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1. American Cinematographer, Vol 60, No. 3, March 1979 2. 'CINEMA', from An Encyclopeadia of New Zealand, edited by A.H. McLintock, originally published in 1966. Te-Ara - The Encyclopedia of New Zealand, updated 9-Jun-2006. URL:http://www.TeAra.govt.nz/1966/C/Cinema/en. Viewed 21 September 2006. 3. Directory of Official Information, 1987. The State Services Commission. Wellington 1987. 4. Fry, Margot: A Servant of Many Masters: A History of the National Film Unit 1941-1946. Unpublished Masters Thesis. Victoria University Wellington 1995. 5. New Zealand Official Yearbook, 1946 6. New Zealand's Heritage, Part 93 7. New Zealand Tourist and Publicity Department Annual Report, 1987 8. Sowry, Clive, Article in periodical Cinema Papers, May-June 1980, Cinema Papers Pty. North Melbourne 1980. 9. Sowry, Clive, Chapter on film in Fraser, Bryce (et al) The New Zealand Book of Events, Reed Methuen, Auckland. 1986 10. TO 48/31 Amalgamation of Publicity Department with Tourist Department, 1950, Archives New Zealand Tourist Department (TO) Record Group 11. TO 49/87/10 Establishment of the National Film Unit, 1942-46, Archives New Zealand Tourist Department (TO) Record Group
The State's involvement in film making can be traced back to 1907 when the Government Tourist Department employed J. McDonald to make some newsreels on New Zealand subjects to send overseas. Later on the Government Photography Office, operating under the Department of Agriculture made several films. In 1923 the Photography Office was absorbed by the Publicity Office, a new division of the Department of Internal Affairs. Scenic "shorts" and travelogues were produced for local and overseas tourist promotion. A private company "Filmcraft Ltd" was contracted to process these movies, and it built the Miramar Film Studios in 1928. In 1930, the Publicity Office became part of the new Department of Industry and Commerce, Tourist and Publicity. The department acquired Filmcraft's interest in the Miramar Studios in 1936, which became the Government Motion Picture and Advertising Studios.The 1940 Centennial film One Hundred Crowded Years was the fledgling studio's first significant production.
Impressed by the quality of war newsreels produced by other countries such as the United Kingdom and Canada, the Government established the National Film Unit in August 1941 to help publicise the war effort. The inauguration of the National Film Unit marked a change in policy to that of its predecessor. An important aim was to highlight New Zealand's participation in the war effort both overseas and on the home front. The Film Unit produced a regular and popular information newsreel entitled "Weekly Review".
In policy matters, the Film Unit was answerable to the Wartime Director of Publicity attached to the Prime Minister's Department, while the administration of the studios remained in the control of the Department of Industry and Commerce, Tourist and Publicity. In 1946 the National Film Unit became part of the Information Section of the Prime Minister's Department. The "Weekly Review" continued after the war, and the Film Unit also began making documentaries concerning national problems and undertakings, as well as films to the order of various government departments. The National Film Unit maintained considerable independent control over its operations and in the content of films produced.
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This new status was underlined by the selection of films to be made, which was to be determined by a Cabinet Sub-Committee. A new position of Manager was created which replaced the Producer as the senior position in the Film Unit. The Producer subsequently no longer had a role in policy fomulation. More robust accounting procedures were introduced and there was closer supervision of annual budgets. The Film Unit was also required to become a self contained trading unit and to compete with private enterprise. Efforts to compete in the commercial environment were greatly limited due to the largely non trade nature of the films the National Film Unit produced and the fact that the private film industry in New Zealand relied on the Film Unit's laboratories for nearly all its processing requirements. The film processing section became the Film Unit's biggest single revenue-earning operation.
Production of the Weekly Review ceased in August 1950 due to budgetary constraints and work demands from other departments. Allegations were also made that it was politically biased. Four hundred and sixty episodes in all were produced. In 1952 a monthly magazine film entitled "Pictorial Parade" was first screened and this became the Unit's main output until production ceased in 1971. The Unit also made documentaries at the request of government departments, films for national organisations, as well as many important films on its own initiative.
