm acetate film strip, approximately 6 frames
Preservation Masterⓘ
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📷 View PhotoR23583918JOURNEY FOR THREE
Produced by the National Film Unit
Black and white photographic negative
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Preservation masterⓘ
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R24291935ONE OF THOSE PEOPLE THAT LIVE IN THE WORLD
Produced by the National Film Unit
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Preservation Masterⓘ
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📷 View PhotoR24069198NO RANDOM HARVEST
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📷 View PhotoR24069006A LETTER TO THE TEACHER
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📷 View PhotoR24069602[Preparations for a Royal Visit]
Produced by the National Film Unit
Black and white still photograph
10.5 x 8 cm cellulose acetate negative
Preservation Masterⓘ
Preparation shots of various public grounds, race tracks, damains and public spaces. Locations are from various cities and towns around the counrty, Christchurch, Hastings, Nelson [?]
A theatre piece in mime showing the destruction of a majestic figure by sinister carnival characters, controlled by a "Mr. Big". The majestic figure and her courtiers are transformed into an affectionate nuclear family followed by a grand finale in the usual theatre tradition.
'Alberton', an early New Zealand farm house, brings its memories to life when a film company arrives to produce a Victorian children's story. A kaleidoscopic view of a colonial home and its origins.
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📷 View PhotoR24289935CHILDREN OF THE MIST
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📷 View PhotoR24290135CARNIVAL COAST
Produced by the National Film Unit
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Preservation Masterⓘ
A 'fantasy' carnival arrives early one morning and establishes itself on an isolated beach. The carnival imagery, with its colourful merry-go-round, presents the conflicting demands being made on the New Zealand coastline - for development, recreation, preservation, housing, industry and investment.
'Alberton', an early New Zealand farm house, brings its memories to life when a film company arrives to produce a Victorian children's story. A kaleidoscopic view of a colonial home and its origins.
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'Alberton', an early New Zealand farm house, brings its memories to life when a film company arrives to produce a Victorian children's story. A kaleidoscopic view of a colonial home and its origins.
📷 View PhotoR24069648[Preparations for a Royal Visit]
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Preparation shots of various public grounds, race tracks, damains and public spaces. Locations are from various cities and towns around the counrty, Christchurch, Hastings, Nelson [?]
📷 View PhotoR24289749THE YEARS BACK
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THE YEARS BACK Series - An amalgam of film from various sources, and the recollections of notable officials and ordinary folk as they look back at their part in past events, The Years Back spans the time from the turn of the century to 1960. Excerpts were culled from the old National Film Unit series Weekly Review, and from Pictorial Parade, as well as other Unit material; the National Archives, the National Film Library, and some overseas sources provided valuable footage for this comprehensive, nostalgic 13-part series.
📷 View PhotoR24068838THE CROP GROWS TALL
Produced by the National Film Unit
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A theatre piece in mime showing the destruction of a majestic figure by sinister carnival characters, controlled by a "Mr. Big". The majestic figure and her courtiers are transformed into an affectionate nuclear family followed by a grand finale in the usual theatre tradition.
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📷 View PhotoR24069046THE MAORI TODAY
Produced by the National Film Unit
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Preservation Masterⓘ
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Text on sleeve: 'Wallpaper scenes' - interior wallpapering equipment and 3 girls in Victorian costumes
A 35min. 35mm colour film
'Alberton', an early New Zealand farm house, brings its memories to life when a film company arrives to produce a Victorian children's story. A kaleidoscopic view of a colonial home and its origins.
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R24292549EXPERIMENTAL FILM (Job 1521)
RADIO DEATH
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Preservation Masterⓘ
📷 View PhotoR24069212ONE IN A THOUSAND
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📷 View PhotoR24069448THE VALLEY SETTLERS
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The Parliamentary Mace and black rod are crossed and laid on a cushion on an ornate rug. At end of cushion are placed documents titled 'The Old Age Pensions Act 1898 Victoriae Reginae'
Theo Schoon, squats on ground carving large gourd.
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395' Eastmancolor 35mm
Gourds used by the ancient Maori for storing food were richly decorated. The art of decorating (and growing) them has been revived by an Auckland artist, Theo Schoon.
