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1. American Cinematographer, Vol 60, No. 3, March 1979 2. 'CINEMA', from An Encyclopeadia of New Zealand, edited by A.H. McLintock, originally published in 1966. Te-Ara - The Encyclopedia of New Zealand, updated 9-Jun-2006. URL:http://www.TeAra.govt.nz/1966/C/Cinema/en. Viewed 21 September 2006. 3. Directory of Official Information, 1987. The State Services Commission. Wellington 1987. 4. Fry, Margot: A Servant of Many Masters: A History of the National Film Unit 1941-1946. Unpublished Masters Thesis. Victoria University Wellington 1995. 5. New Zealand Official Yearbook, 1946 6. New Zealand's Heritage, Part 93 7. New Zealand Tourist and Publicity Department Annual Report, 1987 8. Sowry, Clive, Article in periodical Cinema Papers, May-June 1980, Cinema Papers Pty. North Melbourne 1980. 9. Sowry, Clive, Chapter on film in Fraser, Bryce (et al) The New Zealand Book of Events, Reed Methuen, Auckland. 1986 10. TO 48/31 Amalgamation of Publicity Department with Tourist Department, 1950, Archives New Zealand Tourist Department (TO) Record Group 11. TO 49/87/10 Establishment of the National Film Unit, 1942-46, Archives New Zealand Tourist Department (TO) Record Group
The State's involvement in film making can be traced back to 1907 when the Government Tourist Department employed J. McDonald to make some newsreels on New Zealand subjects to send overseas. Later on the Government Photography Office, operating under the Department of Agriculture made several films. In 1923 the Photography Office was absorbed by the Publicity Office, a new division of the Department of Internal Affairs. Scenic "shorts" and travelogues were produced for local and overseas tourist promotion. A private company "Filmcraft Ltd" was contracted to process these movies, and it built the Miramar Film Studios in 1928. In 1930, the Publicity Office became part of the new Department of Industry and Commerce, Tourist and Publicity. The department acquired Filmcraft's interest in the Miramar Studios in 1936, which became the Government Motion Picture and Advertising Studios.The 1940 Centennial film One Hundred Crowded Years was the fledgling studio's first significant production.
Impressed by the quality of war newsreels produced by other countries such as the United Kingdom and Canada, the Government established the National Film Unit in August 1941 to help publicise the war effort. The inauguration of the National Film Unit marked a change in policy to that of its predecessor. An important aim was to highlight New Zealand's participation in the war effort both overseas and on the home front. The Film Unit produced a regular and popular information newsreel entitled "Weekly Review".
In policy matters, the Film Unit was answerable to the Wartime Director of Publicity attached to the Prime Minister's Department, while the administration of the studios remained in the control of the Department of Industry and Commerce, Tourist and Publicity. In 1946 the National Film Unit became part of the Information Section of the Prime Minister's Department. The "Weekly Review" continued after the war, and the Film Unit also began making documentaries concerning national problems and undertakings, as well as films to the order of various government departments. The National Film Unit maintained considerable independent control over its operations and in the content of films produced.
In 1949 the incoming National Government undertook a wide ranging review of the National Film Unit. As a result of the review the National Film Unit became part of the Publicity Division of an expanded Department of Tourist and Publicity. Removal from the ambit of the Prime Ministers Department was seen by some as a downgrading of the independent status of the Film Unit. The National Film Unit was now placed firmly within the Public Service.
This new status was underlined by the selection of films to be made, which was to be determined by a Cabinet Sub-Committee. A new position of Manager was created which replaced the Producer as the senior position in the Film Unit. The Producer subsequently no longer had a role in policy fomulation. More robust accounting procedures were introduced and there was closer supervision of annual budgets. The Film Unit was also required to become a self contained trading unit and to compete with private enterprise. Efforts to compete in the commercial environment were greatly limited due to the largely non trade nature of the films the National Film Unit produced and the fact that the private film industry in New Zealand relied on the Film Unit's laboratories for nearly all its processing requirements. The film processing section became the Film Unit's biggest single revenue-earning operation.
Production of the Weekly Review ceased in August 1950 due to budgetary constraints and work demands from other departments. Allegations were also made that it was politically biased. Four hundred and sixty episodes in all were produced. In 1952 a monthly magazine film entitled "Pictorial Parade" was first screened and this became the Unit's main output until production ceased in 1971. The Unit also made documentaries at the request of government departments, films for national organisations, as well as many important films on its own initiative.
The arrival of television as a new medium in 1960 gave the National Film Unit increased demand for its processing facilities from the New Zealand Brodcasting Corporation. In the long term though there was competition between the two agencies for staff and resources as the NZBC developed its own film production facilities. During the 1960s efforts were made to integrate the Film Unit with the NZBC. The National Film Unit succesfully remained a separate entity based at Miramar until 1978 when the Unit moved to the new studio complex in Lower Hutt. In November 1988 The State Services Commission's Video Unit was merged with the National Film Unit.