The arrival of television as a new medium in 1960 gave the National Film Unit increased demand for its processing facilities from the New Zealand Brodcasting Corporation. In the long term though there was competition between the two agencies for staff and resources as the NZBC developed its own film production facilities. During the 1960s efforts were made to integrate the Film Unit with the NZBC. The National Film Unit succesfully remained a separate entity based at Miramar until 1978 when the Unit moved to the new studio complex in Lower Hutt. In November 1988 The State Services Commission's Video Unit was merged with the National Film Unit.
By 1990 the Unit consisted of seven main sections: Production, Laboratory, Facilities, Video Services, Technical Services, Marketing and Administration/Finance. The Unit's role was to provide commercial services which met the needs of government and the private sector in the field of film and video production and sales, film and video processing, production services, and film consultancy services. Archives New Zealand, Wellington took over responsibility for the restoration and preservation of the National Film Unit's extensive archival film collection in 1988. In 1988 the Government announced its intention to sell the National Film Unit. In March 1990 the National Film Unit was sold to Television New Zealand.
During the 1990's a portion of the National Film Unit films were transferred to Archives New Zealand. The remaining National Film Unit films were managed by Television New Zealand's Archive until the closure of the Archive in 2013.
The National Film Unit was established to publicise New Zealand's participation and achievements during the Second World War. After 1945 the Film Unit expanded from producing weekly newsreels to making documentaries and films to the order of Government Departments. During its existence the Film Unit produced films for national organisations as well as many films on its own initiative. The private film industry in New Zealand relied heavily on the National Film Unit's extensive film processing facilities.
Lower Hutt, Wellington
Show History
The State's involvement in film making can be traced back to 1907 when the Government Tourist Department employed J. McDonald to make some newsreels on New Zealand subjects to send overseas. Later on the Government Photography Office, operating under the Department of Agriculture made several films. In 1923 the Photography Office was absorbed by the Publicity Office, a new division of the Department of Internal Affairs. Scenic "shorts" and travelogues were produced for local and overseas tourist promotion. A private company "Filmcraft Ltd" was contracted to process these movies, and it built the Miramar Film Studios in 1928. In 1930, the Publicity Office became part of the new Department of Industry and Commerce, Tourist and Publicity. The department acquired Filmcraft's interest in the Miramar Studios in 1936, which became the Government Motion Picture and Advertising Studios.The 1940 Centennial film One Hundred Crowded Years was the fledgling studio's first significant production.
Impressed by the quality of war newsreels produced by other countries such as the United Kingdom and Canada, the Government established the National Film Unit in August 1941 to help publicise the war effort. The inauguration of the National Film Unit marked a change in policy to that of its predecessor. An important aim was to highlight New Zealand's participation in the war effort both overseas and on the home front. The Film Unit produced a regular and popular information newsreel entitled "Weekly Review".
In policy matters, the Film Unit was answerable to the Wartime Director of Publicity attached to the Prime Minister's Department, while the administration of the studios remained in the control of the Department of Industry and Commerce, Tourist and Publicity. In 1946 the National Film Unit became part of the Information Section of the Prime Minister's Department. The "Weekly Review" continued after the war, and the Film Unit also began making documentaries concerning national problems and undertakings, as well as films to the order of various government departments. The National Film Unit maintained considerable independent control over its operations and in the content of films produced.
In 1949 the incoming National Government undertook a wide ranging review of the National Film Unit. As a result of the review the National Film Unit became part of the Publicity Division of an expanded Department of Tourist and Publicity. Removal from the ambit of the Prime Ministers Department was seen by some as a downgrading of the independent status of the Film Unit. The National Film Unit was now placed firmly within the Public Service.
This new status was underlined by the selection of films to be made, which was to be determined by a Cabinet Sub-Committee. A new position of Manager was created which replaced the Producer as the senior position in the Film Unit. The Producer subsequently no longer had a role in policy fomulation. More robust accounting procedures were introduced and there was closer supervision of annual budgets. The Film Unit was also required to become a self contained trading unit and to compete with private enterprise. Efforts to compete in the commercial environment were greatly limited due to the largely non trade nature of the films the National Film Unit produced and the fact that the private film industry in New Zealand relied on the Film Unit's laboratories for nearly all its processing requirements. The film processing section became the Film Unit's biggest single revenue-earning operation.
