🏢 National Film Unit

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1. American Cinematographer, Vol 60, No. 3, March 1979 2. 'CINEMA', from An Encyclopeadia of New Zealand, edited by A.H. McLintock, originally published in 1966. Te-Ara - The Encyclopedia of New Zealand, updated 9-Jun-2006. URL:http://www.TeAra.govt.nz/1966/C/Cinema/en. Viewed 21 September 2006. 3. Directory of Official Information, 1987. The State Services Commission. Wellington 1987. 4. Fry, Margot: A Servant of Many Masters: A History of the National Film Unit 1941-1946. Unpublished Masters Thesis. Victoria University Wellington 1995. 5. New Zealand Official Yearbook, 1946 6. New Zealand's Heritage, Part 93 7. New Zealand Tourist and Publicity Department Annual Report, 1987 8. Sowry, Clive, Article in periodical Cinema Papers, May-June 1980, Cinema Papers Pty. North Melbourne 1980. 9. Sowry, Clive, Chapter on film in Fraser, Bryce (et al) The New Zealand Book of Events, Reed Methuen, Auckland. 1986 10. TO 48/31 Amalgamation of Publicity Department with Tourist Department, 1950, Archives New Zealand Tourist Department (TO) Record Group 11. TO 49/87/10 Establishment of the National Film Unit, 1942-46, Archives New Zealand Tourist Department (TO) Record Group

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The State's involvement in film making can be traced back to 1907 when the Government Tourist Department employed J. McDonald to make some newsreels on New Zealand subjects to send overseas. Later on the Government Photography Office, operating under the Department of Agriculture made several films. In 1923 the Photography Office was absorbed by the Publicity Office, a new division of the Department of Internal Affairs. Scenic "shorts" and travelogues were produced for local and overseas tourist promotion. A private company "Filmcraft Ltd" was contracted to process these movies, and it built the Miramar Film Studios in 1928. In 1930, the Publicity Office became part of the new Department of Industry and Commerce, Tourist and Publicity. The department acquired Filmcraft's interest in the Miramar Studios in 1936, which became the Government Motion Picture and Advertising Studios.The 1940 Centennial film One Hundred Crowded Years was the fledgling studio's first significant production.

Impressed by the quality of war newsreels produced by other countries such as the United Kingdom and Canada, the Government established the National Film Unit in August 1941 to help publicise the war effort. The inauguration of the National Film Unit marked a change in policy to that of its predecessor. An important aim was to highlight New Zealand's participation in the war effort both overseas and on the home front. The Film Unit produced a regular and popular information newsreel entitled "Weekly Review".

In policy matters, the Film Unit was answerable to the Wartime Director of Publicity attached to the Prime Minister's Department, while the administration of the studios remained in the control of the Department of Industry and Commerce, Tourist and Publicity. In 1946 the National Film Unit became part of the Information Section of the Prime Minister's Department. The "Weekly Review" continued after the war, and the Film Unit also began making documentaries concerning national problems and undertakings, as well as films to the order of various government departments. The National Film Unit maintained considerable independent control over its operations and in the content of films produced.

In 1949 the incoming National Government undertook a wide ranging review of the National Film Unit. As a result of the review the National Film Unit became part of the Publicity Division of an expanded Department of Tourist and Publicity. Removal from the ambit of the Prime Ministers Department was seen by some as a downgrading of the independent status of the Film Unit. The National Film Unit was now placed firmly within the Public Service.

This new status was underlined by the selection of films to be made, which was to be determined by a Cabinet Sub-Committee. A new position of Manager was created which replaced the Producer as the senior position in the Film Unit. The Producer subsequently no longer had a role in policy fomulation. More robust accounting procedures were introduced and there was closer supervision of annual budgets. The Film Unit was also required to become a self contained trading unit and to compete with private enterprise. Efforts to compete in the commercial environment were greatly limited due to the largely non trade nature of the films the National Film Unit produced and the fact that the private film industry in New Zealand relied on the Film Unit's laboratories for nearly all its processing requirements. The film processing section became the Film Unit's biggest single revenue-earning operation.

Production of the Weekly Review ceased in August 1950 due to budgetary constraints and work demands from other departments. Allegations were also made that it was politically biased. Four hundred and sixty episodes in all were produced. In 1952 a monthly magazine film entitled "Pictorial Parade" was first screened and this became the Unit's main output until production ceased in 1971. The Unit also made documentaries at the request of government departments, films for national organisations, as well as many important films on its own initiative.

