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1. American Cinematographer, Vol 60, No. 3, March 1979 2. 'CINEMA', from An Encyclopeadia of New Zealand, edited by A.H. McLintock, originally published in 1966. Te-Ara - The Encyclopedia of New Zealand, updated 9-Jun-2006. URL:http://www.TeAra.govt.nz/1966/C/Cinema/en. Viewed 21 September 2006. 3. Directory of Official Information, 1987. The State Services Commission. Wellington 1987. 4. Fry, Margot: A Servant of Many Masters: A History of the National Film Unit 1941-1946. Unpublished Masters Thesis. Victoria University Wellington 1995. 5. New Zealand Official Yearbook, 1946 6. New Zealand's Heritage, Part 93 7. New Zealand Tourist and Publicity Department Annual Report, 1987 8. Sowry, Clive, Article in periodical Cinema Papers, May-June 1980, Cinema Papers Pty. North Melbourne 1980. 9. Sowry, Clive, Chapter on film in Fraser, Bryce (et al) The New Zealand Book of Events, Reed Methuen, Auckland. 1986 10. TO 48/31 Amalgamation of Publicity Department with Tourist Department, 1950, Archives New Zealand Tourist Department (TO) Record Group 11. TO 49/87/10 Establishment of the National Film Unit, 1942-46, Archives New Zealand Tourist Department (TO) Record Group
The State's involvement in film making can be traced back to 1907 when the Government Tourist Department employed J. McDonald to make some newsreels on New Zealand subjects to send overseas. Later on the Government Photography Office, operating under the Department of Agriculture made several films. In 1923 the Photography Office was absorbed by the Publicity Office, a new division of the Department of Internal Affairs. Scenic "shorts" and travelogues were produced for local and overseas tourist promotion. A private company "Filmcraft Ltd" was contracted to process these movies, and it built the Miramar Film Studios in 1928. In 1930, the Publicity Office became part of the new Department of Industry and Commerce, Tourist and Publicity. The department acquired Filmcraft's interest in the Miramar Studios in 1936, which became the Government Motion Picture and Advertising Studios.The 1940 Centennial film One Hundred Crowded Years was the fledgling studio's first significant production.
Impressed by the quality of war newsreels produced by other countries such as the United Kingdom and Canada, the Government established the National Film Unit in August 1941 to help publicise the war effort. The inauguration of the National Film Unit marked a change in policy to that of its predecessor. An important aim was to highlight New Zealand's participation in the war effort both overseas and on the home front. The Film Unit produced a regular and popular information newsreel entitled "Weekly Review".
In policy matters, the Film Unit was answerable to the Wartime Director of Publicity attached to the Prime Minister's Department, while the administration of the studios remained in the control of the Department of Industry and Commerce, Tourist and Publicity. In 1946 the National Film Unit became part of the Information Section of the Prime Minister's Department. The "Weekly Review" continued after the war, and the Film Unit also began making documentaries concerning national problems and undertakings, as well as films to the order of various government departments. The National Film Unit maintained considerable independent control over its operations and in the content of films produced.
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This new status was underlined by the selection of films to be made, which was to be determined by a Cabinet Sub-Committee. A new position of Manager was created which replaced the Producer as the senior position in the Film Unit. The Producer subsequently no longer had a role in policy fomulation. More robust accounting procedures were introduced and there was closer supervision of annual budgets. The Film Unit was also required to become a self contained trading unit and to compete with private enterprise. Efforts to compete in the commercial environment were greatly limited due to the largely non trade nature of the films the National Film Unit produced and the fact that the private film industry in New Zealand relied on the Film Unit's laboratories for nearly all its processing requirements. The film processing section became the Film Unit's biggest single revenue-earning operation.
Production of the Weekly Review ceased in August 1950 due to budgetary constraints and work demands from other departments. Allegations were also made that it was politically biased. Four hundred and sixty episodes in all were produced. In 1952 a monthly magazine film entitled "Pictorial Parade" was first screened and this became the Unit's main output until production ceased in 1971. The Unit also made documentaries at the request of government departments, films for national organisations, as well as many important films on its own initiative.
The arrival of television as a new medium in 1960 gave the National Film Unit increased demand for its processing facilities from the New Zealand Brodcasting Corporation. In the long term though there was competition between the two agencies for staff and resources as the NZBC developed its own film production facilities. During the 1960s efforts were made to integrate the Film Unit with the NZBC. The National Film Unit succesfully remained a separate entity based at Miramar until 1978 when the Unit moved to the new studio complex in Lower Hutt. In November 1988 The State Services Commission's Video Unit was merged with the National Film Unit.
By 1990 the Unit consisted of seven main sections: Production, Laboratory, Facilities, Video Services, Technical Services, Marketing and Administration/Finance. The Unit's role was to provide commercial services which met the needs of government and the private sector in the field of film and video production and sales, film and video processing, production services, and film consultancy services. Archives New Zealand, Wellington took over responsibility for the restoration and preservation of the National Film Unit's extensive archival film collection in 1988. In 1988 the Government announced its intention to sell the National Film Unit. In March 1990 the National Film Unit was sold to Television New Zealand.
During the 1990's a portion of the National Film Unit films were transferred to Archives New Zealand. The remaining National Film Unit films were managed by Television New Zealand's Archive until the closure of the Archive in 2013.
The National Film Unit was established to publicise New Zealand's participation and achievements during the Second World War. After 1945 the Film Unit expanded from producing weekly newsreels to making documentaries and films to the order of Government Departments. During its existence the Film Unit produced films for national organisations as well as many films on its own initiative. The private film industry in New Zealand relied heavily on the National Film Unit's extensive film processing facilities.
Lower Hutt, Wellington
Show History
The State's involvement in film making can be traced back to 1907 when the Government Tourist Department employed J. McDonald to make some newsreels on New Zealand subjects to send overseas. Later on the Government Photography Office, operating under the Department of Agriculture made several films. In 1923 the Photography Office was absorbed by the Publicity Office, a new division of the Department of Internal Affairs. Scenic "shorts" and travelogues were produced for local and overseas tourist promotion. A private company "Filmcraft Ltd" was contracted to process these movies, and it built the Miramar Film Studios in 1928. In 1930, the Publicity Office became part of the new Department of Industry and Commerce, Tourist and Publicity. The department acquired Filmcraft's interest in the Miramar Studios in 1936, which became the Government Motion Picture and Advertising Studios.The 1940 Centennial film One Hundred Crowded Years was the fledgling studio's first significant production.
Impressed by the quality of war newsreels produced by other countries such as the United Kingdom and Canada, the Government established the National Film Unit in August 1941 to help publicise the war effort. The inauguration of the National Film Unit marked a change in policy to that of its predecessor. An important aim was to highlight New Zealand's participation in the war effort both overseas and on the home front. The Film Unit produced a regular and popular information newsreel entitled "Weekly Review".
In policy matters, the Film Unit was answerable to the Wartime Director of Publicity attached to the Prime Minister's Department, while the administration of the studios remained in the control of the Department of Industry and Commerce, Tourist and Publicity. In 1946 the National Film Unit became part of the Information Section of the Prime Minister's Department. The "Weekly Review" continued after the war, and the Film Unit also began making documentaries concerning national problems and undertakings, as well as films to the order of various government departments. The National Film Unit maintained considerable independent control over its operations and in the content of films produced.
In 1949 the incoming National Government undertook a wide ranging review of the National Film Unit. As a result of the review the National Film Unit became part of the Publicity Division of an expanded Department of Tourist and Publicity. Removal from the ambit of the Prime Ministers Department was seen by some as a downgrading of the independent status of the Film Unit. The National Film Unit was now placed firmly within the Public Service.
This new status was underlined by the selection of films to be made, which was to be determined by a Cabinet Sub-Committee. A new position of Manager was created which replaced the Producer as the senior position in the Film Unit. The Producer subsequently no longer had a role in policy fomulation. More robust accounting procedures were introduced and there was closer supervision of annual budgets. The Film Unit was also required to become a self contained trading unit and to compete with private enterprise. Efforts to compete in the commercial environment were greatly limited due to the largely non trade nature of the films the National Film Unit produced and the fact that the private film industry in New Zealand relied on the Film Unit's laboratories for nearly all its processing requirements. The film processing section became the Film Unit's biggest single revenue-earning operation.
Production of the Weekly Review ceased in August 1950 due to budgetary constraints and work demands from other departments. Allegations were also made that it was politically biased. Four hundred and sixty episodes in all were produced. In 1952 a monthly magazine film entitled "Pictorial Parade" was first screened and this became the Unit's main output until production ceased in 1971. The Unit also made documentaries at the request of government departments, films for national organisations, as well as many important films on its own initiative.