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'Alberton', an early New Zealand farm house, brings its memories to life when a film company arrives to produce a Victorian children's story. A kaleidoscopic view of a colonial home and its origins.
Ringmaster with both arms raised and the word Carnival in large letters illuminated behind him.
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'Alberton', an early New Zealand farm house, brings its memories to life when a film company arrives to produce a Victorian children's story. A kaleidoscopic view of a colonial home and its origins.
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📷 View PhotoR24069213ONE IN A THOUSAND
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📷 View PhotoR24068839THE CROP GROWS TALL
Produced by the National Film Unit
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Late-comers to European culture, the Maori Tuhoe tribe are at a crossroads in their destiny as they try to hold on to the traditions of their colourful past, while increasingly they are working and living in the urban European present.
📷 View PhotoR24069047THE MAORI TODAY
Produced by the National Film Unit
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35mm acetate film strip, approximately 7 frames
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Catalogue synopsis of film: A film showing how the Maori live and work in New Zealand to-day. In meeting the problems of adjustment to twentieth-century living, the Maori have accomplished much of what they and their fellow-countrymen can be proud.
'Alberton', an early New Zealand farm house, brings its memories to life when a film company arrives to produce a Victorian children's story. A kaleidoscopic view of a colonial home and its origins.
R24292550EXPERIMENTAL FILM (Job 1521)
RADIO DEATH
Produced by the National Film Unit
Ektachrome transparency
35mm mounted slide, cellulose acetate positive
Preservation Masterⓘ
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📷 View PhotoR24069048THE MAORI TODAY
Produced by the National Film Unit
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'Alberton', an early New Zealand farm house, brings its memories to life when a film company arrives to produce a Victorian children's story. A kaleidoscopic view of a colonial home and its origins.
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Ringmaster minus jacket and hat attempts to lift boy from carousel. Carousel has 'Lamon Investments Ltd. Presents' around top.
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A 'fantasy' carnival arrives early one morning and establishes itself on an isolated beach. The carnival imagery, with its colourful merry-go-round, presents the conflicting demands being made on the New Zealand coastline - for development, recreation, preservation, housing, industry and investment.
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Text on sleeve: 'Wallpaper scenes' - interior wallpapering equipment and 3 girls in Victorian costumes
A 35min. 35mm colour film
'Alberton', an early New Zealand farm house, brings its memories to life when a film company arrives to produce a Victorian children's story. A kaleidoscopic view of a colonial home and its origins.
R24292551EXPERIMENTAL FILM (Job 1521)
RADIO DEATH
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Colour 56 mins, 16mm 2095'
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📷 View PhotoR24069450THE VALLEY SETTLERS
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Preservation Masterⓘ
📷 View PhotoR24069215ONE IN A THOUSAND
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Preservation Masterⓘ
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'Alberton', an early New Zealand farm house, brings its memories to life when a film company arrives to produce a Victorian children's story. A kaleidoscopic view of a colonial home and its origins.
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CU shot of man looking at couple walking on rocky land below.
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black & white 10 mins. 35mm 964 ft. A bizarre film about a trio on an expedition to the beach to look for seals. They find no seals in fact, but their experience - of nothing happening and a great deal happening simultaneously - makes this a tantalising and unsettling story.
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A theatre piece in mime showing the destruction of a majestic figure by sinister carnival characters, controlled by a "Mr. Big". The majestic figure and her courtiers are transformed into an affectionate nuclear family followed by a grand finale in the usual theatre tradition.
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R24292547EXPERIMENTAL FILM (Job 1521)
RADIO DEATH
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📷 View PhotoR24069646[Preparations for a Royal Visit]
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'Alberton', an early New Zealand farm house, brings its memories to life when a film company arrives to produce a Victorian children's story. A kaleidoscopic view of a colonial home and its origins.
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'Alberton', an early New Zealand farm house, brings its memories to life when a film company arrives to produce a Victorian children's story. A kaleidoscopic view of a colonial home and its origins.
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'Alberton', an early New Zealand farm house, brings its memories to life when a film company arrives to produce a Victorian children's story. A kaleidoscopic view of a colonial home and its origins.