By 1990 the Unit consisted of seven main sections: Production, Laboratory, Facilities, Video Services, Technical Services, Marketing and Administration/Finance. The Unit's role was to provide commercial services which met the needs of government and the private sector in the field of film and video production and sales, film and video processing, production services, and film consultancy services. Archives New Zealand, Wellington took over responsibility for the restoration and preservation of the National Film Unit's extensive archival film collection in 1988. In 1988 the Government announced its intention to sell the National Film Unit. In March 1990 the National Film Unit was sold to Television New Zealand.
During the 1990's a portion of the National Film Unit films were transferred to Archives New Zealand. The remaining National Film Unit films were managed by Television New Zealand's Archive until the closure of the Archive in 2013.
The National Film Unit was established to publicise New Zealand's participation and achievements during the Second World War. After 1945 the Film Unit expanded from producing weekly newsreels to making documentaries and films to the order of Government Departments. During its existence the Film Unit produced films for national organisations as well as many films on its own initiative. The private film industry in New Zealand relied heavily on the National Film Unit's extensive film processing facilities.
Lower Hutt, Wellington
Show History
The State's involvement in film making can be traced back to 1907 when the Government Tourist Department employed J. McDonald to make some newsreels on New Zealand subjects to send overseas. Later on the Government Photography Office, operating under the Department of Agriculture made several films. In 1923 the Photography Office was absorbed by the Publicity Office, a new division of the Department of Internal Affairs. Scenic "shorts" and travelogues were produced for local and overseas tourist promotion. A private company "Filmcraft Ltd" was contracted to process these movies, and it built the Miramar Film Studios in 1928. In 1930, the Publicity Office became part of the new Department of Industry and Commerce, Tourist and Publicity. The department acquired Filmcraft's interest in the Miramar Studios in 1936, which became the Government Motion Picture and Advertising Studios.The 1940 Centennial film One Hundred Crowded Years was the fledgling studio's first significant production.
Impressed by the quality of war newsreels produced by other countries such as the United Kingdom and Canada, the Government established the National Film Unit in August 1941 to help publicise the war effort. The inauguration of the National Film Unit marked a change in policy to that of its predecessor. An important aim was to highlight New Zealand's participation in the war effort both overseas and on the home front. The Film Unit produced a regular and popular information newsreel entitled "Weekly Review".
In policy matters, the Film Unit was answerable to the Wartime Director of Publicity attached to the Prime Minister's Department, while the administration of the studios remained in the control of the Department of Industry and Commerce, Tourist and Publicity. In 1946 the National Film Unit became part of the Information Section of the Prime Minister's Department. The "Weekly Review" continued after the war, and the Film Unit also began making documentaries concerning national problems and undertakings, as well as films to the order of various government departments. The National Film Unit maintained considerable independent control over its operations and in the content of films produced.
In 1949 the incoming National Government undertook a wide ranging review of the National Film Unit. As a result of the review the National Film Unit became part of the Publicity Division of an expanded Department of Tourist and Publicity. Removal from the ambit of the Prime Ministers Department was seen by some as a downgrading of the independent status of the Film Unit. The National Film Unit was now placed firmly within the Public Service.
This new status was underlined by the selection of films to be made, which was to be determined by a Cabinet Sub-Committee. A new position of Manager was created which replaced the Producer as the senior position in the Film Unit. The Producer subsequently no longer had a role in policy fomulation. More robust accounting procedures were introduced and there was closer supervision of annual budgets. The Film Unit was also required to become a self contained trading unit and to compete with private enterprise. Efforts to compete in the commercial environment were greatly limited due to the largely non trade nature of the films the National Film Unit produced and the fact that the private film industry in New Zealand relied on the Film Unit's laboratories for nearly all its processing requirements. The film processing section became the Film Unit's biggest single revenue-earning operation.
Production of the Weekly Review ceased in August 1950 due to budgetary constraints and work demands from other departments. Allegations were also made that it was politically biased. Four hundred and sixty episodes in all were produced. In 1952 a monthly magazine film entitled "Pictorial Parade" was first screened and this became the Unit's main output until production ceased in 1971. The Unit also made documentaries at the request of government departments, films for national organisations, as well as many important films on its own initiative.
The arrival of television as a new medium in 1960 gave the National Film Unit increased demand for its processing facilities from the New Zealand Brodcasting Corporation. In the long term though there was competition between the two agencies for staff and resources as the NZBC developed its own film production facilities. During the 1960s efforts were made to integrate the Film Unit with the NZBC. The National Film Unit succesfully remained a separate entity based at Miramar until 1978 when the Unit moved to the new studio complex in Lower Hutt. In November 1988 The State Services Commission's Video Unit was merged with the National Film Unit.
By 1990 the Unit consisted of seven main sections: Production, Laboratory, Facilities, Video Services, Technical Services, Marketing and Administration/Finance. The Unit's role was to provide commercial services which met the needs of government and the private sector in the field of film and video production and sales, film and video processing, production services, and film consultancy services. Archives New Zealand, Wellington took over responsibility for the restoration and preservation of the National Film Unit's extensive archival film collection in 1988. In 1988 the Government announced its intention to sell the National Film Unit. In March 1990 the National Film Unit was sold to Television New Zealand.