The arrival of television as a new medium in 1960 gave the National Film Unit increased demand for its processing facilities from the New Zealand Brodcasting Corporation. In the long term though there was competition between the two agencies for staff and resources as the NZBC developed its own film production facilities. During the 1960s efforts were made to integrate the Film Unit with the NZBC. The National Film Unit succesfully remained a separate entity based at Miramar until 1978 when the Unit moved to the new studio complex in Lower Hutt. In November 1988 The State Services Commission's Video Unit was merged with the National Film Unit.
By 1990 the Unit consisted of seven main sections: Production, Laboratory, Facilities, Video Services, Technical Services, Marketing and Administration/Finance. The Unit's role was to provide commercial services which met the needs of government and the private sector in the field of film and video production and sales, film and video processing, production services, and film consultancy services. Archives New Zealand, Wellington took over responsibility for the restoration and preservation of the National Film Unit's extensive archival film collection in 1988. In 1988 the Government announced its intention to sell the National Film Unit. In March 1990 the National Film Unit was sold to Television New Zealand.
During the 1990's a portion of the National Film Unit films were transferred to Archives New Zealand. The remaining National Film Unit films were managed by Television New Zealand's Archive until the closure of the Archive in 2013.
1. American Cinematographer, Vol 60, No. 3, March 1979 2. 'CINEMA', from An Encyclopeadia of New Zealand, edited by A.H. McLintock, originally published in 1966. Te-Ara - The Encyclopedia of New Zealand, updated 9-Jun-2006. URL:http://www.TeAra.govt.nz/1966/C/Cinema/en. Viewed 21 September 2006. 3. Directory of Official Information, 1987. The State Services Commission. Wellington 1987. 4. Fry, Margot: A Servant of Many Masters: A History of the National Film Unit 1941-1946. Unpublished Masters Thesis. Victoria University Wellington 1995. 5. New Zealand Official Yearbook, 1946 6. New Zealand's Heritage, Part 93 7. New Zealand Tourist and Publicity Department Annual Report, 1987 8. Sowry, Clive, Article in periodical Cinema Papers, May-June 1980, Cinema Papers Pty. North Melbourne 1980. 9. Sowry, Clive, Chapter on film in Fraser, Bryce (et al) The New Zealand Book of Events, Reed Methuen, Auckland. 1986 10. TO 48/31 Amalgamation of Publicity Department with Tourist Department, 1950, Archives New Zealand Tourist Department (TO) Record Group 11. TO 49/87/10 Establishment of the National Film Unit, 1942-46, Archives New Zealand Tourist Department (TO) Record Group
'Alberton', an early New Zealand farm house, brings its memories to life when a film company arrives to produce a Victorian children's story. A kaleidoscopic view of a colonial home and its origins.
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📷 View PhotoR24289876WILD SEPTEMBER SNOW
Produced by the National Film Unit
Black & white motion picture dupe negative
35mm acetate film strip, approximately 12 frames
Preservation Masterⓘ
17 minute colour documentary about three young ski instructors caught up in the endless round of double winters in northern and southern hemispheres, escape from the crowd to experience New Zealand's way-out snowfields - Tasman Glacier and volcanic Mt. Ruapehu
📷 View PhotoR23583877JOURNEY FOR THREE
Produced by the National Film Unit
Black and white photographic negative
6 x 10.5 cm Cellulose acetate negative
Preservation masterⓘ
Film still from 'Journey for Three'. Story film of three British immigrants settling in New Zealand - their reactions to their new country, and its reactions to them. Splendid town and country scenes as backgrounds to their adventures and misadventures. Exciting rescue of injured climber in the magnificent mountain setting of New Zealand's Southern Alps.
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R24292476THE ROYAL VISIT TO NZ OF THEIR IMPERIAL MAJESTIES THE SHAHANSHAH ARYAMEHR AND THE SHAHBANOU OF IRAN 1974
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R24291676NOT JUST A MATTER OF NUTS AND BOLTS
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📷 View PhotoR24289873WILD SEPTEMBER SNOW
Produced by the National Film Unit
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35mm acetate film strip, approximately 12 frames
Preservation Masterⓘ
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📷 View PhotoR24068918A DEAF CHILD IN THE FAMILY
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📷 View PhotoR24069572PLAY IN SAFE PLACES
Produced by the National Film Unit
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R24291673NOT JUST A MATTER OF NUTS AND BOLTS
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Man wearing glasses recording voice onto tape machine.
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Colour 13 mins. 35mm 1,150 ft. A montage of activity at the Wellington Polytechnic showing the range of courses offered and the atmosphere of this lively and up-to-date institution.
📷 View PhotoR24069122MONKEY TALE
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Produced for Transport Department by the New Zealand National Film Unit
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Text on sleeve: 'Alberton Ball & Family Visit' - group
A 35min. 35mm colour film
'Alberton', an early New Zealand farm house, brings its memories to life when a film company arrives to produce a Victorian children's story. A kaleidoscopic view of a colonial home and its origins.
R24069317THE RIDE OF 480
Produced by the National Film Unit
Colour motion picture negative
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Preservation Masterⓘ
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📷 View PhotoR24290673A COLONIAL DOLL'S HOUSE
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6cm x 6cm cellulose acetate negative
Preservation Masterⓘ
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📷 View PhotoR24289868TO LIVE IN THE CITY
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Character with ostrich feather, kneels by gowned lady.
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U.N. inspects Samoa
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📷 View PhotoR24290668A COLONIAL DOLL'S HOUSE
Produced by the National Film Unit
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6cm x 6cm cellulose acetate negative
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📷 View PhotoR24069567PLAY IN SAFE PLACES
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📷 View PhotoR24068937FOUR FOR THE CLOUDS
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📷 View PhotoR24069138MONKEY TALE
Produced by the National Film Unit
Black and white still photograph
6cm x 9cm cellulose acetate negative
Preservation Masterⓘ
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R24291665NOT JUST A MATTER OF NUTS AND BOLTS
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📷 View PhotoR24289865TO LIVE IN THE CITY
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A theatre piece in mime showing the destruction of a majestic figure by sinister carnival characters, controlled by a "Mr. Big". The majestic figure and her courtiers are transformed into an affectionate nuclear family followed by a grand finale in the usual theatre tradition.
'Alberton', an early New Zealand farm house, brings its memories to life when a film company arrives to produce a Victorian children's story. A kaleidoscopic view of a colonial home and its origins.
📷 View PhotoR24068737AS THE TWIG IS BENT
Produced by the National Film Unit
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Preservation Masterⓘ
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📷 View PhotoR24290665A COLONIAL DOLL'S HOUSE
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'Alberton', an early New Zealand farm house, brings its memories to life when a film company arrives to produce a Victorian children's story. A kaleidoscopic view of a colonial home and its origins.
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Film still from the film 'Land From The Sky' . Showing the story of the development of aerial top-dressing in New Zealand and the establishment of the aerial farming industry.
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R24292065ONE OF THOSE PEOPLE THAT LIVE IN THE WORLD
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📷 View PhotoR24069339SKY HIGH IN NEW ZEALAND
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R24290107EXCUSE ME, CAN YOU TELL ME WHY YOU'RE ON THIS TRIP?
Produced by the National Film Unit
Black & white film still
35mm acetate negative
Preservation Masterⓘ
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Man looks through binoculars from hut raised over forest.
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Produced by the National Film Unit
Colour film still
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Preservation Masterⓘ
Country roads and new motorways -- the dangers the work and the pleasures that go with them. With the help of the staff and pupils of a Wellington primary school, a fresh look is taken at roads and the vital and varied part they play in our lives.
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'Theatre Action with
GAMES
Music Ross Harris'
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📷 View PhotoR24068984A LETTER TO THE TEACHER
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Catalogue synopsis of film: This is the story of the education by mail and radio of children and adults, in remote parts of New Zealand. Students are served in varied places such as high country farms amoung the Southern Alps, on lighthouses, on shark-fishing boats and wild in-land areas. The story shows many aspects of New Zealand's forest, sea-coast and mountain country, and the families who live there. The enlightened eductaion of New Zealand's Correspondence School owes its success largely to a close teacher-pupil relationship built up mainly through the regular interchange of personal friendly letters.