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Gourds used by the ancient Maori for storing food were richly decorated. The art of decorating (and growing) them has been revived by an Auckland artist, Theo Schoon.
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R24292541EXPERIMENTAL FILM (Job 1521)
RADIO DEATH
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Produced by the National Film Unit
Black & white film still
35mm cellulose acetate negative
Preservation Masterⓘ
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Head and shoulders of swarthy male figure with pickaxe over shoulder who appears to be covered in mud.
Text on sleeve: Out-takes for black & white negs.
27 min. Colour, 35mm film.
Description:
A 'fantasy' carnival arrives early one morning and establishes itself on an isolated beach. The carnival imagery, with its colourful merry-go-round, presents the conflicting demands being made on the New Zealand coastline - for development, recreation, preservation, housing, industry and investment.
R23584302KEEP ON THE FOOTPATH
Produced by the National Film Unit
Black and white photographic negative
3.25" X 4.25" Cellulose acetate negative
Preservation masterⓘ
A theatre piece in mime showing the destruction of a majestic figure by sinister carnival characters, controlled by a "Mr. Big". The majestic figure and her courtiers are transformed into an affectionate nuclear family followed by a grand finale in the usual theatre tradition.
📷 View PhotoR24069010A LETTER TO THE TEACHER
Produced by the National Film Unit
Black and white motion picture negative
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Preservation Masterⓘ
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'Alberton', an early New Zealand farm house, brings its memories to life when a film company arrives to produce a Victorian children's story. A kaleidoscopic view of a colonial home and its origins.
'Alberton', an early New Zealand farm house, brings its memories to life when a film company arrives to produce a Victorian children's story. A kaleidoscopic view of a colonial home and its origins.
View of gourds growing amongst vines, sitting on wooden boxes and bricks.
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395' Eastmancolor 35mm
Gourds used by the ancient Maori for storing food were richly decorated. The art of decorating (and growing) them has been revived by an Auckland artist, Theo Schoon.
'Alberton', an early New Zealand farm house, brings its memories to life when a film company arrives to produce a Victorian children's story. A kaleidoscopic view of a colonial home and its origins.
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📷 View PhotoR24069440THE VALLEY SETTLERS
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Colour 19 mins. 16mm 680 ft. A comedy of telephone errors in which an inventor attempts to sell his exotic product to a communications firm, whose misuse of the telephone loses them the deal. An instructional film about the correct and courteous use of the telephone.
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A theatre piece in mime showing the destruction of a majestic figure by sinister carnival characters, controlled by a "Mr. Big". The majestic figure and her courtiers are transformed into an affectionate nuclear family followed by a grand finale in the usual theatre tradition.
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In the early nineteenth century the Maori chief Te Rauparaha held fearful sway over a great part of New Zealand. During his life European influences eroded Maori traditions, and much blood was spilled before British colonial law forced Te Rauparaha's abdication. His death represents the end of Old New Zealand; this film conveys the magic and the violence that went to make up that past age.
Close up of Theo Schoon examining flowers on vine.
Film Description
395' Eastmancolor 35mm
Gourds used by the ancient Maori for storing food were richly decorated. The art of decorating (and growing) them has been revived by an Auckland artist, Theo Schoon.
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RADIO DEATH
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'Alberton', an early New Zealand farm house, brings its memories to life when a film company arrives to produce a Victorian children's story. A kaleidoscopic view of a colonial home and its origins.
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📷 View PhotoR23583941JOURNEY FOR THREE
Produced by the National Film Unit
Black and white photographic negative
6 x 9 cm Cellulose acetate negative
Preservation masterⓘ
Film still from 'Journey for Three'. Story film of three British immigrants settling in New Zealand - their reactions to their new country, and its reactions to them. Splendid town and country scenes as backgrounds to their adventures and misadventures. Exciting rescue of injured climber in the magnificent mountain setting of New Zealand's Southern Alps.
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📷 View PhotoR24290140CARNIVAL COAST
Produced by the National Film Unit
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35mm acetate film strip, approximately 7 frames
Preservation Masterⓘ
6 riders on motorbikes on beach.- Frames printed at varying densities.
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A 'fantasy' carnival arrives early one morning and establishes itself on an isolated beach. The carnival imagery, with its colourful merry-go-round, presents the conflicting demands being made on the New Zealand coastline - for development, recreation, preservation, housing, industry and investment.