During the 1990's a portion of the National Film Unit films were transferred to Archives New Zealand. The remaining National Film Unit films were managed by Television New Zealand's Archive until the closure of the Archive in 2013.
1. American Cinematographer, Vol 60, No. 3, March 1979 2. 'CINEMA', from An Encyclopeadia of New Zealand, edited by A.H. McLintock, originally published in 1966. Te-Ara - The Encyclopedia of New Zealand, updated 9-Jun-2006. URL:http://www.TeAra.govt.nz/1966/C/Cinema/en. Viewed 21 September 2006. 3. Directory of Official Information, 1987. The State Services Commission. Wellington 1987. 4. Fry, Margot: A Servant of Many Masters: A History of the National Film Unit 1941-1946. Unpublished Masters Thesis. Victoria University Wellington 1995. 5. New Zealand Official Yearbook, 1946 6. New Zealand's Heritage, Part 93 7. New Zealand Tourist and Publicity Department Annual Report, 1987 8. Sowry, Clive, Article in periodical Cinema Papers, May-June 1980, Cinema Papers Pty. North Melbourne 1980. 9. Sowry, Clive, Chapter on film in Fraser, Bryce (et al) The New Zealand Book of Events, Reed Methuen, Auckland. 1986 10. TO 48/31 Amalgamation of Publicity Department with Tourist Department, 1950, Archives New Zealand Tourist Department (TO) Record Group 11. TO 49/87/10 Establishment of the National Film Unit, 1942-46, Archives New Zealand Tourist Department (TO) Record Group
A 'fantasy' carnival arrives early one morning and establishes itself on an isolated beach. The carnival imagery, with its colourful merry-go-round, presents the conflicting demands being made on the New Zealand coastline - for development, recreation, preservation, housing, industry and investment.
Text on sleeve: 'Workmen at Lunch and Afternoon Tea'
[Afternoon Tea]
A 35min. 35mm colour film
'Alberton', an early New Zealand farm house, brings its memories to life when a film company arrives to produce a Victorian children's story. A kaleidoscopic view of a colonial home and its origins.
📷 View PhotoR24069294PUMICELANDS
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📷 View PhotoR24291242WAHINE DAY
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'Alberton', an early New Zealand farm house, brings its memories to life when a film company arrives to produce a Victorian children's story. A kaleidoscopic view of a colonial home and its origins.
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A theatre piece in mime showing the destruction of a majestic figure by sinister carnival characters, controlled by a "Mr. Big". The majestic figure and her courtiers are transformed into an affectionate nuclear family followed by a grand finale in the usual theatre tradition.
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Text on sleeve: 'Ball' - shots of group in costume
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📷 View PhotoR23583998JOURNEY FOR THREE
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📷 View PhotoR24068925A DEAF CHILD IN THE FAMILY
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Film still from the film 'Land From The Sky' . Showing the story of the development of aerial top-dressing in New Zealand and the establishment of the aerial farming industry.
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A collage of old stills, old footage and present-day nostalgia for the days of the ferries in Auckland. Old-timers recalling past glories, harbour spokesmen in a snappy exchange, grown-ups, kids, and old folk contribute to this light-hearted film.
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Ringmaster having costume adjusted . Bunch of balloons to side.
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'Alberton', an early New Zealand farm house, brings its memories to life when a film company arrives to produce a Victorian children's story. A kaleidoscopic view of a colonial home and its origins.
📷 View PhotoR24069310THE RIDE OF 480
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📷 View PhotoR23583994JOURNEY FOR THREE
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'Alberton', an early New Zealand farm house, brings its memories to life when a film company arrives to produce a Victorian children's story. A kaleidoscopic view of a colonial home and its origins.
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Portrait, passport or identification shot of person involved in the 1974 Commonwealth games and the film production.
Film description:
Colour 105 mins. 35mm 9,420'
In the summer of 1974 the Xth British Commonwealth Games came to New Zealand, and athletes from 39 countries, as well as visitors from at home and abroad converged on the city of Christchurch. As Games 74 records some of the events won and lost, it recaptures something of the sense of immediacy and sharing that made this event rather more than just another international athletic meet - for the participants, and for the country as a whole.
Two shot head and shoulders ringmaster and actress, both in top hats.
27 min. Colour, 35mm film.
Description:
A 'fantasy' carnival arrives early one morning and establishes itself on an isolated beach. The carnival imagery, with its colourful merry-go-round, presents the conflicting demands being made on the New Zealand coastline - for development, recreation, preservation, housing, industry and investment.
Character with ostrich feather, kneels by gowned lady.
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A theatre piece in mime showing the destruction of a majestic figure by sinister carnival characters, controlled by a "Mr. Big". The majestic figure and her courtiers are transformed into an affectionate nuclear family followed by a grand finale in the usual theatre tradition.