R24292507THE EROSION OF OUR LAND
Produced by the National Film Unit
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R24290507TAHERE TIKITIKI - THE MAKING OF A MAORI CANOE
Produced by the National Film Unit
Black & white film still
35mm cellulose acetate negative
Preservation Masterⓘ
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📷 View PhotoR24290707A COLONIAL DOLL'S HOUSE
Produced by the National Film Unit
Black & white film still
6cm x 6cm cellulose acetate negative
Preservation Masterⓘ
'Alberton', an early New Zealand farm house, brings its memories to life when a film company arrives to produce a Victorian children's story. A kaleidoscopic view of a colonial home and its origins.
📷 View PhotoR24069176NO FOOTPATH
Produced by the National Film Unit
Black and white still photograph
6cm x 9cm cellulose acetate negative
Preservation Masterⓘ
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📷 View PhotoR23583879JOURNEY FOR THREE
Produced by the National Film Unit
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Preservation masterⓘ
Film still from 'Journey for Three'. Story film of three British immigrants settling in New Zealand - their reactions to their new country, and its reactions to them. Splendid town and country scenes as backgrounds to their adventures and misadventures. Exciting rescue of injured climber in the magnificent mountain setting of New Zealand's Southern Alps.
R24291707NOT JUST A MATTER OF NUTS AND BOLTS
Produced by the National Film Unit
Black & white film still
35mm cellulose acetate negative
Preservation Masterⓘ
Colour 13 mins. 35mm 1,150 ft. A montage of activity at the Wellington Polytechnic showing the range of courses offered and the atmosphere of this lively and up-to-date institution.
Text on sleeve: 'Miners Tavern' - bartender with cask
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'Alberton', an early New Zealand farm house, brings its memories to life when a film company arrives to produce a Victorian children's story. A kaleidoscopic view of a colonial home and its origins.
📷 View PhotoR24069406THIS IS KOREA
Produced by the National Film Unit
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Preservation Masterⓘ
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R24290105EXCUSE ME, CAN YOU TELL ME WHY YOU'RE ON THIS TRIP?
Produced by the National Film Unit
Black & white film still
35mm acetate negative
Preservation Masterⓘ
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📷 View PhotoR24068802THE COOK ISLANDS LOOK AHEAD
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Preservation Masterⓘ
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R24292505THE ROYAL VISIT TO NZ OF THEIR IMPERIAL MAJESTIES THE SHAHANSHAH ARYAMEHR AND THE SHAHBANOU OF IRAN 1974
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📷 View PhotoR24069404THIS IS KOREA
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Preservation Masterⓘ
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'Alberton', an early New Zealand farm house, brings its memories to life when a film company arrives to produce a Victorian children's story. A kaleidoscopic view of a colonial home and its origins.
R24291705NOT JUST A MATTER OF NUTS AND BOLTS
Produced by the National Film Unit
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Preservation Masterⓘ
Colour 13 mins. 35mm 1,150 ft. A montage of activity at the Wellington Polytechnic showing the range of courses offered and the atmosphere of this lively and up-to-date institution.
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📷 View PhotoR23583872JOURNEY FOR THREE
Produced by the National Film Unit
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'Alberton', an early New Zealand farm house, brings its memories to life when a film company arrives to produce a Victorian children's story. A kaleidoscopic view of a colonial home and its origins.
📷 View PhotoR24289905THE YOUNG GIANT KAINGAROA
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Country roads and new motorways -- the dangers the work and the pleasures that go with them. With the help of the staff and pupils of a Wellington primary school, a fresh look is taken at roads and the vital and varied part they play in our lives.
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📷 View PhotoR24291908PROJECT: ROADS TO RESOURCES
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Colour film still
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Preservation Masterⓘ
Country roads and new motorways -- the dangers the work and the pleasures that go with them. With the help of the staff and pupils of a Wellington primary school, a fresh look is taken at roads and the vital and varied part they play in our lives.
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Preservation Masterⓘ
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📷 View PhotoR24289908THE YOUNG GIANT KAINGAROA
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Preservation Masterⓘ
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📷 View PhotoR23583880JOURNEY FOR THREE
Produced by the National Film Unit
Black and white photographic negative
6 x 10.5 cm Cellulose acetate negative
Preservation masterⓘ
Film still from 'Journey for Three'. Story film of three British immigrants settling in New Zealand - their reactions to their new country, and its reactions to them. Splendid town and country scenes as backgrounds to their adventures and misadventures. Exciting rescue of injured climber in the magnificent mountain setting of New Zealand's Southern Alps.
📷 View PhotoR24069607[Preparations for a Royal Visit]
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10.5 x 8 cm cellulose acetate negative
Preservation Masterⓘ
Preparation shots of various public grounds, race tracks, damains and public spaces. Locations are from various cities and towns around the counrty, Christchurch, Hastings, Nelson [?]
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📷 View PhotoR24069407THIS IS KOREA
Produced by the National Film Unit
Black and white motion picture dupe negative with sound
35mm nitrate film strip, approximately 6 frames
Preservation Masterⓘ
Catalogue synopsis of film: Korea's temples, cities and landscapes, the people at work and at leisure, and United Nations Forces, including New Zealand's K-Force in the British Commonwealth Brigade (later expanded to a Division).
Character wearing top hat and mask holds sign reading
'Theatre Action with
GAMES
Music Ross Harris'
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Colour 6 mins, 16mm 225'
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R24290108EXCUSE ME, CAN YOU TELL ME WHY YOU'RE ON THIS TRIP?
Produced by the National Film Unit
Black & white film still
35mm acetate negative
Preservation Masterⓘ
After months of preparation, two steam locomotives pulling a load of railway enthusiasts set off from Wellington to Auckland. Throughout this nostalgic trip, rail fans on the train and others gathered along the route with cameras and tape recorders at the ready, share their excitement and pleasure with the audience.
A 'fantasy' carnival arrives early one morning and establishes itself on an isolated beach. The carnival imagery, with its colourful merry-go-round, presents the conflicting demands being made on the New Zealand coastline - for development, recreation, preservation, housing, industry and investment.
R24290508TAHERE TIKITIKI - THE MAKING OF A MAORI CANOE
Produced by the National Film Unit
Black & white film still
35mm cellulose acetate negative
Preservation Masterⓘ
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R24292508THE EROSION OF OUR LAND
Produced by the National Film Unit
Kodachrome transparency
35mm mounted slide, cellulose acetate positive
Preservation Masterⓘ
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📷 View PhotoR24290708A COLONIAL DOLL'S HOUSE
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Preservation Masterⓘ
'Alberton', an early New Zealand farm house, brings its memories to life when a film company arrives to produce a Victorian children's story. A kaleidoscopic view of a colonial home and its origins.
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MONKEY TALE with Marquis the Chimpanzee and Family
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📷 View PhotoR24068966HOLIDAY
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In the early nineteenth century the Maori chief Te Rauparaha held fearful sway over a great part of New Zealand. During his life European influences eroded Maori traditions, and much blood was spilled before British colonial law forced Te Rauparaha's abdication. His death represents the end of Old New Zealand; this film conveys the magic and the violence that went to make up that past age.
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black & white 20 mins. 35mm 1,828 ft. The New Zealand National Film Unit presents Sportsmen's Playground, New Zealand.
Directed and photographed by Roger Mirams (Pacific Film Unit).
Quick-moving survey of the great variety of outdoor sports available in New Zealand, including snow sports, deer-stalking, pig-hunting, trout-fishing, yachting and swordfishing.
Text on sleeve: '3 Girls in film' - girls sit and talk on grass
A 35min. 35mm colour film
'Alberton', an early New Zealand farm house, brings its memories to life when a film company arrives to produce a Victorian children's story. A kaleidoscopic view of a colonial home and its origins.
A theatre piece in mime showing the destruction of a majestic figure by sinister carnival characters, controlled by a "Mr. Big". The majestic figure and her courtiers are transformed into an affectionate nuclear family followed by a grand finale in the usual theatre tradition.
📷 View PhotoR24290695A COLONIAL DOLL'S HOUSE
Produced by the National Film Unit
Black & white film still
6cm x 6cm cellulose acetate negative
Preservation Masterⓘ
'Alberton', an early New Zealand farm house, brings its memories to life when a film company arrives to produce a Victorian children's story. A kaleidoscopic view of a colonial home and its origins.
R24292495THE ROYAL VISIT TO NZ OF THEIR IMPERIAL MAJESTIES THE SHAHANSHAH ARYAMEHR AND THE SHAHBANOU OF IRAN 1974
Produced by the National Film Unit
Kodachrome transparency
35mm mounted slide, cellulose acetate positive
Preservation Masterⓘ
R24291695NOT JUST A MATTER OF NUTS AND BOLTS
Produced by the National Film Unit
Black & white film still
35mm cellulose acetate negative
Preservation Masterⓘ
Female student at desk, dress with braiding and 'peter pan' collar.