Production of the Weekly Review ceased in August 1950 due to budgetary constraints and work demands from other departments. Allegations were also made that it was politically biased. Four hundred and sixty episodes in all were produced. In 1952 a monthly magazine film entitled "Pictorial Parade" was first screened and this became the Unit's main output until production ceased in 1971. The Unit also made documentaries at the request of government departments, films for national organisations, as well as many important films on its own initiative.
The arrival of television as a new medium in 1960 gave the National Film Unit increased demand for its processing facilities from the New Zealand Brodcasting Corporation. In the long term though there was competition between the two agencies for staff and resources as the NZBC developed its own film production facilities. During the 1960s efforts were made to integrate the Film Unit with the NZBC. The National Film Unit succesfully remained a separate entity based at Miramar until 1978 when the Unit moved to the new studio complex in Lower Hutt. In November 1988 The State Services Commission's Video Unit was merged with the National Film Unit.
By 1990 the Unit consisted of seven main sections: Production, Laboratory, Facilities, Video Services, Technical Services, Marketing and Administration/Finance. The Unit's role was to provide commercial services which met the needs of government and the private sector in the field of film and video production and sales, film and video processing, production services, and film consultancy services. Archives New Zealand, Wellington took over responsibility for the restoration and preservation of the National Film Unit's extensive archival film collection in 1988. In 1988 the Government announced its intention to sell the National Film Unit. In March 1990 the National Film Unit was sold to Television New Zealand.
During the 1990's a portion of the National Film Unit films were transferred to Archives New Zealand. The remaining National Film Unit films were managed by Television New Zealand's Archive until the closure of the Archive in 2013.
1. American Cinematographer, Vol 60, No. 3, March 1979 2. 'CINEMA', from An Encyclopeadia of New Zealand, edited by A.H. McLintock, originally published in 1966. Te-Ara - The Encyclopedia of New Zealand, updated 9-Jun-2006. URL:http://www.TeAra.govt.nz/1966/C/Cinema/en. Viewed 21 September 2006. 3. Directory of Official Information, 1987. The State Services Commission. Wellington 1987. 4. Fry, Margot: A Servant of Many Masters: A History of the National Film Unit 1941-1946. Unpublished Masters Thesis. Victoria University Wellington 1995. 5. New Zealand Official Yearbook, 1946 6. New Zealand's Heritage, Part 93 7. New Zealand Tourist and Publicity Department Annual Report, 1987 8. Sowry, Clive, Article in periodical Cinema Papers, May-June 1980, Cinema Papers Pty. North Melbourne 1980. 9. Sowry, Clive, Chapter on film in Fraser, Bryce (et al) The New Zealand Book of Events, Reed Methuen, Auckland. 1986 10. TO 48/31 Amalgamation of Publicity Department with Tourist Department, 1950, Archives New Zealand Tourist Department (TO) Record Group 11. TO 49/87/10 Establishment of the National Film Unit, 1942-46, Archives New Zealand Tourist Department (TO) Record Group
📷 View PhotoR23584067HOW TO DROWN
Produced by the National Film Unit
Black and white photographic negative
6 x 9 cm Cellulose acetate negative
Preservation masterⓘ
Film still from 'How to Drown'. Unusual and humorous portrayal of the ways in which people often get into serious or even fatal difficulties in river, lake, and sea.
📷 View PhotoR23584079HOW TO DROWN
Produced by the National Film Unit
Black and white photographic negative
6 x 9 cm Cellulose acetate negative
Preservation masterⓘ
Film still from 'How to Drown'. Unusual and humorous portrayal of the ways in which people often get into serious or even fatal difficulties in river, lake, and sea.
Film sample from moving image film 'How's Your Smile?'. An attractive story film, mainly in sound and dialogue, to impress teen-agers with the importance of caring for their teeth.
📷 View PhotoR23584244ANTARCTIC ADVENTURE
Produced by the National Film Unit
Black and white photographic negative
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Preservation masterⓘ
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Film sample from moving image film 'J.D. Goes Hunting'. The story of an American's hunting holiday in New Zealand's Southern Alps. Authentic fishing and hunting sequences are set amid magnificent scenery of mountain and forest, teeming with bird life and with varied and abundant quarry for the sportsman.