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Produced by the National Film Unit
Black & white film still
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35mm cellulose acetate negative
Preservation Masterⓘ
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Gourds used by the ancient Maori for storing food were richly decorated. The art of decorating (and growing) them has been revived by an Auckland artist, Theo Schoon.
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Preservation Masterⓘ
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R23584301KEEP ON THE FOOTPATH
Produced by the National Film Unit
Black and white photographic negative
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Preservation masterⓘ
'Alberton', an early New Zealand farm house, brings its memories to life when a film company arrives to produce a Victorian children's story. A kaleidoscopic view of a colonial home and its origins.
'Alberton', an early New Zealand farm house, brings its memories to life when a film company arrives to produce a Victorian children's story. A kaleidoscopic view of a colonial home and its origins.
R24292540EXPERIMENTAL FILM (Job 1521)
RADIO DEATH
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📷 View PhotoR24069009A LETTER TO THE TEACHER
Produced by the National Film Unit
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Produced by the National Film Unit
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R23584300KEEP ON THE FOOTPATH
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Preservation masterⓘ
📷 View PhotoR23583920JOURNEY FOR THREE
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Film still from 'Journey for Three'. Story film of three British immigrants settling in New Zealand - their reactions to their new country, and its reactions to them. Splendid town and country scenes as backgrounds to their adventures and misadventures. Exciting rescue of injured climber in the magnificent mountain setting of New Zealand's Southern Alps.
📷 View PhotoR24069637[Preparations for a Royal Visit]
Produced by the National Film Unit
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Preservation Masterⓘ
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'Alberton', an early New Zealand farm house, brings its memories to life when a film company arrives to produce a Victorian children's story. A kaleidoscopic view of a colonial home and its origins.
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📷 View PhotoR24290133CARNIVAL COAST
Produced by the National Film Unit
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Preservation Masterⓘ
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A 'fantasy' carnival arrives early one morning and establishes itself on an isolated beach. The carnival imagery, with its colourful merry-go-round, presents the conflicting demands being made on the New Zealand coastline - for development, recreation, preservation, housing, industry and investment.
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Cast and crew with balloons on floor prepare for shot.
Film description:
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A theatre piece in mime showing the destruction of a majestic figure by sinister carnival characters, controlled by a "Mr. Big". The majestic figure and her courtiers are transformed into an affectionate nuclear family followed by a grand finale in the usual theatre tradition.
R24291933ONE OF THOSE PEOPLE THAT LIVE IN THE WORLD
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📷 View PhotoR24069391THIS IS KOREA
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Preservation Masterⓘ
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📷 View PhotoR24069632[Preparations for a Royal Visit]
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Preservation Masterⓘ
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📷 View PhotoR24069619[Preparations for a Royal Visit]
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Preservation Masterⓘ
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📷 View PhotoR24069218ONE IN A THOUSAND
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Preservation Masterⓘ
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📷 View PhotoR24069417THIS IS KOREA
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📷 View PhotoR23583926JOURNEY FOR THREE
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black & white 10 mins. 35mm 964 ft. A bizarre film about a trio on an expedition to the beach to look for seals. They find no seals in fact, but their experience - of nothing happening and a great deal happening simultaneously - makes this a tantalising and unsettling story.
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R24291354THE UNSPOILT LAND (NATIONAL PARKS)
Produced by the National Film Unit
Kodachrome transparency
35mm mounted slide, cellulose acetate positive
Preservation Masterⓘ
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'Alberton', an early New Zealand farm house, brings its memories to life when a film company arrives to produce a Victorian children's story. A kaleidoscopic view of a colonial home and its origins.
R24292154ONE OF THOSE PEOPLE THAT LIVE IN THE WORLD
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Preservation Masterⓘ
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Preservation Masterⓘ
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[view of garden, slightly fogged]
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'Alberton', an early New Zealand farm house, brings its memories to life when a film company arrives to produce a Victorian children's story. A kaleidoscopic view of a colonial home and its origins.