Film description:
Colour 13 mins. 35mm 1,150 ft. A montage of activity at the Wellington Polytechnic showing the range of courses offered and the atmosphere of this lively and up-to-date institution.
R24290495TAHERE TIKITIKI - THE MAKING OF A MAORI CANOE
Produced by the National Film Unit
Black & white film still
35mm cellulose acetate negative
Preservation Masterⓘ
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📷 View PhotoR24293099Graham Ashley (son of Mac Ashley of the NFU) poses with cartoonist Robert Morrow
Black & white film still
4" x 5" cellulose acetate negative
Preservation Masterⓘ
This photo was published on the front cover of the New Zealand Listener vol. 21, no. 534 (September 16, 1949). The caption read: "ARTIST AND MODEL - Graham Ashley, three-year-old son of a National Film Unit employee, poses while Robert Morrow, of the Unit's Cartoon Department, makes preliminary drawings for a cartoon character."
📷 View PhotoR24068777CHRISTCHURCH HARMONIC SOCIETY CHOIR
Produced by the National Film Unit
Black and white still photograph
6 x 6 cm cellulose acetate negative
Preservation Masterⓘ
Little boy sitting on carousel horse with ringmaster standing behind.
27 min. Colour, 35mm film.
Description:
A 'fantasy' carnival arrives early one morning and establishes itself on an isolated beach. The carnival imagery, with its colourful merry-go-round, presents the conflicting demands being made on the New Zealand coastline - for development, recreation, preservation, housing, industry and investment.
R24290498TAHERE TIKITIKI - THE MAKING OF A MAORI CANOE
Produced by the National Film Unit
Black & white film still
35mm cellulose acetate negative
Preservation Masterⓘ
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📷 View PhotoR24290698A COLONIAL DOLL'S HOUSE
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Black & white film still
6cm x 6cm cellulose acetate negative
Preservation Masterⓘ
'Alberton', an early New Zealand farm house, brings its memories to life when a film company arrives to produce a Victorian children's story. A kaleidoscopic view of a colonial home and its origins.
📷 View PhotoR24068795THE COOK ISLANDS LOOK AHEAD
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Preservation Masterⓘ
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R24292498THE ROYAL VISIT TO NZ OF THEIR IMPERIAL MAJESTIES THE SHAHANSHAH ARYAMEHR AND THE SHAHBANOU OF IRAN 1974
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A theatre piece in mime showing the destruction of a majestic figure by sinister carnival characters, controlled by a "Mr. Big". The majestic figure and her courtiers are transformed into an affectionate nuclear family followed by a grand finale in the usual theatre tradition.
A 'fantasy' carnival arrives early one morning and establishes itself on an isolated beach. The carnival imagery, with its colourful merry-go-round, presents the conflicting demands being made on the New Zealand coastline - for development, recreation, preservation, housing, industry and investment.
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📷 View PhotoR24068969HOLIDAY
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'Alberton', an early New Zealand farm house, brings its memories to life when a film company arrives to produce a Victorian children's story. A kaleidoscopic view of a colonial home and its origins.
R24292496THE ROYAL VISIT TO NZ OF THEIR IMPERIAL MAJESTIES THE SHAHANSHAH ARYAMEHR AND THE SHAHBANOU OF IRAN 1974
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black & white 20 mins. 35mm 1,828 ft. The New Zealand National Film Unit presents Sportsmen's Playground, New Zealand.
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Quick-moving survey of the great variety of outdoor sports available in New Zealand, including snow sports, deer-stalking, pig-hunting, trout-fishing, yachting and swordfishing.
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'Alberton', an early New Zealand farm house, brings its memories to life when a film company arrives to produce a Victorian children's story. A kaleidoscopic view of a colonial home and its origins.
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R24291696NOT JUST A MATTER OF NUTS AND BOLTS
Produced by the National Film Unit
Black & white film still
35mm cellulose acetate negative
Preservation Masterⓘ
Colour 13 mins. 35mm 1,150 ft. A montage of activity at the Wellington Polytechnic showing the range of courses offered and the atmosphere of this lively and up-to-date institution.
📷 View PhotoR24291896PROJECT: ROADS TO RESOURCES
Produced by the National Film Unit
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Country roads and new motorways -- the dangers the work and the pleasures that go with them. With the help of the staff and pupils of a Wellington primary school, a fresh look is taken at roads and the vital and varied part they play in our lives.
Little boy rides on lit up carousel with ringmaster climbing aboard.
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Black & white film still
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📷 View PhotoR24290696A COLONIAL DOLL'S HOUSE
Produced by the National Film Unit
Black & white film still
6cm x 6cm cellulose acetate negative
Preservation Masterⓘ
'Alberton', an early New Zealand farm house, brings its memories to life when a film company arrives to produce a Victorian children's story. A kaleidoscopic view of a colonial home and its origins.
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R24291712NOT JUST A MATTER OF NUTS AND BOLTS
Produced by the National Film Unit
Black & white film still
35mm cellulose acetate negative
Preservation Masterⓘ
Tutor in front of class. Appears to be an English lesson.
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Colour 13 mins. 35mm 1,150 ft. A montage of activity at the Wellington Polytechnic showing the range of courses offered and the atmosphere of this lively and up-to-date institution.
📷 View PhotoR24069570PLAY IN SAFE PLACES
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📷 View PhotoR24290712A COLONIAL DOLL'S HOUSE
Produced by the National Film Unit
Black & white film still
6cm x 6cm cellulose acetate negative
Preservation Masterⓘ
'Alberton', an early New Zealand farm house, brings its memories to life when a film company arrives to produce a Victorian children's story. A kaleidoscopic view of a colonial home and its origins.
R23584306KEEP ON THE FOOTPATH
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By command of the Maori Queen, Te Arikinui Dame Te Atairangikaahu, the men of the Turangawaewae Marae, Ngaruawahia, built a Waka Taua - a war canoe. Designed and built under the supervision of Elder and master carver Piri Poutapu, MBE, the canoe took 18 months to complete. This film, the only one of its kind, traces the construction of the giant canoe from the felling of the trees in the forest, to the launching. Fascinating to the general public and at the same time of significance to historians and other specialists, the film interweaves the progress on the canoe through the seasons, with the way of life on the marae that made its construction possible.
📷 View PhotoR24069346SNOFARI
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Beautiful volcanic islands and coral atolls comprise the Cook Islands, one of New Zealand's island territories. The film shows the Cook Islanders' way of life, their agriculture and recreation, their homes and schools. It deals frankly with the problems arising from the impact of modern ways on the ancient Polynesian culture.
📷 View PhotoR24069184NO FOOTPATH
Produced by the National Film Unit
Black and white still photograph
6cm x 9cm cellulose acetate negative
Preservation Masterⓘ
Catalogue synopsis of film: Road safety teaching film for children of 5 to 8 years. In story-book settings child actors and Perky the Parrot enact a play which teaches the rules for safety when walking along a straight road which has no footpath.
'Alberton', an early New Zealand farm house, brings its memories to life when a film company arrives to produce a Victorian children's story. A kaleidoscopic view of a colonial home and its origins.
R24292512THE EROSION OF OUR LAND
Produced by the National Film Unit
Kodachrome transparency
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Preservation Masterⓘ
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Preservation Masterⓘ
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Produced by the National Film Unit
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Preservation masterⓘ
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6cm x 6cm cellulose acetate negative
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Produced by the National Film Unit
Black & white film still
35mm acetate negative
Preservation Masterⓘ
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R24291710NOT JUST A MATTER OF NUTS AND BOLTS
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Colour 13 mins. 35mm 1,150 ft. A montage of activity at the Wellington Polytechnic showing the range of courses offered and the atmosphere of this lively and up-to-date institution.
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A theatre piece in mime showing the destruction of a majestic figure by sinister carnival characters, controlled by a "Mr. Big". The majestic figure and her courtiers are transformed into an affectionate nuclear family followed by a grand finale in the usual theatre tradition.
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Preservation Master
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📷 View PhotoR24289910THE YOUNG GIANT KAINGAROA
Produced by the National Film Unit
Colour motion picture positive
35mm acetate film strip, approximately 8 frames
Preservation Masterⓘ
Man with hard hat appears to be sawing trunk of tree.
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One of the biggest exotic forests in the world, Kaingaroa covers 500 square miles, and produces annually 50 million cu ft of wood for pulp, paper, and building timber. The management of this forest is the responsibility of the New Zealand Forest Service.
Man in check shirt assembles ticket booth with 'Merry Go Round' and 'Children 25 cents. Adults holding Child 10 cents' on it.