📷 View PhotoR23584125CROSSING THE ROAD
Produced by the National Film Unit
Black and white photographic negative
6 x 9 cm Cellulose acetate negative
Preservation masterⓘ
Film still from 'Crossing the Road'. Road safety instructional film for young children. Child actors, amusing animals and attractive story-book settings.
📷 View PhotoR23584077HOW TO DROWN
Produced by the National Film Unit
Black and white photographic negative
6 x 9 cm Cellulose acetate negative
Preservation masterⓘ
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📷 View PhotoR23584243ANTARCTIC ADVENTURE
Produced by the National Film Unit
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Preservation masterⓘ
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📷 View PhotoR23584068HOW TO DROWN
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📷 View PhotoR23584140CROSSING THE ROAD
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Film sample from moving image film 'Aroha'. Story of Aroha, university student and descendant of Maori chiefs, and her struggle to find a full and satisfactory life combining European ways with Maori ways, in accord with her conviction that '...we cannot live as separate races in one country.'
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📷 View PhotoR23584174AROHA
Produced by the National Film Unit
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4" x 5" Cellulose acetate negative
Preservation masterⓘ
Film still from 'Aroha'. Story of Aroha, university student and descendant of Maori chiefs, and her struggle to find a full and satisfactory life combining European ways with Maori ways, in accord with her conviction that '...we cannot live as separate races in one country.'
📷 View PhotoR23584254ANTARCTIC ADVENTURE
Produced by the National Film Unit
Black and white photographic negative
35mm approximately 7 frames
Preservation masterⓘ
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📷 View PhotoR23584078HOW TO DROWN
Produced by the National Film Unit
Black and white photographic negative
6 x 9 cm Cellulose acetate negative
Preservation masterⓘ
Film still from 'How to Drown'. Unusual and humorous portrayal of the ways in which people often get into serious or even fatal difficulties in river, lake, and sea.
Film sample from moving image film 'Aroha'. Story of Aroha, university student and descendant of Maori chiefs, and her struggle to find a full and satisfactory life combining European ways with Maori ways, in accord with her conviction that '...we cannot live as separate races in one country.'
📷 View PhotoR23584234HOW'S YOUR SMILE?
Produced by the National Film Unit
Black and white photographic negative
4" x 5" Cellulose acetate negative
Preservation masterⓘ
Film still from 'How's Your Smile?'. An attractive story film, mainly in sound and dialogue, to impress teen-agers with the importance of caring for their teeth.
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📷 View PhotoR23584075HOW TO DROWN
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Preservation masterⓘ
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Preservation masterⓘ
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📷 View PhotoR23584139CROSSING THE ROAD
Produced by the National Film Unit
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6 x 9 cm Cellulose acetate negative
Preservation masterⓘ
Film still from 'Crossing the Road'. Road safety instructional film for young children. Child actors, amusing animals and attractive story-book settings.
📷 View PhotoR23584257ANTARCTIC ADVENTURE
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📷 View PhotoR23584255ANTARCTIC ADVENTURE
Produced by the National Film Unit
Black and white photographic negative
35mm approximately 7 frames
Preservation masterⓘ
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Film sample from moving image film 'How's Your Smile?'. An attractive story film, mainly in sound and dialogue, to impress teen-agers with the importance of caring for their teeth.
📷 View PhotoR23584249ANTARCTIC ADVENTURE
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📷 View PhotoR23584238HOW'S YOUR SMILE?
Produced by the National Film Unit
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Preservation masterⓘ
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📷 View PhotoR23584128CROSSING THE ROAD
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📷 View PhotoR23584239HOW'S YOUR SMILE?
Produced by the National Film Unit
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Preservation masterⓘ
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📷 View PhotoR23584230HOW'S YOUR SMILE?