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📷 View PhotoR24069338SKY HIGH IN NEW ZEALAND
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Produced by the National Film Unit
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Catalogue synopsis of film: How young deaf children can best be helped by the family at home, particularly in the vital first 3 years of age. Later, special education as part of the national service of social welfare enables deaf children to take a full part in the life of the community.
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MONKEY TALE with Marquis the Chimpanzee and Family
Produced for Transport Department by the New Zealand National Film Unit
Text on sleeve: 'Ball' - camera crew at bottom of staircase
A 35min. 35mm colour film
'Alberton', an early New Zealand farm house, brings its memories to life when a film company arrives to produce a Victorian children's story. A kaleidoscopic view of a colonial home and its origins.
Text on sleeve: 'Workmen at Lunch and Afternoon Tea'
[Afternoon Tea]
A 35min. 35mm colour film
'Alberton', an early New Zealand farm house, brings its memories to life when a film company arrives to produce a Victorian children's story. A kaleidoscopic view of a colonial home and its origins.
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📷 View PhotoR24290439DOWN AND OUT ON THE WAITEMATA
Produced by the National Film Unit
Colour still
6cm x 6cm cellulose acetate positive (reversal)
Preservation Masterⓘ
Shot of 'Sapphire' with crew filming 'Toroa' cruising on the harbour.
20 min. 35mm colour film.
A collage of old stills, old footage and present-day nostalgia for the days of the ferries in Auckland. Old-timers recalling past glories, harbour spokesmen in a snappy exchange, grown-ups, kids, and old folk contribute to this light-hearted film.
R24290639TAHERE TIKITIKI - THE MAKING OF A MAORI CANOE
Produced by the National Film Unit
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Preservation Masterⓘ
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📷 View PhotoR24290440DOWN AND OUT ON THE WAITEMATA
Produced by the National Film Unit
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Preservation Masterⓘ
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Film still from the film 'Land From The Sky' . Showing the story of the development of aerial top-dressing in New Zealand and the establishment of the aerial farming industry.
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A theatre piece in mime showing the destruction of a majestic figure by sinister carnival characters, controlled by a "Mr. Big". The majestic figure and her courtiers are transformed into an affectionate nuclear family followed by a grand finale in the usual theatre tradition.
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'Alberton', an early New Zealand farm house, brings its memories to life when a film company arrives to produce a Victorian children's story. A kaleidoscopic view of a colonial home and its origins.
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Mr. Bonham curled high in air coming down out of trampoline jump. Trees behind him
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350 ft. In Auckland, the Bonham family of father and three sons demonstrate gymnastics and tumbling on a trampoline. Some clowning adds humour, and slow motion shots against the sky give beauty to the item.
Stored in sleeve entitled 'Pictorial Parade items'.
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📷 View PhotoR24068713LEGEND OF THE WANGANUI RIVER
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📷 View PhotoR24291235WAHINE DAY
Produced by the National Film Unit
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'Alberton', an early New Zealand farm house, brings its memories to life when a film company arrives to produce a Victorian children's story. A kaleidoscopic view of a colonial home and its origins.
📷 View PhotoR24069307PUMICELANDS
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The film shows how a fourth form social studies lesson, in which students try to change their school environment, teaches the youngsters and their teacher that social change raises unexpected support and opposition.
📷 View PhotoR24068930FOLLOWING CAPTAIN COOK
Produced by the National Film Unit
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35mm acetate film strip, approximately 8 frames
Preservation Masterⓘ
Catalogue synopsis of film: In the bi-centennial year of Captain Cook's discovery of New Zealand, naval and civilian mapmakers revise one of his famous charts in scenic Dusky Sound.
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Produced by the National Film Unit
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📷 View PhotoR24069149MONKEY TALE
Produced by the National Film Unit
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6cm x 9cm cellulose acetate negative
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Portrait, passport or identification shot of person involved in the 1974 Commonwealth games and the film production.
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Colour 105 mins. 35mm 9,420'
In the summer of 1974 the Xth British Commonwealth Games came to New Zealand, and athletes from 39 countries, as well as visitors from at home and abroad converged on the city of Christchurch. As Games 74 records some of the events won and lost, it recaptures something of the sense of immediacy and sharing that made this event rather more than just another international athletic meet - for the participants, and for the country as a whole.
📷 View PhotoR23584026JOURNEY FOR THREE
Produced by the National Film Unit
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Preservation masterⓘ
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A theatre piece in mime showing the destruction of a majestic figure by sinister carnival characters, controlled by a "Mr. Big". The majestic figure and her courtiers are transformed into an affectionate nuclear family followed by a grand finale in the usual theatre tradition.
Film still from the film 'Land From The Sky' . Showing the story of the development of aerial top-dressing in New Zealand and the establishment of the aerial farming industry.
📷 View PhotoR24069321ROTORUA LOOKABOUT
Produced by the National Film Unit
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'Alberton', an early New Zealand farm house, brings its memories to life when a film company arrives to produce a Victorian children's story. A kaleidoscopic view of a colonial home and its origins.