27 min. Colour, 35mm film.
Description:
A 'fantasy' carnival arrives early one morning and establishes itself on an isolated beach. The carnival imagery, with its colourful merry-go-round, presents the conflicting demands being made on the New Zealand coastline - for development, recreation, preservation, housing, industry and investment.
📷 View PhotoR24069185NO FOOTPATH
Produced by the National Film Unit
Black and white still photograph
6cm x 9cm cellulose acetate negative
Preservation Masterⓘ
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📷 View PhotoR24069347SNOFARI
Produced by the National Film Unit
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Preservation Masterⓘ
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Domestic chores in kitchen - washing up, drying and ironing.
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In an Auckland suburban street, nine families let a film crew record their way of life, their achievements and their aspirations. The families took the offered opportunity to criticise the film and this too is incorporated into the television program The Street. A candid look at what many people might consider a New Zealand ideal - a family living in a comfortable home in the suburbs.
📷 View PhotoR24069571PLAY IN SAFE PLACES
Produced by the National Film Unit
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Preservation Masterⓘ
Catalogue synopsis of film: Road safety instructional film for children of 5 to 8 years. Child actors, animated pixies, and attractive story-book atmosphere.
R24292513THE EROSION OF OUR LAND
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Beautiful volcanic islands and coral atolls comprise the Cook Islands, one of New Zealand's island territories. The film shows the Cook Islanders' way of life, their agriculture and recreation, their homes and schools. It deals frankly with the problems arising from the impact of modern ways on the ancient Polynesian culture.
📷 View PhotoR24290713A COLONIAL DOLL'S HOUSE
Produced by the National Film Unit
Black & white film still
6cm x 6cm cellulose acetate negative
Preservation Masterⓘ
'Alberton', an early New Zealand farm house, brings its memories to life when a film company arrives to produce a Victorian children's story. A kaleidoscopic view of a colonial home and its origins.
Text on sleeve: 'Miners Tavern' - bartender with cask
A 35min. 35mm colour film
'Alberton', an early New Zealand farm house, brings its memories to life when a film company arrives to produce a Victorian children's story. A kaleidoscopic view of a colonial home and its origins.
'Alberton', an early New Zealand farm house, brings its memories to life when a film company arrives to produce a Victorian children's story. A kaleidoscopic view of a colonial home and its origins.
📷 View PhotoR24068790THE COOK ISLANDS LOOK AHEAD
Produced by the National Film Unit
Black and white motion picture dupe negative
35mm acetate film strip, approximately 11 frames
Preservation Masterⓘ
Catalogue synopsis of film: A survey of Cook Islands preparations in 1965 for internal self-government. Developments in industry, education and health services. The opening of the first Assembly under a new Constitution and the following celebrations.
A theatre piece in mime showing the destruction of a majestic figure by sinister carnival characters, controlled by a "Mr. Big". The majestic figure and her courtiers are transformed into an affectionate nuclear family followed by a grand finale in the usual theatre tradition.
R24290513TAHERE TIKITIKI - THE MAKING OF A MAORI CANOE
Produced by the National Film Unit
Black & white film still
35mm cellulose acetate negative
Preservation Masterⓘ
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R23584314KEEP ON THE FOOTPATH
Produced by the National Film Unit
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Preservation masterⓘ
📷 View PhotoR24068990A LETTER TO THE TEACHER
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📷 View PhotoR24289913THE YOUNG GIANT KAINGAROA
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📷 View PhotoR23583886JOURNEY FOR THREE
Produced by the National Film Unit
Black and white photographic negative
4" x 5" Cellulose acetate negative
Preservation masterⓘ
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R24290113EXCUSE ME, CAN YOU TELL ME WHY YOU'RE ON THIS TRIP?
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Preservation Masterⓘ
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📷 View PhotoR24068780CHRISTCHURCH HARMONIC SOCIETY CHOIR
Produced by the National Film Unit
Black and white still photograph
6 x 6 cm cellulose acetate negative
Preservation Masterⓘ
Boats around jetty. Calm waters surrounded by bush clad hills.
This section of negatives titled "Swordfishing".
Film description:
black & white 20 mins. 35mm 1,828 ft. The New Zealand National Film Unit presents Sportsmen's Playground, New Zealand.
Directed and photographed by Roger Mirams (Pacific Film Unit).
Quick-moving survey of the great variety of outdoor sports available in New Zealand, including snow sports, deer-stalking, pig-hunting, trout-fishing, yachting and swordfishing.
Text on sleeve: '3 Girls in film' - girls sit and talk on grass
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'Alberton', an early New Zealand farm house, brings its memories to life when a film company arrives to produce a Victorian children's story. A kaleidoscopic view of a colonial home and its origins.
📷 View PhotoR24290700A COLONIAL DOLL'S HOUSE
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Actress with gown and coronet flanked by male and female actors.
Film description:
Colour 6 mins, 16mm 225'
A theatre piece in mime showing the destruction of a majestic figure by sinister carnival characters, controlled by a "Mr. Big". The majestic figure and her courtiers are transformed into an affectionate nuclear family followed by a grand finale in the usual theatre tradition.
A 'fantasy' carnival arrives early one morning and establishes itself on an isolated beach. The carnival imagery, with its colourful merry-go-round, presents the conflicting demands being made on the New Zealand coastline - for development, recreation, preservation, housing, industry and investment.
R24292500THE ROYAL VISIT TO NZ OF THEIR IMPERIAL MAJESTIES THE SHAHANSHAH ARYAMEHR AND THE SHAHBANOU OF IRAN 1974
Produced by the National Film Unit
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R24291700NOT JUST A MATTER OF NUTS AND BOLTS
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Preservation Masterⓘ
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📷 View PhotoR24069599[Preparations for a Royal Visit]
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Preservation Masterⓘ
Preparation shots of various public grounds, race tracks, damains and public spaces. Locations are from various cities and towns around the counrty, Christchurch, Hastings, Nelson [?]
📷 View PhotoR24290701A COLONIAL DOLL'S HOUSE
Produced by the National Film Unit
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Preservation Masterⓘ
Text on sleeve: 'Historical Places Trust ChCh Provincial Chambers'
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'Alberton', an early New Zealand farm house, brings its memories to life when a film company arrives to produce a Victorian children's story. A kaleidoscopic view of a colonial home and its origins.
R24290501TAHERE TIKITIKI - THE MAKING OF A MAORI CANOE
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R24292501THE ROYAL VISIT TO NZ OF THEIR IMPERIAL MAJESTIES THE SHAHANSHAH ARYAMEHR AND THE SHAHBANOU OF IRAN 1974
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A 'fantasy' carnival arrives early one morning and establishes itself on an isolated beach. The carnival imagery, with its colourful merry-go-round, presents the conflicting demands being made on the New Zealand coastline - for development, recreation, preservation, housing, industry and investment.
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📷 View PhotoR24068781CHRISTCHURCH HARMONIC SOCIETY CHOIR
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Preservation Masterⓘ
📷 View PhotoR24069148MONKEY TALE
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📷 View PhotoR24291901PROJECT: ROADS TO RESOURCES
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Colour 18 mins. 35mm 1,668 ft.
In the early nineteenth century the Maori chief Te Rauparaha held fearful sway over a great part of New Zealand. During his life European influences eroded Maori traditions, and much blood was spilled before British colonial law forced Te Rauparaha's abdication. His death represents the end of Old New Zealand; this film conveys the magic and the violence that went to make up that past age.
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📷 View PhotoR24069600[Preparations for a Royal Visit]
Produced by the National Film Unit
Black and white still photograph
10.5 x 8 cm cellulose acetate negative
Preservation Masterⓘ
Preparation shots of various public grounds, race tracks, damains and public spaces. Locations are from various cities and towns around the counrty, Christchurch, Hastings, Nelson [?]
'Alberton', an early New Zealand farm house, brings its memories to life when a film company arrives to produce a Victorian children's story. A kaleidoscopic view of a colonial home and its origins.
📷 View PhotoR24069400THIS IS KOREA
Produced by the National Film Unit
Black and white motion picture dupe negative with sound
35mm nitrate film strip, approximately 7 frames
Preservation Masterⓘ
Catalogue synopsis of film: Korea's temples, cities and landscapes, the people at work and at leisure, and United Nations Forces, including New Zealand's K-Force in the British Commonwealth Brigade (later expanded to a Division).
black & white 20 mins. 35mm 1,828 ft. The New Zealand National Film Unit presents Sportsmen's Playground, New Zealand.
Directed and photographed by Roger Mirams (Pacific Film Unit).