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📷 View PhotoR23584130CROSSING THE ROAD
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6 x 9 cm Cellulose acetate negative
Preservation masterⓘ
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📷 View PhotoR23584162AROHA
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3.25" x 4.25" Cellulose acetate negative
Preservation masterⓘ
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📷 View PhotoR23584144CROSSING THE ROAD
Produced by the National Film Unit
Black and white photographic negative
6 x 9 cm Cellulose acetate negative
Preservation masterⓘ
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Film sample from moving image film 'Aroha'. Story of Aroha, university student and descendant of Maori chiefs, and her struggle to find a full and satisfactory life combining European ways with Maori ways, in accord with her conviction that '...we cannot live as separate races in one country.'
📷 View PhotoR23624771CROSSING THE ROAD
Produced by the National Film Unit
Black and white photographic negative
6 x 9 cm Cellulose acetate negative
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Film still from 'Crossing the Road'. Road safety instructional film for young children. Child actors, amusing animals and attractive story-book settings
📷 View PhotoR23584157AROHA
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6 x 9 cm Cellulose acetate negative
Preservation masterⓘ
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Film sample from moving image film 'How's Your Smile?'. An attractive story film, mainly in sound and dialogue, to impress teen-agers with the importance of caring for their teeth.
📷 View PhotoR23584160AROHA
Produced by the National Film Unit
Black and white photographic negative
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Preservation masterⓘ
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📷 View PhotoR23584149THE EVENTFUL YEARS
Produced by the National Film Unit
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Preservation masterⓘ
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Film still from 'How to Drown'. Unusual and humorous portrayal of the ways in which people often get into serious or even fatal difficulties in river, lake, and sea.
📷 View PhotoR23584248ANTARCTIC ADVENTURE
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Film sample from moving image film 'Aroha'. Story of Aroha, university student and descendant of Maori chiefs, and her struggle to find a full and satisfactory life combining European ways with Maori ways, in accord with her conviction that '...we cannot live as separate races in one country.'
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Produced by the National Film Unit
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Preservation masterⓘ
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📷 View PhotoR23584237HOW'S YOUR SMILE?
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Preservation masterⓘ
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Preservation masterⓘ
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📷 View PhotoR23584172AROHA
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📷 View PhotoR23584171AROHA
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📷 View PhotoR23584365THE ELYSIAN BUS
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Film sample from moving image film 'How's Your Smile?'. An attractive story film, mainly in sound and dialogue, to impress teen-agers with the importance of caring for their teeth.
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Film sample from moving image film 'J.D. Goes Hunting'. The story of an American's hunting holiday in New Zealand's Southern Alps. Authentic fishing and hunting sequences are set amid magnificent scenery of mountain and forest, teeming with bird life and with varied and abundant quarry for the sportsman.
📷 View PhotoR23584319THE ELYSIAN BUS
Produced by the National Film Unit
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📷 View PhotoR23584246ANTARCTIC ADVENTURE
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📷 View PhotoR23584127CROSSING THE ROAD
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Film still from 'Crossing the Road'. Road safety instructional film for young children. Child actors, amusing animals and attractive story-book settings.
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📷 View PhotoR23584121CROSSING THE ROAD
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📷 View PhotoR23584166AROHA
Produced by the National Film Unit
Black and white photographic negative
3.25" x 4.25" Cellulose acetate negative
Preservation masterⓘ
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📷 View PhotoR23584072HOW TO DROWN
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Preservation masterⓘ
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Preservation masterⓘ
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📷 View PhotoR23584159AROHA
Produced by the National Film Unit
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6 x 9 cm Cellulose acetate negative
Preservation masterⓘ
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📷 View PhotoR23584141CROSSING THE ROAD
Produced by the National Film Unit
Black and white photographic negative
6 x 9 cm Cellulose acetate negative
Preservation masterⓘ
Film still from 'Crossing the Road'. Road safety instructional film for young children. Child actors, amusing animals and attractive story-book settings.
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📷 View PhotoR23584129CROSSING THE ROAD
Produced by the National Film Unit
Black and white photographic negative
6 x 9 cm Cellulose acetate negative
Preservation masterⓘ
Film still from 'Crossing the Road'. Road safety instructional film for young children. Child actors, amusing animals and attractive story-book settings.
📷 View PhotoR23584138CROSSING THE ROAD
Produced by the National Film Unit
Black and white photographic negative
6 x 9 cm Cellulose acetate negative
Preservation masterⓘ
Film still from 'Crossing the Road'. Road safety instructional film for young children. Child actors, amusing animals and attractive story-book settings.