The arrival of television as a new medium in 1960 gave the National Film Unit increased demand for its processing facilities from the New Zealand Brodcasting Corporation. In the long term though there was competition between the two agencies for staff and resources as the NZBC developed its own film production facilities. During the 1960s efforts were made to integrate the Film Unit with the NZBC. The National Film Unit succesfully remained a separate entity based at Miramar until 1978 when the Unit moved to the new studio complex in Lower Hutt. In November 1988 The State Services Commission's Video Unit was merged with the National Film Unit.

By 1990 the Unit consisted of seven main sections: Production, Laboratory, Facilities, Video Services, Technical Services, Marketing and Administration/Finance. The Unit's role was to provide commercial services which met the needs of government and the private sector in the field of film and video production and sales, film and video processing, production services, and film consultancy services. Archives New Zealand, Wellington took over responsibility for the restoration and preservation of the National Film Unit's extensive archival film collection in 1988. In 1988 the Government announced its intention to sell the National Film Unit. In March 1990 the National Film Unit was sold to Television New Zealand.

During the 1990's a portion of the National Film Unit films were transferred to Archives New Zealand. The remaining National Film Unit films were managed by Television New Zealand's Archive until the closure of the Archive in 2013.

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Agency

AAPG

1941 ‑ 1990

Other

The National Film Unit was established to publicise New Zealand's participation and achievements during the Second World War. After 1945 the Film Unit expanded from producing weekly newsreels to making documentaries and films to the order of Government Departments. During its existence the Film Unit produced films for national organisations as well as many films on its own initiative. The private film industry in New Zealand relied heavily on the National Film Unit's extensive film processing facilities.

Lower Hutt, Wellington

Show History

The State's involvement in film making can be traced back to 1907 when the Government Tourist Department employed J. McDonald to make some newsreels on New Zealand subjects to send overseas. Later on the Government Photography Office, operating under the Department of Agriculture made several films. In 1923 the Photography Office was absorbed by the Publicity Office, a new division of the Department of Internal Affairs. Scenic "shorts" and travelogues were produced for local and overseas tourist promotion. A private company "Filmcraft Ltd" was contracted to process these movies, and it built the Miramar Film Studios in 1928. In 1930, the Publicity Office became part of the new Department of Industry and Commerce, Tourist and Publicity. The department acquired Filmcraft's interest in the Miramar Studios in 1936, which became the Government Motion Picture and Advertising Studios.The 1940 Centennial film One Hundred Crowded Years was the fledgling studio's first significant production.

Impressed by the quality of war newsreels produced by other countries such as the United Kingdom and Canada, the Government established the National Film Unit in August 1941 to help publicise the war effort. The inauguration of the National Film Unit marked a change in policy to that of its predecessor. An important aim was to highlight New Zealand's participation in the war effort both overseas and on the home front. The Film Unit produced a regular and popular information newsreel entitled "Weekly Review".

In policy matters, the Film Unit was answerable to the Wartime Director of Publicity attached to the Prime Minister's Department, while the administration of the studios remained in the control of the Department of Industry and Commerce, Tourist and Publicity. In 1946 the National Film Unit became part of the Information Section of the Prime Minister's Department. The "Weekly Review" continued after the war, and the Film Unit also began making documentaries concerning national problems and undertakings, as well as films to the order of various government departments. The National Film Unit maintained considerable independent control over its operations and in the content of films produced.

In 1949 the incoming National Government undertook a wide ranging review of the National Film Unit. As a result of the review the National Film Unit became part of the Publicity Division of an expanded Department of Tourist and Publicity. Removal from the ambit of the Prime Ministers Department was seen by some as a downgrading of the independent status of the Film Unit. The National Film Unit was now placed firmly within the Public Service.

This new status was underlined by the selection of films to be made, which was to be determined by a Cabinet Sub-Committee. A new position of Manager was created which replaced the Producer as the senior position in the Film Unit. The Producer subsequently no longer had a role in policy fomulation. More robust accounting procedures were introduced and there was closer supervision of annual budgets. The Film Unit was also required to become a self contained trading unit and to compete with private enterprise. Efforts to compete in the commercial environment were greatly limited due to the largely non trade nature of the films the National Film Unit produced and the fact that the private film industry in New Zealand relied on the Film Unit's laboratories for nearly all its processing requirements. The film processing section became the Film Unit's biggest single revenue-earning operation.

Production of the Weekly Review ceased in August 1950 due to budgetary constraints and work demands from other departments. Allegations were also made that it was politically biased. Four hundred and sixty episodes in all were produced. In 1952 a monthly magazine film entitled "Pictorial Parade" was first screened and this became the Unit's main output until production ceased in 1971. The Unit also made documentaries at the request of government departments, films for national organisations, as well as many important films on its own initiative.