📷 View PhotoR24068929FOLLOWING CAPTAIN COOK
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Black and white motion picture dupe negative with soundtrack
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📷 View PhotoR24069098MOANA ROA
Produced by the National Film Unit
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📷 View PhotoR24068746CHRISTCHURCH HARMONIC SOCIETY CHOIR
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Colour 56 mins, 16mm 2095'
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The film shows how a fourth form social studies lesson, in which students try to change their school environment, teaches the youngsters and their teacher that social change raises unexpected support and opposition.
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Catalogue synopsis of film: In the bi-centennial year of Captain Cook's discovery of New Zealand, naval and civilian mapmakers revise one of his famous charts in scenic Dusky Sound.
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Photography: BRIAN CROSS, SAM GRAU
Sound RON SKELLEY
Production GEOFFREY SCOTT, OXLEY HUGHAN
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R24291653NOT JUST A MATTER OF NUTS AND BOLTS
Produced by the National Film Unit
Black & white film still
35mm cellulose acetate negative
Preservation Masterⓘ
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The film shows how a fourth form social studies lesson, in which students try to change their school environment, teaches the youngsters and their teacher that social change raises unexpected support and opposition.
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'Alberton', an early New Zealand farm house, brings its memories to life when a film company arrives to produce a Victorian children's story. A kaleidoscopic view of a colonial home and its origins.
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R24291654NOT JUST A MATTER OF NUTS AND BOLTS
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Colour 13 mins. 35mm 1,150 ft. A montage of activity at the Wellington Polytechnic showing the range of courses offered and the atmosphere of this lively and up-to-date institution.
📷 View PhotoR24291236WAHINE DAY
Produced by the National Film Unit
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📷 View PhotoR23583992JOURNEY FOR THREE
Produced by the National Film Unit
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Preservation masterⓘ
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A theatre piece in mime showing the destruction of a majestic figure by sinister carnival characters, controlled by a "Mr. Big". The majestic figure and her courtiers are transformed into an affectionate nuclear family followed by a grand finale in the usual theatre tradition.
📷 View PhotoR24290436DOWN AND OUT ON THE WAITEMATA
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'Alberton', an early New Zealand farm house, brings its memories to life when a film company arrives to produce a Victorian children's story. A kaleidoscopic view of a colonial home and its origins.
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📷 View PhotoR24069109MONKEY TALE
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Colour 26 mins. 35mm 2,360 ft. A film examining the Taupo Basin in central North Island, where holidaymakers by their presence in ever increasing numbers, begin to destroy the environment which they came to enjoy. There is a plan for the regulated development of the region; 'Everyman' and a 'Conservator' in stylised treatment, demonstrate the conflict between private enjoyment and public despoilation.
Mr. Bonham high in air upside down over the trampoline. Trees behind him
Film item description:
350 ft. In Auckland, the Bonham family of father and three sons demonstrate gymnastics and tumbling on a trampoline. Some clowning adds humour, and slow motion shots against the sky give beauty to the item.
Stored in sleeve entitled 'Pictorial Parade items'.
📷 View PhotoR24069107MONKEY TALE
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Produced for Transport Department by the New Zealand National Film Unit
'Alberton', an early New Zealand farm house, brings its memories to life when a film company arrives to produce a Victorian children's story. A kaleidoscopic view of a colonial home and its origins.
📷 View PhotoR24290434DOWN AND OUT ON THE WAITEMATA
Produced by the National Film Unit
Colour still
6cm x 6cm cellulose acetate positive (reversal)
Preservation Masterⓘ
Overexposed shot of interior cabin, possible mistake.
20 min. 35mm colour film.
A collage of old stills, old footage and present-day nostalgia for the days of the ferries in Auckland. Old-timers recalling past glories, harbour spokesmen in a snappy exchange, grown-ups, kids, and old folk contribute to this light-hearted film.
R24292634FUNERAL OF NORMAN KIRK (1974)
Produced by the National Film Unit
Kodachrome transparency
35mm mounted slide, cellulose acetate positive
Preservation Masterⓘ
R24290634TAHERE TIKITIKI - THE MAKING OF A MAORI CANOE
Produced by the National Film Unit
Black & white film still
35mm cellulose acetate negative
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📷 View PhotoR24068712LEGEND OF THE WANGANUI RIVER
Produced by the National Film Unit
Black and white motion picture negative
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Preservation Masterⓘ
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📷 View PhotoR24291234WAHINE DAY
Produced by the National Film Unit
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'Alberton', an early New Zealand farm house, brings its memories to life when a film company arrives to produce a Victorian children's story. A kaleidoscopic view of a colonial home and its origins.
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Crowds sunbathing and swimming at Oriental Parade.
TOEHOLD ON A HARBOUR
Written and Directed MIKE G. RYAN
Photography: BRIAN CROSS, SAM GRAU
Sound RON SKELLEY
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📷 View PhotoR24069309PUMICELANDS
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Ringmaster squats on stage whilst having hat adjusted. Dwarf alongside.