Quick-moving survey of the great variety of outdoor sports available in New Zealand, including snow sports, deer-stalking, pig-hunting, trout-fishing, yachting and swordfishing.
Text on sleeve: '3 Girls in film' - girls sit and talk on grass
A 35min. 35mm colour film
'Alberton', an early New Zealand farm house, brings its memories to life when a film company arrives to produce a Victorian children's story. A kaleidoscopic view of a colonial home and its origins.
📷 View PhotoR24290703A COLONIAL DOLL'S HOUSE
Produced by the National Film Unit
Black & white film still
6cm x 6cm cellulose acetate negative
Preservation Masterⓘ
Text on sleeve: 'Historical Places Trust Ch Provincial Chambers'
A 35min. 35mm colour film
'Alberton', an early New Zealand farm house, brings its memories to life when a film company arrives to produce a Victorian children's story. A kaleidoscopic view of a colonial home and its origins.
📷 View PhotoR24068800THE COOK ISLANDS LOOK AHEAD
Produced by the National Film Unit
Black and white motion picture dupe negative
35mm acetate film strip, approximately 11 frames
Preservation Masterⓘ
Catalogue synopsis of film: A survey of Cook Islands preparations in 1965 for internal self-government. Developments in industry, education and health services. The opening of the first Assembly under a new Constitution and the following celebrations.
black & white 20 mins. 35mm 1,828 ft. The New Zealand National Film Unit presents Sportsmen's Playground, New Zealand.
Directed and photographed by Roger Mirams (Pacific Film Unit).
Quick-moving survey of the great variety of outdoor sports available in New Zealand, including snow sports, deer-stalking, pig-hunting, trout-fishing, yachting and swordfishing.
📷 View PhotoR24068980A LETTER TO THE TEACHER
Produced by the National Film Unit
Black and white motion picture negative
35mm acetate film strip, approximately 6 frames
Preservation Masterⓘ
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'Alberton', an early New Zealand farm house, brings its memories to life when a film company arrives to produce a Victorian children's story. A kaleidoscopic view of a colonial home and its origins.
R24292503THE ROYAL VISIT TO NZ OF THEIR IMPERIAL MAJESTIES THE SHAHANSHAH ARYAMEHR AND THE SHAHBANOU OF IRAN 1974
Produced by the National Film Unit
Kodachrome transparency
35mm mounted slide, cellulose acetate positive
Preservation Masterⓘ
📷 View PhotoR24069200NO RANDOM HARVEST
Produced by the National Film Unit
Black and white motion picture negative
35mm acetate film strip, approximately 5 frames
Preservation Masterⓘ
Catalogue synopsis of film: New Zealand's vast pine plantations, the largest man-made forests in the world, are now productive. This means the erection of new sawmills and paper mills and the enlargement of existing ones. New railways and new towns are being built to service the new industries.
Character with ostrich feather, kneels by gowned lady.
Film description:
Colour 6 mins, 16mm 225'
A theatre piece in mime showing the destruction of a majestic figure by sinister carnival characters, controlled by a "Mr. Big". The majestic figure and her courtiers are transformed into an affectionate nuclear family followed by a grand finale in the usual theatre tradition.
R24290503TAHERE TIKITIKI - THE MAKING OF A MAORI CANOE
Produced by the National Film Unit
Black & white film still
35mm cellulose acetate negative
Preservation Masterⓘ
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Preservation Masterⓘ
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In the early nineteenth century the Maori chief Te Rauparaha held fearful sway over a great part of New Zealand. During his life European influences eroded Maori traditions, and much blood was spilled before British colonial law forced Te Rauparaha's abdication. His death represents the end of Old New Zealand; this film conveys the magic and the violence that went to make up that past age.
'Alberton', an early New Zealand farm house, brings its memories to life when a film company arrives to produce a Victorian children's story. A kaleidoscopic view of a colonial home and its origins.
Wide shot of assembly of carousel and stall on beach.
27 min. Colour, 35mm film.
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A 'fantasy' carnival arrives early one morning and establishes itself on an isolated beach. The carnival imagery, with its colourful merry-go-round, presents the conflicting demands being made on the New Zealand coastline - for development, recreation, preservation, housing, industry and investment.
📷 View PhotoR24289903THE YOUNG GIANT KAINGAROA
Produced by the National Film Unit
Colour motion picture positive
35mm acetate film strip, approximately 8 frames
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One of the biggest exotic forests in the world, Kaingaroa covers 500 square miles, and produces annually 50 million cu ft of wood for pulp, paper, and building timber. The management of this forest is the responsibility of the New Zealand Forest Service.
📷 View PhotoR24068992A LETTER TO THE TEACHER
Produced by the National Film Unit
Black and white motion picture negative
35mm acetate film strip, approximately 7 frames
Preservation Masterⓘ
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Beautiful volcanic islands and coral atolls comprise the Cook Islands, one of New Zealand's island territories. The film shows the Cook Islanders' way of life, their agriculture and recreation, their homes and schools. It deals frankly with the problems arising from the impact of modern ways on the ancient Polynesian culture.
R24290115EXCUSE ME, CAN YOU TELL ME WHY YOU'RE ON THIS TRIP?
Produced by the National Film Unit
Black & white film still
35mm acetate negative
Preservation Masterⓘ
Text on sleeve: 1250:1236 Ascending Raurimu Spiral, Easter 1972
Black & white 23min 16mm film.
Description:
After months of preparation, two steam locomotives pulling a load of railway enthusiasts set off from Wellington to Auckland. Throughout this nostalgic trip, rail fans on the train and others gathered along the route with cameras and tape recorders at the ready, share their excitement and pleasure with the audience.
📷 View PhotoR24068792THE COOK ISLANDS LOOK AHEAD
Produced by the National Film Unit
Black and white motion picture dupe negative
35mm acetate film strip, approximately 11 frames
Preservation Masterⓘ
Catalogue synopsis of film: A survey of Cook Islands preparations in 1965 for internal self-government. Developments in industry, education and health services. The opening of the first Assembly under a new Constitution and the following celebrations.
📷 View PhotoR24069187NO FOOTPATH
Produced by the National Film Unit
Black and white still photograph
6cm x 9cm cellulose acetate negative
Preservation Masterⓘ
Catalogue synopsis of film: Road safety teaching film for children of 5 to 8 years. In story-book settings child actors and Perky the Parrot enact a play which teaches the rules for safety when walking along a straight road which has no footpath.
R24290315GOTTFRIED LINDAUER IN NEW ZEALAND
Produced by the National Film Unit
Black & white film still
35mm cellulose acetate negative
Preservation Masterⓘ
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A theatre piece in mime showing the destruction of a majestic figure by sinister carnival characters, controlled by a "Mr. Big". The majestic figure and her courtiers are transformed into an affectionate nuclear family followed by a grand finale in the usual theatre tradition.
R24290515TAHERE TIKITIKI - THE MAKING OF A MAORI CANOE
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📷 View PhotoR24290715A COLONIAL DOLL'S HOUSE
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📷 View PhotoR24069414THIS IS KOREA
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R24291715NOT JUST A MATTER OF NUTS AND BOLTS
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35mm cellulose acetate negative
Preservation Masterⓘ
Tutor in front of class. Appears to be an English lesson.
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📷 View PhotoR23583890JOURNEY FOR THREE
Produced by the National Film Unit
Black and white photographic negative
3.25" x 4.25" Cellulose acetate negative
Preservation masterⓘ
Film still from 'Journey for Three'. Story film of three British immigrants settling in New Zealand - their reactions to their new country, and its reactions to them. Splendid town and country scenes as backgrounds to their adventures and misadventures. Exciting rescue of injured climber in the magnificent mountain setting of New Zealand's Southern Alps.
Text on sleeve: 'Miners Tavern' - bartender with cask
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'Alberton', an early New Zealand farm house, brings its memories to life when a film company arrives to produce a Victorian children's story. A kaleidoscopic view of a colonial home and its origins.
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Text on sleeve: 'Miners Tavern' - bartender with cask
A 35min. 35mm colour film
'Alberton', an early New Zealand farm house, brings its memories to life when a film company arrives to produce a Victorian children's story. A kaleidoscopic view of a colonial home and its origins.
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Beautiful volcanic islands and coral atolls comprise the Cook Islands, one of New Zealand's island territories. The film shows the Cook Islanders' way of life, their agriculture and recreation, their homes and schools. It deals frankly with the problems arising from the impact of modern ways on the ancient Polynesian culture.