The arrival of television as a new medium in 1960 gave the National Film Unit increased demand for its processing facilities from the New Zealand Brodcasting Corporation. In the long term though there was competition between the two agencies for staff and resources as the NZBC developed its own film production facilities. During the 1960s efforts were made to integrate the Film Unit with the NZBC. The National Film Unit succesfully remained a separate entity based at Miramar until 1978 when the Unit moved to the new studio complex in Lower Hutt. In November 1988 The State Services Commission's Video Unit was merged with the National Film Unit.

By 1990 the Unit consisted of seven main sections: Production, Laboratory, Facilities, Video Services, Technical Services, Marketing and Administration/Finance. The Unit's role was to provide commercial services which met the needs of government and the private sector in the field of film and video production and sales, film and video processing, production services, and film consultancy services. Archives New Zealand, Wellington took over responsibility for the restoration and preservation of the National Film Unit's extensive archival film collection in 1988. In 1988 the Government announced its intention to sell the National Film Unit. In March 1990 the National Film Unit was sold to Television New Zealand.

During the 1990's a portion of the National Film Unit films were transferred to Archives New Zealand. The remaining National Film Unit films were managed by Television New Zealand's Archive until the closure of the Archive in 2013.


1. American Cinematographer, Vol 60, No. 3, March 1979 2. 'CINEMA', from An Encyclopeadia of New Zealand, edited by A.H. McLintock, originally published in 1966. Te-Ara - The Encyclopedia of New Zealand, updated 9-Jun-2006. URL:http://www.TeAra.govt.nz/1966/C/Cinema/en. Viewed 21 September 2006. 3. Directory of Official Information, 1987. The State Services Commission. Wellington 1987. 4. Fry, Margot: A Servant of Many Masters: A History of the National Film Unit 1941-1946. Unpublished Masters Thesis. Victoria University Wellington 1995. 5. New Zealand Official Yearbook, 1946 6. New Zealand's Heritage, Part 93 7. New Zealand Tourist and Publicity Department Annual Report, 1987 8. Sowry, Clive, Article in periodical Cinema Papers, May-June 1980, Cinema Papers Pty. North Melbourne 1980. 9. Sowry, Clive, Chapter on film in Fraser, Bryce (et al) The New Zealand Book of Events, Reed Methuen, Auckland. 1986 10. TO 48/31 Amalgamation of Publicity Department with Tourist Department, 1950, Archives New Zealand Tourist Department (TO) Record Group 11. TO 49/87/10 Establishment of the National Film Unit, 1942-46, Archives New Zealand Tourist Department (TO) Record Group









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ID Name Scan Date Held At
🌀 R26271315 R26271315
COMMENT PETER REID R.1
Produced by New Zealand National Film Unit
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Wellington repository

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Moving Image

GF917

917

1262/Stock



Wellington
Wellington
🌀 R26271342 R26271342
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Wildlife "Kotuku" Dr. Falla S.O.F

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Wellington repository

Physical

Open

Moving Image

1262/4-6

1158

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Wellington
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[MISCELLANEOUS FOOTAGE] LAND OF THE BIRDS ROUTEBURN OUT-TAKES
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Wellington repository

Physical

Open

Moving Image

GF1117

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Wellington
Wellington
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Wellington repository

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39



Wellington
Wellington
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[WADERS (MIGRATORY)]
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93A

Roll no. R.E.2

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1975 Wellington
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Wellington repository

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Wellington
Wellington
🌀 R26270767 R26270767
[KEA] KAKAPO OPTICALS TEST
Produced by New Zealand National Film Unit
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1976Wellington
1976 Wellington
🌀 R26270680 R26270680
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🌀 R26270768 R26270768
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314

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Cameraman: Geoff Moon

20 March 1978





Wellington repository

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1978Wellington
1978 Wellington
🌀 R26270690 R26270690
[ALBATROSS] CHATHAM IS [Island]
Produced by New Zealand National Film Unit
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1262/13



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🌀 R26270642 R26270642
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1973

100A

Roll no. F.1

Cameraman: Grant Foster

Ranger weighs 230 day orphan chick, feeds squid to orphan chick, ranger mowes runway ready for take off, ship leaves Taiaroa, chick remains

9 October 1973





Wellington repository

Physical

Open

Moving Image

GF662

662

1262/11A



1973Wellington
1973 Wellington
🌀 R26270998 R26270998
[MISCELLANEOUS FOOTAGE] RELEASE 7 STRATEGY FOR SURVIVAL
Produced by New Zealand National Film Unit
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Wellington repository

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🌀 R26271081 R26271081
[ASPIRING] PREMIX PART 2
Produced by New Zealand National Film Unit
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Film editor: Grant Foster




Wellington repository

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Wellington
Wellington
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Wellington
🌀 R26271028 R26271028
[MISCELLANEOUS FOOTAGE] RELEASE 8 THE BIG GULL - KARORO
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1979 Wellington
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Wellington repository