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A 'fantasy' carnival arrives early one morning and establishes itself on an isolated beach. The carnival imagery, with its colourful merry-go-round, presents the conflicting demands being made on the New Zealand coastline - for development, recreation, preservation, housing, industry and investment.
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'Alberton', an early New Zealand farm house, brings its memories to life when a film company arrives to produce a Victorian children's story. A kaleidoscopic view of a colonial home and its origins.
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📷 View PhotoR24069458THE VALLEY SETTLERS
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Preservation Masterⓘ
📷 View PhotoR24289759THE YEARS BACK
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📷 View PhotoR24069227ONE IN A THOUSAND
Produced by the National Film Unit
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35mm acetate film strip, approximately 7 frames
Preservation Masterⓘ
Catalogue synopsis of film: Work and training programmes in one of the psychopaedic hospitals administered by the Mental Health Division of the New Zealand Department of Health.
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📷 View PhotoR24069429THE TREATMENT OF CEREBRAL PALSY IN NEW ZEALAND
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R24291369THE UNSPOILT LAND (NATIONAL PARKS)
Produced by the National Film Unit
Kodachrome transparency
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In New Zealand's 10 National Parks the country's natural beauty is preserved largely in its original state. We see the controlled use of 'The Unspoilt Land' for the benefit of holidaymakers of all persuasions.
Text on sleeve: 'Stockporte and Dahers Alberton Balcony'
[2 on balcony]
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'Alberton', an early New Zealand farm house, brings its memories to life when a film company arrives to produce a Victorian children's story. A kaleidoscopic view of a colonial home and its origins.
📷 View PhotoR24069628[Preparations for a Royal Visit]
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Preservation Masterⓘ
Preparation shots of various public grounds, race tracks, damains and public spaces. Locations are from various cities and towns around the counrty, Christchurch, Hastings, Nelson [?]
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RADIO DEATH
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Catalogue synopsis of film: Work and training programmes in one of the psychopaedic hospitals administered by the Mental Health Division of the New Zealand Department of Health.
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Produced by the National Film Unit
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'Alberton', an early New Zealand farm house, brings its memories to life when a film company arrives to produce a Victorian children's story. A kaleidoscopic view of a colonial home and its origins.
📷 View PhotoR24289752THE YEARS BACK
Produced by the National Film Unit
Black & white film still
6cm x 6cm cellulose acetate negative
Preservation Masterⓘ
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A 35min. 35mm colour film
'Alberton', an early New Zealand farm house, brings its memories to life when a film company arrives to produce a Victorian children's story. A kaleidoscopic view of a colonial home and its origins.
📷 View PhotoR24289952CHILDREN OF THE MIST
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Preservation Masterⓘ
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'Alberton', an early New Zealand farm house, brings its memories to life when a film company arrives to produce a Victorian children's story. A kaleidoscopic view of a colonial home and its origins.
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In the early nineteenth century the Maori chief Te Rauparaha held fearful sway over a great part of New Zealand. During his life European influences eroded Maori traditions, and much blood was spilled before British colonial law forced Te Rauparaha's abdication. His death represents the end of Old New Zealand; this film conveys the magic and the violence that went to make up that past age.
Woman in foreground points while couple stand by car registration no .CP 8353.
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📷 View PhotoR24069451THE VALLEY SETTLERS
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Preservation Masterⓘ
📷 View PhotoR24069617[Preparations for a Royal Visit]
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Preservation Masterⓘ
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Text on sleeve: 'Stockporte and Dahers? Best One. Balcony and film Team'
[Couple on balcony]
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'Alberton', an early New Zealand farm house, brings its memories to life when a film company arrives to produce a Victorian children's story. A kaleidoscopic view of a colonial home and its origins.
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📷 View PhotoR23583927JOURNEY FOR THREE
Produced by the National Film Unit
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Preservation masterⓘ
Film still from 'Journey for Three'. Story film of three British immigrants settling in New Zealand - their reactions to their new country, and its reactions to them. Splendid town and country scenes as backgrounds to their adventures and misadventures. Exciting rescue of injured climber in the magnificent mountain setting of New Zealand's Southern Alps.
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Black & white film still
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Preservation Masterⓘ
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In New Zealand's 10 National Parks the country's natural beauty is preserved largely in its original state. We see the controlled use of 'The Unspoilt Land' for the benefit of holidaymakers of all persuasions.