📷 View PhotoR24069188NO FOOTPATH
Produced by the National Film Unit
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6cm x 9cm cellulose acetate negative
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📷 View PhotoR24290716A COLONIAL DOLL'S HOUSE
Produced by the National Film Unit
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6cm x 6cm cellulose acetate negative
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'Alberton', an early New Zealand farm house, brings its memories to life when a film company arrives to produce a Victorian children's story. A kaleidoscopic view of a colonial home and its origins.
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📷 View PhotoR24068993A LETTER TO THE TEACHER
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Wide shot inside fortress with some European men in civilian wear
Film description:
Colour 18 mins. 35mm 1,668 ft.
In the early nineteenth century the Maori chief Te Rauparaha held fearful sway over a great part of New Zealand. During his life European influences eroded Maori traditions, and much blood was spilled before British colonial law forced Te Rauparaha's abdication. His death represents the end of Old New Zealand; this film conveys the magic and the violence that went to make up that past age.
📷 View PhotoR24069415THIS IS KOREA
Produced by the National Film Unit
Black and white motion picture dupe negative with sound
35mm nitrate film strip, approximately 7 frames
Preservation Masterⓘ
Catalogue synopsis of film: Korea's temples, cities and landscapes, the people at work and at leisure, and United Nations Forces, including New Zealand's K-Force in the British Commonwealth Brigade (later expanded to a Division).
📷 View PhotoR24292920PATTERNS IN FLAX (WEEKLY REVIEW 280)
Black & white motion picture negative
35mm nitrate film strip, approximately 6 frames
Preservation Masterⓘ
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📷 View PhotoR24069615[Preparations for a Royal Visit]
Produced by the National Film Unit
Black and white still photograph
10.5 x 8 cm cellulose acetate negative
Preservation Masterⓘ
Preparation shots of various public grounds, race tracks, damains and public spaces. Locations are from various cities and towns around the counrty, Christchurch, Hastings, Nelson [?]
Topless actress rides small bike while confetti is falling on couple.
Film description:
Colour 6 mins, 16mm 225'
A theatre piece in mime showing the destruction of a majestic figure by sinister carnival characters, controlled by a "Mr. Big". The majestic figure and her courtiers are transformed into an affectionate nuclear family followed by a grand finale in the usual theatre tradition.
R23584307KEEP ON THE FOOTPATH
Produced by the National Film Unit
Black and white photographic negative
3.25" X 4.25" Cellulose acetate negative
Preservation masterⓘ
'Alberton', an early New Zealand farm house, brings its memories to life when a film company arrives to produce a Victorian children's story. A kaleidoscopic view of a colonial home and its origins.
📷 View PhotoR24289916THE YOUNG GIANT KAINGAROA
Produced by the National Film Unit
Colour motion picture positive
35mm acetate film strip, approximately 9 frames
Preservation Masterⓘ
One of the biggest exotic forests in the world, Kaingaroa covers 500 square miles, and produces annually 50 million cu ft of wood for pulp, paper, and building timber. The management of this forest is the responsibility of the New Zealand Forest Service.
R24291716NOT JUST A MATTER OF NUTS AND BOLTS
Produced by the National Film Unit
Black & white film still
35mm cellulose acetate negative
Preservation Masterⓘ
Colour 13 mins. 35mm 1,150 ft. A montage of activity at the Wellington Polytechnic showing the range of courses offered and the atmosphere of this lively and up-to-date institution.
R24292114ONE OF THOSE PEOPLE THAT LIVE IN THE WORLD
Produced by the National Film Unit
Black & white film still
35mm cellulose acetate negative
Preservation Masterⓘ
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📷 View PhotoR24068791THE COOK ISLANDS LOOK AHEAD
Produced by the National Film Unit
Black and white motion picture dupe negative
35mm acetate film strip, approximately 11 frames
Preservation Masterⓘ
Catalogue synopsis of film: A survey of Cook Islands preparations in 1965 for internal self-government. Developments in industry, education and health services. The opening of the first Assembly under a new Constitution and the following celebrations.
R24290114EXCUSE ME, CAN YOU TELL ME WHY YOU'RE ON THIS TRIP?
Produced by the National Film Unit
Black & white film still
35mm acetate negative
Preservation Masterⓘ
Text on sleeve: 1250:1236 Ascending Raurimu Spiral, Easter 1972
Black & white 23min 16mm film.
Description:
After months of preparation, two steam locomotives pulling a load of railway enthusiasts set off from Wellington to Auckland. Throughout this nostalgic trip, rail fans on the train and others gathered along the route with cameras and tape recorders at the ready, share their excitement and pleasure with the audience.
📷 View PhotoR23583887JOURNEY FOR THREE
Produced by the National Film Unit
Black and white photographic negative
3.25" x 4.25" Cellulose acetate negative
Preservation masterⓘ
Film still from 'Journey for Three'. Story film of three British immigrants settling in New Zealand - their reactions to their new country, and its reactions to them. Splendid town and country scenes as backgrounds to their adventures and misadventures. Exciting rescue of injured climber in the magnificent mountain setting of New Zealand's Southern Alps.
R24291914ONE OF THOSE PEOPLE THAT LIVE IN THE WORLD
Produced by the National Film Unit
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35mm cellulose acetate negative
Preservation Masterⓘ
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A theatre piece in mime showing the destruction of a majestic figure by sinister carnival characters, controlled by a "Mr. Big". The majestic figure and her courtiers are transformed into an affectionate nuclear family followed by a grand finale in the usual theatre tradition.
R24292514THE EROSION OF OUR LAND
Produced by the National Film Unit
Kodachrome transparency
35mm mounted slide, cellulose acetate positive
Preservation Masterⓘ
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R23584315KEEP ON THE FOOTPATH
Produced by the National Film Unit
Black and white photographic negative
3.25" X 4.25" Cellulose acetate negative
Preservation masterⓘ
Beautiful volcanic islands and coral atolls comprise the Cook Islands, one of New Zealand's island territories. The film shows the Cook Islanders' way of life, their agriculture and recreation, their homes and schools. It deals frankly with the problems arising from the impact of modern ways on the ancient Polynesian culture.
📷 View PhotoR24289914THE YOUNG GIANT KAINGAROA
Produced by the National Film Unit
Colour motion picture positive
35mm acetate film strip, approximately 9 frames
Preservation Masterⓘ
Logging truck being loaded. Crane with grappler in operation.
Film description:
Colour 20 mins, 35mm 1771'
One of the biggest exotic forests in the world, Kaingaroa covers 500 square miles, and produces annually 50 million cu ft of wood for pulp, paper, and building timber. The management of this forest is the responsibility of the New Zealand Forest Service.
📷 View PhotoR24068991A LETTER TO THE TEACHER
Produced by the National Film Unit
Black and white motion picture negative
35mm acetate film strip, approximately 6 frames
Preservation Masterⓘ
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📷 View PhotoR24290714A COLONIAL DOLL'S HOUSE
Produced by the National Film Unit
Black & white film still
6cm x 6cm cellulose acetate negative
Preservation Masterⓘ
'Alberton', an early New Zealand farm house, brings its memories to life when a film company arrives to produce a Victorian children's story. A kaleidoscopic view of a colonial home and its origins.
📷 View PhotoR24069371THE STORY OF 700 POLISH CHILDREN
Produced by the National Film Unit
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Preservation Masterⓘ
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R24291714NOT JUST A MATTER OF NUTS AND BOLTS
Produced by the National Film Unit
Black & white film still
35mm cellulose acetate negative
Preservation Masterⓘ
Tutor in front of class. Appears to be an English lesson.
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'Alberton', an early New Zealand farm house, brings its memories to life when a film company arrives to produce a Victorian children's story. A kaleidoscopic view of a colonial home and its origins.
Text on sleeve: 'Miners Tavern' - bartender with cask
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📷 View PhotoR24069186NO FOOTPATH
Produced by the National Film Unit
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6cm x 9cm cellulose acetate negative
Preservation Masterⓘ
Catalogue synopsis of film: Road safety teaching film for children of 5 to 8 years. In story-book settings child actors and Perky the Parrot enact a play which teaches the rules for safety when walking along a straight road which has no footpath.
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📷 View PhotoR24069613[Preparations for a Royal Visit]
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Preparation shots of various public grounds, race tracks, damains and public spaces. Locations are from various cities and towns around the counrty, Christchurch, Hastings, Nelson [?]
Beautiful volcanic islands and coral atolls comprise the Cook Islands, one of New Zealand's island territories. The film shows the Cook Islanders' way of life, their agriculture and recreation, their homes and schools. It deals frankly with the problems arising from the impact of modern ways on the ancient Polynesian culture.
Text on sleeve: 'MOW Decorators & Tavern 'Alberton' - Bar with patrons
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'Alberton', an early New Zealand farm house, brings its memories to life when a film company arrives to produce a Victorian children's story. A kaleidoscopic view of a colonial home and its origins.