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Wellington
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Wellington
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1972Wellington
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🌀 R26270848 R26270848
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Production No. 1936




Wellington repository

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Wellington
Wellington
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Wellington repository

Physical

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Moving Image

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Wellington
Wellington
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[KEA] KAKAPO EX MOON
Produced by New Zealand National Film Unit
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98B, 103

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[HONEYEATERS]
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Wellington
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Wellington repository

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Wellington
Wellington
🌀 R26271243 R26271243
GANNETS
Produced by New Zealand National Film Unit
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Wellington
🌀 R26271415 R26271415
JOB 1018 HIGH CLIMBING
Produced by New Zealand National Film Unit
1/4 inch open reel audio tape

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Manakau Harbour Roll M.K.3 M. Brown

Take 1 - Manakau Harbour

Take 2 - Manakau Harbour

Take 3 - Manakau Harbour - Oystercatcher - black backed gull

Take 4 - Manakau Harbour





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Physical

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Sound Recording

MK3

1156

106

1262/13



Wellington
Wellington
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1972

[Note: card for 8A in this case, info below is for 5A, which matches this audiotape]

Black Backed Gulls Ocean Beach (wild tape) 15 March 1972

Wave roar - open coast - no bird sound - a long take

Another round with a medley of black-backed gull calls superimposed

[This could be used anywhere with the Ocean Beach footage]





Wellington repository

Physical

Open

Sound Recording

5A

1160

228



1972Wellington
1972 Wellington
🌀 R26271278 R26271278
WHITE HERON (MUELLER)
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1970 Wellington
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Wellington
Wellington
🌀 R26271218 R26271218
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Waders Dialogue Shot BLI Takes 1, 4, 6-9




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1972 Wellington
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1971Wellington
1971 Wellington
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National Film Unit  >  National Film Unit Material - Colour prints, negatives and incomplete productions

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🌀 R11580586 R11580586
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🌀 R11579986 R11579986
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🌀 R11579587 R11579587
THE DAIRY INDUSTRY
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🌀 R11579987 R11579987
THE YOUNG GIANT KAINGAROA Reel 2
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1970



Wellington repository

Physical

Open

Moving Image

C27

232



1970Wellington
1970 Wellington

Archives NZ results via API under CC BY 2.0 license


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ID Name Browse Date Held At
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Wellington repository

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BrowseWellington
Browse Wellington
🌀 W3641 W3641
W3641 - Video Cassettes from the National Film Unit.

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BrowseWellington
Browse Wellington
🌀 W3589 W3589
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Ex-Circuit Films

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Browse 1960 Wellington
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Wellington repository

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Browse 1949 Wellington
🌀 W3335 W3335
W3335 - Tourist and Publicity, New Zealand Consulate General, Los Angeles - Films

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Wellington repository

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Wellington repository

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Browse 1927 ‑ 1976 Wellington
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Browse 1950 ‑ 1977 Wellington
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Sound tapes


BrowseWellington
Browse Wellington
🌀 W3942 W3942
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Wellington repository

Lantern Slides - Hubert Milverton-Carta collection -

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BrowseWellington
Browse Wellington
🌀 W3938 W3938
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Browse 1947 ‑ 1984 Wellington
🌀 W3663 W3663
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Browse 1953 ‑ 1990 Wellington
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Browse 1946 ‑ 1989 Wellington
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Browse1977Wellington
Browse 1977 Wellington
🌀 W6116 W6116
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Wellington repository

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Browse1990Wellington
Browse 1990 Wellington
🌀 W3676 W3676
W3676 - Production material from the Land of Birds series, shot primarily by Grant Foster and Geoff Moon in the 1960s, including audio tapes, film prints, negatives, off-cuts and magnetic sound. This material documents the production process for this unique series, which used an inn ...

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Accession


1960 ‑ 1983


Wellington repository

Production material from the Land of Birds series, shot primarily by Grant Foster and Geoff Moon in the 1960s, including audio tapes, film prints, negatives, off-cuts and magnetic sound. This material documents the production process for this unique series, which used an innovative and unique filming technique featuring long, continuous takes. It was New Zealand's first natural history film series, showing on Television New Zealand and internationally, and an award-winning nature program for the first episode of the series.


Browse1960 ‑ 1983Wellington
Browse 1960 ‑ 1983 Wellington
🌀 W3936 W3936
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Wellington repository

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Browse 1950 ‑ 1987 Wellington
🌀 W3471 W3471
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Wellington repository

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Browse1900 ‑ 1986Wellington
Browse 1900 ‑ 1986 Wellington
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Wellington repository

Films - Sound material


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Browse 1929 ‑ 1983 Wellington