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A 'fantasy' carnival arrives early one morning and establishes itself on an isolated beach. The carnival imagery, with its colourful merry-go-round, presents the conflicting demands being made on the New Zealand coastline - for development, recreation, preservation, housing, industry and investment.
A 'fantasy' carnival arrives early one morning and establishes itself on an isolated beach. The carnival imagery, with its colourful merry-go-round, presents the conflicting demands being made on the New Zealand coastline - for development, recreation, preservation, housing, industry and investment.
📷 View PhotoR24290435DOWN AND OUT ON THE WAITEMATA
Produced by the National Film Unit
Colour still
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Preservation Masterⓘ
A collage of old stills, old footage and present-day nostalgia for the days of the ferries in Auckland. Old-timers recalling past glories, harbour spokesmen in a snappy exchange, grown-ups, kids, and old folk contribute to this light-hearted film.
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'Alberton', an early New Zealand farm house, brings its memories to life when a film company arrives to produce a Victorian children's story. A kaleidoscopic view of a colonial home and its origins.
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In the summer of 1974 the Xth British Commonwealth Games came to New Zealand, and athletes from 39 countries, as well as visitors from at home and abroad converged on the city of Christchurch. As Games 74 records some of the events won and lost, it recaptures something of the sense of immediacy and sharing that made this event rather more than just another international athletic meet - for the participants, and for the country as a whole.
A theatre piece in mime showing the destruction of a majestic figure by sinister carnival characters, controlled by a "Mr. Big". The majestic figure and her courtiers are transformed into an affectionate nuclear family followed by a grand finale in the usual theatre tradition.
📷 View PhotoR24068717LEGEND OF THE WANGANUI RIVER
Produced by the National Film Unit
Black and white motion picture negative
35mm film strip, approximately 9 frames
Preservation Masterⓘ
Catalogue synopsis of film: The story of the Wanganui River, from its mountain source through deep gorges and dense forests and down to the coastal city of Wanganui, river-port and busy commercial centre.
The film shows how a fourth form social studies lesson, in which students try to change their school environment, teaches the youngsters and their teacher that social change raises unexpected support and opposition.
'Alberton', an early New Zealand farm house, brings its memories to life when a film company arrives to produce a Victorian children's story. A kaleidoscopic view of a colonial home and its origins.
📷 View PhotoR24289847TOEHOLD ON A HARBOUR
Produced by the National Film Unit
Colour motion picture negative
35mm acetate film strip, approximately 8 frames
Preservation Masterⓘ
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TOEHOLD ON A HARBOUR
Written and Directed MIKE G. RYAN
Photography: BRIAN CROSS, SAM GRAU
Sound RON SKELLEY
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Sound RON SKELLEY
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12 x 10 cm cellulose acetate negative
Preservation Masterⓘ
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Looking down on Oriental Parade and the band rotunda from up in the hills.
TOEHOLD ON A HARBOUR
Written and Directed MIKE G. RYAN
Photography: BRIAN CROSS, SAM GRAU
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Proof print from film still of 'Aroha'. Story of Aroha, university student and descendant of Maori chiefs, and her struggle to find a full and satisfactory life combining European ways with Maori ways, in accord with her conviction that '...we cannot live as separate races in one country.'
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Written and Directed MIKE G. RYAN
Photography: BRIAN CROSS, SAM GRAU
Sound RON SKELLEY
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Film still from the film 'Land From The Sky' . Showing the story of the development of aerial top-dressing in New Zealand and the establishment of the aerial farming industry.
📷 View PhotoR24069350THE SOLDIERBOYS
Produced by the National Film Unit
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Preservation Masterⓘ
Catalogue synopsis of film: A day at the Regular Force Cadet School, Waiouru, shows teenagers turned into self reliant young men in an astonishingly short time.
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📷 View PhotoR24068748CHRISTCHURCH HARMONIC SOCIETY CHOIR
Produced by the National Film Unit
Black and white still photograph
6 x 6 cm cellulose acetate negative
Preservation Masterⓘ
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The film shows how a fourth form social studies lesson, in which students try to change their school environment, teaches the youngsters and their teacher that social change raises unexpected support and opposition.
'Alberton', an early New Zealand farm house, brings its memories to life when a film company arrives to produce a Victorian children's story. A kaleidoscopic view of a colonial home and its origins.
'Alberton', an early New Zealand farm house, brings its memories to life when a film company arrives to produce a Victorian children's story. A kaleidoscopic view of a colonial home and its origins.
Film still from the film 'Land From The Sky' . Showing the story of the development of aerial top-dressing in New Zealand and the establishment of the aerial farming industry.
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A 'fantasy' carnival arrives early one morning and establishes itself on an isolated beach. The carnival imagery, with its colourful merry-go-round, presents the conflicting demands being made on the New Zealand coastline - for development, recreation, preservation, housing, industry and investment.
The film shows how a fourth form social studies lesson, in which students try to change their school environment, teaches the youngsters and their teacher that social change raises unexpected support and opposition.