📷 View PhotoR23584136CROSSING THE ROAD
Produced by the National Film Unit
Black and white photographic negative
6 x 9 cm Cellulose acetate negative
Preservation masterⓘ
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R24040483CATTLE DRIVE [aka CATTLE TRAIL] R.1
Produced by the New Zealand National Film Unit
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Produced by the New Zealand National Film Unit
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R24039476WEEKLY REVIEW No. 445 ROCK BOTTOM AT WAIKAREMOANA
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R24038477CAMPS, GUNS AND TANKS; etc. (Composite)
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R24039291WEEKLY REVIEW No. 398 CIRCUS ROUNDABOUT
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R24040484CATTLE DRIVE [aka CATTLE TRAIL] R.2
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W5490W5490 - 16mm black and white film (silent) - 'On Tour' from the 'New Zealand Today' series, produced by Neuline Studios for National Film Unit. 1949.ⓘ
W3941W3941 - Pictorial Parade Information Sheets, National Film Unit Information Sheets, Camera Record Notebooks, Censor's Certificates, File Index, Shot Lists, and Alphabetical Index to Information Sheets and Pictorial Parade Items.ⓘ
Pictorial Parade Information Sheets, National Film Unit Information Sheets, Camera Record Notebooks, Censor's Certificates, File Index, Shot Lists, and Alphabetical Index to Information Sheets and Pictorial Parade Items.
W3878W3878 - Lantern Slides - Hubert Milverton-Carta collection -
Probably copies from National Publicity Studios series 6401 and 6403 (see neg numbers in items)ⓘ
W3676W3676 - Production material from the Land of Birds series, shot primarily by Grant Foster and Geoff Moon in the 1960s, including audio tapes, film prints, negatives, off-cuts and magnetic sound. This material documents the production process for this unique series, which used an inn ...ⓘ
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An alternative search system for Archives NZ, inspired by the beautiful simplicity of the beloved Archway system.
🔍 How does it work?
The search results displayed here are sourced directly from the backend of Archives NZ's publicly available Collections Search system, in almost exactly the same way that the official website works, but organised and displayed differently.
To start with, you can do a straight-forward search with a few keywords and an optional date range and whether to focus on digitised items. You then have the option to filter the results futher (such as by Series and Format - photos, documents, etc).
You can highlight search keywords in the results by clicking the orange text in 'X results matching {keywords}'
The Advanced Search allows you to search with criteria such as showing only Series or Agency results, records held in a specific location, plus sorting and grouping options.
You can also browse within a Series or Accession by clicking the Series name. Search for records within that Series by using the search box on that page.
Digitised records can be viewed by clicking on the thumbnail or the 'Show Scan' links. This embeds a simple viewer directly in the page. You can switch to the official Archives NZ viewer by clicking the 🌀 Archives NZ Source link under the viewer.
Reporting by RNZ's Phil Pennington produced an internal Archives NZ report on Collections Search, describing: "Several significant issues ... slowness, a lack of booking functionality and an external user design that makes accessing archival records difficult. The level of user experience in place now is well below what was in place before the roll out". The report goes on to detail a number of privacy breaches, "continued delays by the vendor" on software improvements, and outages of 29 days in total, out of the ten months since launch.
This alternative search system aims to address some of the shortcomings of Collections Search, such as:
Only 12 search results are displayed at a time
Pages load very slowly
Full name of search result is cut off after a few words
No direct link to scanned documents
Type of record (military records, divorce files, land records, etc) and access status is not shown
It is almost impossible to browse records within a Series or Accession
🔍 Are my searches private?
Great question! In a nutshell, your searches are visible to me, but anonymous.
Your search queries on this system are recorded in logs for a period of time, without any user-identifiable information associated with them, for debugging purposes.
I have no way of identifying you as a person, or associating your search queries with you.
This website does not use Google Analytics, Facebook Pixel, or any other analytics/tracking software.
🔍 Who made this?
I'm Luke Howison, a freelance web developer with an interest in genealogy. I have written a few homebrew tools to assist with this research, such as NZ Ancestor Search Helper.