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A girl finds herself pregnant. She has no hope of marriage, but knows that when her baby comes she will not give it up. She doesn't know, but soon finds out, that society has no real place for her, and no understanding of the special needs of an unmarried mother and her child.
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📷 View PhotoR24069418THIS IS KOREA
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R24069654BARRY BRICKELL - POTTER
Produced by the National Film Unit
Black and white still photograph
5 x 4 inch cellulose acetate negative
Preservation Masterⓘ
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Text on sleeve: 'Wallpaper scenes' - interior wallpapering equipment and 3 girls in Victorian costumes
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📷 View PhotoR24068820THE CROP GROWS TALL
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📷 View PhotoR24069019THE LION AND THE KIWI
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Copy Neg. of lithographs. Routes through NZ some with illustrations.
Christchurch to Hanmer Hot Springs. Hokitika to Westport and Nelson. Nelson to Blenheim and Wellington. Wellington to Napier. Napier to Rotorua via Taupo. Rotorua to Te Aroha and Auckland. Auckland to Waiwera and Whangarei. Whangarei to The Kaipara. Bay of Islands and Whangaroa.Whangarei to Hokianga. Auckland to Wanganui Overland. Taranaki and Mount Egmont. Gisborne via Opotoki to Rotorua.
📷 View PhotoR24069223ONE IN A THOUSAND
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black & white 10 mins. 35mm 964 ft. A bizarre film about a trio on an expedition to the beach to look for seals. They find no seals in fact, but their experience - of nothing happening and a great deal happening simultaneously - makes this a tantalising and unsettling story.
R24292555EXPERIMENTAL FILM (Job 1521)
RADIO DEATH
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Film still from 'Journey for Three'. Story film of three British immigrants settling in New Zealand - their reactions to their new country, and its reactions to them. Splendid town and country scenes as backgrounds to their adventures and misadventures. Exciting rescue of injured climber in the magnificent mountain setting of New Zealand's Southern Alps.
black & white 10 mins. 35mm 964 ft. A bizarre film about a trio on an expedition to the beach to look for seals. They find no seals in fact, but their experience - of nothing happening and a great deal happening simultaneously - makes this a tantalising and unsettling story.
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'Alberton', an early New Zealand farm house, brings its memories to life when a film company arrives to produce a Victorian children's story. A kaleidoscopic view of a colonial home and its origins.
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R24292556EXPERIMENTAL FILM (Job 1521)
RADIO DEATH
Produced by the National Film Unit
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black & white 10 mins. 35mm 964 ft. A bizarre film about a trio on an expedition to the beach to look for seals. They find no seals in fact, but their experience - of nothing happening and a great deal happening simultaneously - makes this a tantalising and unsettling story.
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📷 View PhotoR24068818THE CROP GROWS TALL
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3 images per set of roll film.
Text on envelope: Kearns
THE YEARS BACK Series - An amalgam of film from various sources, and the recollections of notable officials and ordinary folk as they look back at their part in past events, The Years Back spans the time from the turn of the century to 1960. Excerpts were culled from the old National Film Unit series Weekly Review, and from Pictorial Parade, as well as other Unit material; the National Archives, the National Film Library, and some overseas sources provided valuable footage for this comprehensive, nostalgic 13-part series.
Ringmaster minus jacket and hat kneels by boy in front of carousel. Carousel has 'Lamon Investments Ltd. Presents' around top.
Text on sleeve: Out-takes for black & white negs.
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A 'fantasy' carnival arrives early one morning and establishes itself on an isolated beach. The carnival imagery, with its colourful merry-go-round, presents the conflicting demands being made on the New Zealand coastline - for development, recreation, preservation, housing, industry and investment.
📷 View PhotoR24289953CHILDREN OF THE MIST
Produced by the National Film Unit
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R24292553EXPERIMENTAL FILM (Job 1521)
RADIO DEATH
Produced by the National Film Unit
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📷 View PhotoR23583907JOURNEY FOR THREE
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Film still from 'Journey for Three'. Story film of three British immigrants settling in New Zealand - their reactions to their new country, and its reactions to them. Splendid town and country scenes as backgrounds to their adventures and misadventures. Exciting rescue of injured climber in the magnificent mountain setting of New Zealand's Southern Alps.