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Produced for Transport Department by the New Zealand National Film Unit
A theatre piece in mime showing the destruction of a majestic figure by sinister carnival characters, controlled by a "Mr. Big". The majestic figure and her courtiers are transformed into an affectionate nuclear family followed by a grand finale in the usual theatre tradition.
R24069520THIS IS NEW ZEALAND [Film release and screening photos]
Produced by the National Film Unit
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📷 View PhotoR24068724ART SURGEON
Produced by the National Film Unit
Black and white motion picture dupe negative with soundtrack
35mm acetate film strip, approximately 10 frames
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Catalogue synopsis of film: Mr Leslie Lloyd, Conservator of the Auckland City Gallery, performs a step-by-step restoration of a 300-year-old oil painting.
'Alberton', an early New Zealand farm house, brings its memories to life when a film company arrives to produce a Victorian children's story. A kaleidoscopic view of a colonial home and its origins.
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📷 View PhotoR24069011A LETTER TO THE TEACHER
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RADIO DEATH
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'Alberton', an early New Zealand farm house, brings its memories to life when a film company arrives to produce a Victorian children's story. A kaleidoscopic view of a colonial home and its origins.
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Gourds used by the ancient Maori for storing food were richly decorated. The art of decorating (and growing) them has been revived by an Auckland artist, Theo Schoon.
📷 View PhotoR24069604[Preparations for a Royal Visit]
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📷 View PhotoR24069412THIS IS KOREA
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'Alberton', an early New Zealand farm house, brings its memories to life when a film company arrives to produce a Victorian children's story. A kaleidoscopic view of a colonial home and its origins.
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A 'fantasy' carnival arrives early one morning and establishes itself on an isolated beach. The carnival imagery, with its colourful merry-go-round, presents the conflicting demands being made on the New Zealand coastline - for development, recreation, preservation, housing, industry and investment.
R24292145ONE OF THOSE PEOPLE THAT LIVE IN THE WORLD
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A theatre piece in mime showing the destruction of a majestic figure by sinister carnival characters, controlled by a "Mr. Big". The majestic figure and her courtiers are transformed into an affectionate nuclear family followed by a grand finale in the usual theatre tradition.
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📷 View PhotoR24290139CARNIVAL COAST
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📷 View PhotoR24289739THE YEARS BACK
Produced by the National Film Unit
Black & white film still
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Preservation Masterⓘ
From Episode 9 "The Unquiet Ocean" - Centring mainly on New Zealand's contribution to the Pacific War - made largely by the RNZAF - this episode details the period from Japan's entry into the war, in December 1941, to mid 1944.
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📷 View PhotoR24289939CHILDREN OF THE MIST
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📷 View PhotoR24290671A COLONIAL DOLL'S HOUSE
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Film description:
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Film still from the film 'Land From The Sky' . Showing the story of the development of aerial top-dressing in New Zealand and the establishment of the aerial farming industry.
17 minute colour documentary about three young ski instructors caught up in the endless round of double winters in northern and southern hemispheres, escape from the crowd to experience New Zealand's way-out snowfields - Tasman Glacier and volcanic Mt. Ruapehu.
Samoan men sit in two rows on ground preparing food.
Film Description
U.N. inspects Samoa
Black & white, 15 mins. 446 ft. The 1956 visiting mission of the United Nations Trusteeship Council is welcomed to Western Samoa, and sees the progress made towards self-government with New Zealand's help and guidance.
📷 View PhotoR24068968HOLIDAY
Produced by the National Film Unit
Black and white motion picture negative (full frame)
35mm acetate film strip, approximately 8 frames
Preservation Masterⓘ
Catalogue synopsis of film: An examination of the tourist industry, the fastest growing business in New Zealand: how far it's come and what's being done about its future. Made with a light touch, Holiday is handsome, informative, and amusing.
📷 View PhotoR23584038JOURNEY FOR THREE
Produced by the National Film Unit
Black and white photographic negative
4.75" x 6.5" Cellulose acetate negative
Preservation masterⓘ
Film still from 'Journey for Three'. Story film of three British immigrants settling in New Zealand - their reactions to their new country, and its reactions to them. Splendid town and country scenes as backgrounds to their adventures and misadventures. Exciting rescue of injured climber in the magnificent mountain setting of New Zealand's Southern Alps.
A theatre piece in mime showing the destruction of a majestic figure by sinister carnival characters, controlled by a "Mr. Big". The majestic figure and her courtiers are transformed into an affectionate nuclear family followed by a grand finale in the usual theatre tradition.
R24290471TAHERE TIKITIKI - THE MAKING OF A MAORI CANOE
Produced by the National Film Unit
Black & white film still
35mm cellulose acetate negative
Preservation Masterⓘ
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📷 View PhotoR24068743BARRY BRICKELL - POTTER
Produced by the National Film Unit
Black and white motion picture dupe negative with sound
35mm acetate film strip, approximately 11 frames
Preservation Masterⓘ
Catalogue synopsis of film: A man alone, potter Barry Brickell lives and works on the Coromandel Peninsula. Here, he turns his wheel in the sun, working his own clay into shapes of strength and character.