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R23584308KEEP ON THE FOOTPATH
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Actress stands topless with gown falling around her.
Film description:
Colour 6 mins, 16mm 225'
A theatre piece in mime showing the destruction of a majestic figure by sinister carnival characters, controlled by a "Mr. Big". The majestic figure and her courtiers are transformed into an affectionate nuclear family followed by a grand finale in the usual theatre tradition.
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Produced by the National Film Unit
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Preservation Masterⓘ
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6cm x 6cm cellulose acetate negative
Preservation Masterⓘ
'Alberton', an early New Zealand farm house, brings its memories to life when a film company arrives to produce a Victorian children's story. A kaleidoscopic view of a colonial home and its origins.
📷 View PhotoR24069616[Preparations for a Royal Visit]
Produced by the National Film Unit
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10.5 x 8 cm cellulose acetate negative
Preservation Masterⓘ
Preparation shots of various public grounds, race tracks, damains and public spaces. Locations are from various cities and towns around the counrty, Christchurch, Hastings, Nelson [?]
📷 View PhotoR24068814THE CROP GROWS TALL
Produced by the National Film Unit
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R24292517THE EROSION OF OUR LAND
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Kodachrome transparency
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Actress steps out of dress with couple on floor beside her.
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A theatre piece in mime showing the destruction of a majestic figure by sinister carnival characters, controlled by a "Mr. Big". The majestic figure and her courtiers are transformed into an affectionate nuclear family followed by a grand finale in the usual theatre tradition.
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📷 View PhotoR24069578PLAY IN SAFE PLACES
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📷 View PhotoR24068995A LETTER TO THE TEACHER
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Produced by the National Film Unit
Colour motion picture positive
35mm acetate film strip, approximately 9 frames
Preservation Masterⓘ
Fire carts with firemen aboard travel towards fire in distance.
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R23584310KEEP ON THE FOOTPATH
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📷 View PhotoR24290119CARNIVAL COAST
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📷 View PhotoR24068794THE COOK ISLANDS LOOK AHEAD
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Preservation Masterⓘ
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35mm cellulose acetate negative
Preservation Masterⓘ
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📷 View PhotoR24069579PLAY IN SAFE PLACES
Produced by the National Film Unit
Black and white still photograph
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Preservation Masterⓘ
Catalogue synopsis of film: Road safety instructional film for children of 5 to 8 years. Child actors, animated pixies, and attractive story-book atmosphere.
📷 View PhotoR24069190NO RANDOM HARVEST
Produced by the National Film Unit
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Preservation Masterⓘ
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📷 View PhotoR24069376THIS IS KOREA
Produced by the National Film Unit
Black and white film title graphic
21 x 3 cm cellulose acetate negative
Preservation Masterⓘ
Catalogue synopsis of film: Korea's temples, cities and landscapes, the people at work and at leisure, and United Nations Forces, including New Zealand's K-Force in the British Commonwealth Brigade (later expanded to a Division).
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📷 View PhotoR24290719A COLONIAL DOLL'S HOUSE
Produced by the National Film Unit
Black & white film still
6cm x 6cm cellulose acetate negative
Preservation Masterⓘ
'Alberton', an early New Zealand farm house, brings its memories to life when a film company arrives to produce a Victorian children's story. A kaleidoscopic view of a colonial home and its origins.
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There are 3 versions of this film.
1 New Zealand version. First half set in NZ, second in Hong Kong. Colour 17 mins. 1566'
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3 Singapore version. First half set in NZ, second in Singapore with Malay or Mandarin Chinese soundtrack. Stress is placed on the importance of diet to the young people and their importance to the whole community.
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Text on sleeve: 'MOW Decorators & Tavern 'Alberton' - Bar with patrons
A 35min. 35mm colour film
'Alberton', an early New Zealand farm house, brings its memories to life when a film company arrives to produce a Victorian children's story. A kaleidoscopic view of a colonial home and its origins.
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📷 View PhotoR24068776CHRISTCHURCH HARMONIC SOCIETY CHOIR
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Preservation Masterⓘ
📷 View PhotoR24069393THIS IS KOREA
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Catalogue synopsis of film: Korea's temples, cities and landscapes, the people at work and at leisure, and United Nations Forces, including New Zealand's K-Force in the British Commonwealth Brigade (later expanded to a Division).
📷 View PhotoR24290694A COLONIAL DOLL'S HOUSE
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'Alberton', an early New Zealand farm house, brings its memories to life when a film company arrives to produce a Victorian children's story. A kaleidoscopic view of a colonial home and its origins.
black & white 20 mins. 35mm 1,828 ft. The New Zealand National Film Unit presents Sportsmen's Playground, New Zealand.
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Quick-moving survey of the great variety of outdoor sports available in New Zealand, including snow sports, deer-stalking, pig-hunting, trout-fishing, yachting and swordfishing.
📷 View PhotoR24068965HOLIDAY
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Shot along long white path with cast and crew standing around lighting, etc.
27 min. Colour, 35mm film.
Description:
A 'fantasy' carnival arrives early one morning and establishes itself on an isolated beach. The carnival imagery, with its colourful merry-go-round, presents the conflicting demands being made on the New Zealand coastline - for development, recreation, preservation, housing, industry and investment.
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W5490W5490 - 16mm black and white film (silent) - 'On Tour' from the 'New Zealand Today' series, produced by Neuline Studios for National Film Unit. 1949.ⓘ
W3941W3941 - Pictorial Parade Information Sheets, National Film Unit Information Sheets, Camera Record Notebooks, Censor's Certificates, File Index, Shot Lists, and Alphabetical Index to Information Sheets and Pictorial Parade Items.ⓘ
Pictorial Parade Information Sheets, National Film Unit Information Sheets, Camera Record Notebooks, Censor's Certificates, File Index, Shot Lists, and Alphabetical Index to Information Sheets and Pictorial Parade Items.
W3878W3878 - Lantern Slides - Hubert Milverton-Carta collection -
Probably copies from National Publicity Studios series 6401 and 6403 (see neg numbers in items)ⓘ
W3676W3676 - Production material from the Land of Birds series, shot primarily by Grant Foster and Geoff Moon in the 1960s, including audio tapes, film prints, negatives, off-cuts and magnetic sound. This material documents the production process for this unique series, which used an inn ...ⓘ
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An alternative search system for Archives NZ, inspired by the beautiful simplicity of the beloved Archway system.
🔍 How does it work?
The search results displayed here are sourced directly from the backend of Archives NZ's publicly available Collections Search system, in almost exactly the same way that the official website works, but organised and displayed differently.
To start with, you can do a straight-forward search with a few keywords and an optional date range and whether to focus on digitised items. You then have the option to filter the results futher (such as by Series and Format - photos, documents, etc).
You can highlight search keywords in the results by clicking the orange text in 'X results matching {keywords}'
The Advanced Search allows you to search with criteria such as showing only Series or Agency results, records held in a specific location, plus sorting and grouping options.
You can also browse within a Series or Accession by clicking the Series name. Search for records within that Series by using the search box on that page.
Digitised records can be viewed by clicking on the thumbnail or the 'Show Scan' links. This embeds a simple viewer directly in the page. You can switch to the official Archives NZ viewer by clicking the 🌀 Archives NZ Source link under the viewer.
Reporting by RNZ's Phil Pennington produced an internal Archives NZ report on Collections Search, describing: "Several significant issues ... slowness, a lack of booking functionality and an external user design that makes accessing archival records difficult. The level of user experience in place now is well below what was in place before the roll out". The report goes on to detail a number of privacy breaches, "continued delays by the vendor" on software improvements, and outages of 29 days in total, out of the ten months since launch.
This alternative search system aims to address some of the shortcomings of Collections Search, such as:
Only 12 search results are displayed at a time
Pages load very slowly
Full name of search result is cut off after a few words
No direct link to scanned documents
Type of record (military records, divorce files, land records, etc) and access status is not shown
It is almost impossible to browse records within a Series or Accession
🔍 Are my searches private?
Great question! In a nutshell, your searches are visible to me, but anonymous.
Your search queries on this system are recorded in logs for a period of time, without any user-identifiable information associated with them, for debugging purposes.
I have no way of identifying you as a person, or associating your search queries with you.
This website does not use Google Analytics, Facebook Pixel, or any other analytics/tracking software.
🔍 Who made this?
I'm Luke Howison, a freelance web developer with an interest in genealogy. I have written a few homebrew tools to assist with this research, such as NZ Ancestor Search Helper.