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Text on sleeve: 'Wallpaper scenes' - interior wallpapering equipment and 3 girls in Victorian costumes
A 35min. 35mm colour film
'Alberton', an early New Zealand farm house, brings its memories to life when a film company arrives to produce a Victorian children's story. A kaleidoscopic view of a colonial home and its origins.
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Preservation Masterⓘ
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📷 View PhotoR24069618[Preparations for a Royal Visit]
Produced by the National Film Unit
Black and white still photograph
10.5 x 8 cm cellulose acetate negative
Preservation Masterⓘ
Preparation shots of various public grounds, race tracks, damains and public spaces. Locations are from various cities and towns around the counrty, Christchurch, Hastings, Nelson [?]
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YOUNG MAN STRANGLED BY PRINTING MACHINE
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📷 View PhotoR23583957JOURNEY FOR THREE
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[Man sits on grass]
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📷 View PhotoR24069070MARLIN WATERS
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W5490W5490 - 16mm black and white film (silent) - 'On Tour' from the 'New Zealand Today' series, produced by Neuline Studios for National Film Unit. 1949.ⓘ
W3941W3941 - Pictorial Parade Information Sheets, National Film Unit Information Sheets, Camera Record Notebooks, Censor's Certificates, File Index, Shot Lists, and Alphabetical Index to Information Sheets and Pictorial Parade Items.ⓘ
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W3878W3878 - Lantern Slides - Hubert Milverton-Carta collection -
Probably copies from National Publicity Studios series 6401 and 6403 (see neg numbers in items)ⓘ
W3676W3676 - Production material from the Land of Birds series, shot primarily by Grant Foster and Geoff Moon in the 1960s, including audio tapes, film prints, negatives, off-cuts and magnetic sound. This material documents the production process for this unique series, which used an inn ...ⓘ
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An alternative search system for Archives NZ, inspired by the beautiful simplicity of the beloved Archway system.
🔍 How does it work?
The search results displayed here are sourced directly from the backend of Archives NZ's publicly available Collections Search system, in almost exactly the same way that the official website works, but organised and displayed differently.
To start with, you can do a straight-forward search with a few keywords and an optional date range and whether to focus on digitised items. You then have the option to filter the results futher (such as by Series and Format - photos, documents, etc).
You can highlight search keywords in the results by clicking the orange text in 'X results matching {keywords}'
The Advanced Search allows you to search with criteria such as showing only Series or Agency results, records held in a specific location, plus sorting and grouping options.
You can also browse within a Series or Accession by clicking the Series name. Search for records within that Series by using the search box on that page.
Digitised records can be viewed by clicking on the thumbnail or the 'Show Scan' links. This embeds a simple viewer directly in the page. You can switch to the official Archives NZ viewer by clicking the 🌀 Archives NZ Source link under the viewer.
Reporting by RNZ's Phil Pennington produced an internal Archives NZ report on Collections Search, describing: "Several significant issues ... slowness, a lack of booking functionality and an external user design that makes accessing archival records difficult. The level of user experience in place now is well below what was in place before the roll out". The report goes on to detail a number of privacy breaches, "continued delays by the vendor" on software improvements, and outages of 29 days in total, out of the ten months since launch.
This alternative search system aims to address some of the shortcomings of Collections Search, such as:
Only 12 search results are displayed at a time
Pages load very slowly
Full name of search result is cut off after a few words
No direct link to scanned documents
Type of record (military records, divorce files, land records, etc) and access status is not shown
It is almost impossible to browse records within a Series or Accession
🔍 Are my searches private?
Great question! In a nutshell, your searches are visible to me, but anonymous.
Your search queries on this system are recorded in logs for a period of time, without any user-identifiable information associated with them, for debugging purposes.
I have no way of identifying you as a person, or associating your search queries with you.
This website does not use Google Analytics, Facebook Pixel, or any other analytics/tracking software.
🔍 Who made this?
I'm Luke Howison, a freelance web developer with an interest in genealogy. I have written a few homebrew tools to assist with this research, such as NZ Ancestor Search Helper.