Male and female actors (not in costume) practising play fighting antics in small living accommodation with bed, table and chairs visible.
27 min. Colour, 35mm film.
Description:
A 'fantasy' carnival arrives early one morning and establishes itself on an isolated beach. The carnival imagery, with its colourful merry-go-round, presents the conflicting demands being made on the New Zealand coastline - for development, recreation, preservation, housing, industry and investment.
R24291671NOT JUST A MATTER OF NUTS AND BOLTS
Produced by the National Film Unit
Black & white film still
35mm cellulose acetate negative
Preservation Masterⓘ
Man wearing glasses recording voice onto tape machine.
Film description:
Colour 13 mins. 35mm 1,150 ft. A montage of activity at the Wellington Polytechnic showing the range of courses offered and the atmosphere of this lively and up-to-date institution.
📷 View PhotoR24069556NEW ZEALANDERS IN SOUTH EAST ASIA
Produced by the National Film Unit
Black and white still photograph
5.5 x 5.5 cm cellulose acetate negative
Preservation Masterⓘ
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Catalogue synopsis of film: How young deaf children can best be helped by the family at home, particularly in the vital first 3 years of age. Later, special education as part of the national service of social welfare enables deaf children to take a full part in the life of the community.
Text on sleeve: 'Alberton Ball & Family Visit' - group
A 35min. 35mm colour film
'Alberton', an early New Zealand farm house, brings its memories to life when a film company arrives to produce a Victorian children's story. A kaleidoscopic view of a colonial home and its origins.
A theatre piece in mime showing the destruction of a majestic figure by sinister carnival characters, controlled by a "Mr. Big". The majestic figure and her courtiers are transformed into an affectionate nuclear family followed by a grand finale in the usual theatre tradition.
W5490W5490 - 16mm black and white film (silent) - 'On Tour' from the 'New Zealand Today' series, produced by Neuline Studios for National Film Unit. 1949.ⓘ
W3941W3941 - Pictorial Parade Information Sheets, National Film Unit Information Sheets, Camera Record Notebooks, Censor's Certificates, File Index, Shot Lists, and Alphabetical Index to Information Sheets and Pictorial Parade Items.ⓘ
Pictorial Parade Information Sheets, National Film Unit Information Sheets, Camera Record Notebooks, Censor's Certificates, File Index, Shot Lists, and Alphabetical Index to Information Sheets and Pictorial Parade Items.
W3878W3878 - Lantern Slides - Hubert Milverton-Carta collection -
Probably copies from National Publicity Studios series 6401 and 6403 (see neg numbers in items)ⓘ
W3676W3676 - Production material from the Land of Birds series, shot primarily by Grant Foster and Geoff Moon in the 1960s, including audio tapes, film prints, negatives, off-cuts and magnetic sound. This material documents the production process for this unique series, which used an inn ...ⓘ
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An alternative search system for Archives NZ, inspired by the beautiful simplicity of the beloved Archway system.
🔍 How does it work?
The search results displayed here are sourced directly from the backend of Archives NZ's publicly available Collections Search system, in almost exactly the same way that the official website works, but organised and displayed differently.
To start with, you can do a straight-forward search with a few keywords and an optional date range and whether to focus on digitised items. You then have the option to filter the results futher (such as by Series and Format - photos, documents, etc).
You can highlight search keywords in the results by clicking the orange text in 'X results matching {keywords}'
The Advanced Search allows you to search with criteria such as showing only Series or Agency results, records held in a specific location, plus sorting and grouping options.
You can also browse within a Series or Accession by clicking the Series name. Search for records within that Series by using the search box on that page.
Digitised records can be viewed by clicking on the thumbnail or the 'Show Scan' links. This embeds a simple viewer directly in the page. You can switch to the official Archives NZ viewer by clicking the 🌀 Archives NZ Source link under the viewer.
Reporting by RNZ's Phil Pennington produced an internal Archives NZ report on Collections Search, describing: "Several significant issues ... slowness, a lack of booking functionality and an external user design that makes accessing archival records difficult. The level of user experience in place now is well below what was in place before the roll out". The report goes on to detail a number of privacy breaches, "continued delays by the vendor" on software improvements, and outages of 29 days in total, out of the ten months since launch.
This alternative search system aims to address some of the shortcomings of Collections Search, such as:
Only 12 search results are displayed at a time
Pages load very slowly
Full name of search result is cut off after a few words
No direct link to scanned documents
Type of record (military records, divorce files, land records, etc) and access status is not shown
It is almost impossible to browse records within a Series or Accession
🔍 Are my searches private?
Great question! In a nutshell, your searches are visible to me, but anonymous.
Your search queries on this system are recorded in logs for a period of time, without any user-identifiable information associated with them, for debugging purposes.
I have no way of identifying you as a person, or associating your search queries with you.
This website does not use Google Analytics, Facebook Pixel, or any other analytics/tracking software.
🔍 Who made this?
I'm Luke Howison, a freelance web developer with an interest in genealogy. I have written a few homebrew tools to assist with this research, such as NZ Ancestor Search Helper.